Anton D
Addicted to Fun and Learning
- Joined
- Mar 17, 2021
- Messages
- 863
- Likes
- 994
People enjoying vinyl must chap you, so bad!Did You miss my last sentence.
You get credit for playing both leads in "Who's Afraid of Virginia Woolf."
People enjoying vinyl must chap you, so bad!Did You miss my last sentence.
Not a bit.People enjoying vinyl must chap you, so bad!
OK, your right. ROTFLMAOThey obvious gripe you, we can see your rage, it's humorous, but kind of sad.
And what have all those toys cost you in an effort to avoid the inevitable.
Digital recordings suffer none of these issues.
Simply wasted money, just like expensive cables and powercords, noise reducing grounding boxes, and all the rest.
If you guys really enjoy playing with all these snake-oil toys, be my guest.
Just don't continually try to deny or minimize the negative sonic effects of vinyls inherit problems to those of us that know better.
Just open your eyes...and never close them, and you will have arrived at his position on the hobby.Wait! Are you telling me some other medium became available that doesn't have any damned vinyl artifacts?
When did this happen???
God I feel like such an idiot!
This was what I did.I use a Mint Tractor, which is a custom made alignment tool (custom to one's arm/turntable) and it's allows high precision:
I also use the Degritter Ultra Sonic Record cleaner. So a record gets a deep clean before playing. (I only US clean a record once, then it's just using a record brush if necessary from then on).
I've played many of my records tons of times, especially some of my reference tracks. There may be some level of degradation going on, but if so it's not at a level I've noticed.
You change the subject like a master grumpus.
Enjoying vinyl is not saying magic cables lift veils. You are simply obfuscating from a loser's unhappy position.
They obvious gripe you, we can see your rage, it's humorous, but kind of sad.
You are right, I apologize for feeding the troll. I was kind of hoping to just keep him up until sunrise.It's not rage, humor, or sad - it is simple trolling to get a reaction. Not respecting an individuals preference is an easy way to get the desired "reaction".
Not “noiseless”Your claims, as usual, are at odds with almost everyone else in the industry.
IMHO , it's you that are hyperbolic, making exaggerated claims.
What do you call Mr Atmasphere's claims?
Me either, it's the same ole, same ole linec of exaggerations and ignoring the facts of what exists in the real world.
And what have all those toys cost you in an effort to avoid the inevitable.
Yeah I know. Have quite an extensive library of CDs, SACDs, BluRay audio discs, DVD-As and high res downloads.Digital recordings suffer none of these issues.
You know what’s a real waste of money? Dolby Atmos. What a crap format!Simply wasted money,
just like expensive cables and powercords, noise reducing grounding boxes, and all the rest.
If you guys really enjoy playing with all these snake-oil toys, be my guest.
No one here is denying it. And back at ya. Stop exaggerating it and plainly misrepresenting it on your end.Just don't continually try to deny or minimize the negative sonic effects of vinyls inherit problems to those of us that know better.
If you want to assert that vinyl is not subject to basic laws of physics like friction, I think it's on you to support that with evidence. I don't bear the burden of proof for the assertion "rubbing two objects together creates friction and will eventually wear them down".Unfortunately your assertions lack context and objective data.
Each play adds to the surface noise? Where’s the objective measurements that show this AND tells us the severity? I don’t believe you if you are saying the actual groove noise of a record audibly goes up with the very first play and each subsequent play.
When you say vinyl loses “peaks” I’m going to call B.S. There is no objective evidence that playing a record permanently deforms the groove much less does so in a way that reduces the amplitude of musical transients.
Miss tracking adds noise to a record. It’s not groove noise. It’s different and easy to identify.
If you want to assert that vinyl is not subject to basic laws of physics like friction, I think it's on you to support that with evidence. I don't bear the burden of proof for the assertion "rubbing two objects together creates friction and will eventually wear them down".
Essentially you're a bully - simply can't accept that others enjoy something you disapprove of. What's worse, you're repetitive and boring.
I don’t want to assert anything about the effects of record wear from each individual playing of a record without really really good objective data.If you want to assert that vinyl is not subject to basic laws of physics like friction, I think it's on you to support that with evidence. I don't bear the burden of proof for the assertion "rubbing two objects together creates friction and will eventually wear them down".
The bully part is more amusing than anything. But on a forum that is supposed to be science based, the blatant misinformation is problematicEssentially you're a bully - simply can't accept that others enjoy something you disapprove of. What's worse, you're repetitive and boring.
How dare you cite evidence!Did you see the evidence I posted for you, with comparison waveforms as well as sound clips, showing a record can be played 100 times on a decent turntable with negligible effects from that dreaded friction?
This is a good question. Some people have investigated using microscopes to search for record wear. There was a very interesting thread on ASR on this subject recently.
Record wear from frequent plays is "common knowledge", by that I mean that "everyone knows it". I had a good LP playback system before digital became domestically common and so absolutely everybody was an "LP expert" because it's all we had access to. You would not find a single person in the 70s who would disagree with the statement "frequent playing wears records out". Why did they believe this? Because they experienced it at first hand. I certainly have, but in those days I didn't have the test gear domestically to prove it.
Professionally I've experienced it first hand. In my experience, test records measurably degrade with frequent playing, especially the highest frequency cuts. However, recently, in a different ASR thread some tests have challenged this. So I have to assume there's something different about my studio experience and modern domestic playback systems.
I didn't see anyone do that.Anyone who makes claims about the actual audibility of the wear from a single play of a record definitely DOES bear the burden of proof for *that* claim.
Sure, I don't think it's very compelling evidence because it doesn't actually reflect real world use and wear of a record.Did you see the evidence I posted for you, with comparison waveforms as well as sound clips, showing a record can be played 100 times on a decent turntable with negligible effects from that dreaded friction?
“Point 1- I simply don't believe you. You're physically dragging a needle across a groove. This creates surface noise. The most pristine record in the world playing the most perfectly-mastered recording on a brand new SOTA turntable with a brand new expensive needle might have imperceptible surface noise, but every time you play it the noise floor increases and the peaks decline because you're physically scraping away a small amount of the material that makes up that groove.”I didn't see anyone do that.