Standard Pro Logic or Pro Logic II Movie or Dolby Surround upmix will send a mono signal entirely to the centre speaker.Adjusts how much of the common L/R signal is routed to the center during upmixing.
They're maximally steering - they're trying to pinpoint sound positions.
This is optimal for processing a Dolby Surround-encoded signal, to try to reproduce an original 5-channel mix. It means a Dolby Digital downmix-then-upmix does not differ much. But it's not ideal if you're working on non-Dolby encoded music content. Stuff tends to collapse to the centre too much, reducing the spaciousness.
Pro Logic II Music has a "centre width" control that changes where the centre signal goes to. At "0" it goes entirely to the centre, at "7" it goes entirely to L+R, and the default is "3", which sends it to all of them. (With a 2ms delay on the centre, apparently, for some psychoacoustic reason).
Dolby Surround has a similar on/off "centre spread" control. This briefly vanished in some firmware, but was restored, as noted above. I believe it's similar to the default "3" in PLII Music, but without the 2ms delay.
Pro Logic II Music has two other more obscure controls "dimension" and "panorama" which aren't available in Dolby Surround. "Dimension" is some sort of front/back balance (very subtle), and "panorama" is an option to route non-surround L and R to surround speakers. (So the isolated L component would go to L+Ls+Lrs, rather than just L, for example.) This effectively wraps the left-to-right non-surround soundstage around you, rather than having it in front of you.