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I thought that is what you were asking. On airpod i don't want to keep charging the thing.It's strange that most of the responses are strawman arguments comparing the airpod pro's I mention to over the ear headphones.
I thought that is what you were asking. On airpod i don't want to keep charging the thing.It's strange that most of the responses are strawman arguments comparing the airpod pro's I mention to over the ear headphones.
2V output will drive the Hane in default switch position to 120dB SPL Peak at 425Hz or 125dB SPL at <50Hz.2V (standard) output for most dongles might not be enough voltage, depending on linearity behaviour of the Z on those IEMs.
That's fair I suppose. I charge the case once a week when I go to bed if they seem low, and they obviously charge the buds whenever they are put back in their tiny little case. No wires to untangle when I take them out or put them away. I even took the audiology test and have the frequencies I'm deficient in boosted when in transparency mode. Horses for courses I guess. I wear them half of the day and forget they are in even when I'm not listening to music or podcasts.I thought that is what you were asking. On airpod i don't want to keep charging the thing.
Put it another way . Amir measured them as needing 170mv to get 94dB spl . How much more might you need ?2V (standard) output for most dongles might not be enough voltage, depending on linearity behaviour of the Z on those IEMs.
I own Meeaudio's P1 where Ohm is "only" 50 and can't get it real loud paired with Fiio Q1. 2V on that 50 Ohm IEM is just a joke. No spark, no emotion. It's not only about loudness.
I'm not using Apple products, so i can't comment on the airpods, but other buds (galaxy buds) were inferior in terms of comfort and usability (charging, EQ).It's strange that most of the responses are strawman arguments comparing the airpod pro's I mention to over the ear headphones. You mention bulky and Amir mentioned ear sweating, both of which have no relevance to airpod pro's. Not sure how it gets more portable than airpods pro. No dongle, needed, PEQ built into app, has microphone included and no wire to mess with. To each his own I suppose.
Interesting. I’ve never heard the galaxy buds compared to the other leaders in this market, (Apple, Sony, Bose) so no idea how they stack up. You are correct that eq is limited somewhat but there are some 30 presets you can choose from. Also, as you stated if you’re not in the Apple ecosystem many of the ease of use benefits are null and void.I'm not using Apple products, so i can't comment on the airpods, but other buds (galaxy buds) were inferior in terms of comfort and usability (charging, EQ).
From my understanding it seems that full airpod functionality is limited to Apple devices, so it is not an option for many people.
Due to its abnormal high 80 Ohm Z.
As Amir said: these are as sensitive as a pretty average over-ear headphone. Their impedance is similarly unremarkable, and will be much less susceptible to FR shifts from high output Z sources than the Truthear dual driver stuff. I can only speak for myself and my preferred volume levels, but I’ve found overly high sensitivity in many IEMs to be a *much* more serious issue than not getting enough power with completely average sensitivity headphones.2V (standard) output for most dongles might not be enough voltage, depending on linearity behaviour of the Z on those IEMs.
I own Meeaudio's P1 where Ohm is "only" 50 and can't get it real loud paired with Fiio Q1. 2V on that 50 Ohm IEM is just a joke. No spark, no emotion. It's not only about loudness.
2V (standard) output for most dongles might not be enough voltage, depending on linearity behaviour of the Z on those IEMs.
I own Meeaudio's P1 where Ohm is "only" 50 and can't get it real loud paired with Fiio Q1. 2V on that 50 Ohm IEM is just a joke. No spark, no emotion. It's not only about loudness.
You could recap the formulae for dBs versus voltage and such. Thing is, how would You mount some hearing protection under the IEM? Space is quite limited in there. As was already mentioned, I too have to always tone down the volume with my Zeros pretty much to end up at bearable spl, losing precious bits in countable numbers on the way - what a pitty. But if not, I would be deafend, which somehow contradicts my xpert status.2V (standard) output for most dongles might not be enough voltage, depending on linearity behaviour of the Z on those IEMs.
Only cheap linen pouch, no foam tips, no other but simple tips, no flanged tips, mhhhh ...... It's a no for me, stick with my Truthears so far .....
I fear for the durability of them with constant use. Imagine getting a stuck switch on one side.Am I the only one who thinks toggles are a feature worth at least half the asking price and some sensitivity loss?
You opened my eyes...I fear for the durability of them with constant use. Imagine getting a stuck switch on one side.
I fear for the durability of them with constant use. Imagine getting a stuck switch on one side.
This treble peak is even more pronounced there, very stingy.Here measurements on BK5128 by Hangout (Crinacle) with Harman IE 2019 as reference, it's a bit crowded but I wanted to include all switches combinations
View attachment 417246
https://graph.hangout.audio/iem/5128/?share=Harman_IE_2019_(B&K_5128)_Target,Hane
Ok, but independend of the individual location, there definitely is a pronounced treble peak that is hard to exactely localize, let alone EQ away. There are many offerings, in this price range or even well below, that perform better in this respect.That is a function of the fixture and will highly vary based on actual use. It is a resonance due to volume of the tube in front of the measurement mic. My GRAS fixture "high resolution" coupler suffers far less than typical coupler but it is still there:
View attachment 417117
These are the variations you can get without the damping in my fixture:
View attachment 417118
It is therefore impossible to know what resonance there is in real usage.
As I have said though, lack of standards in music production means you don't know if what is there is already exaggerated, neutral or diminished so there is no good solution here other than per track equalization or just ignoring it.
We've seen a curve for the "transfer impedance" before, see post nbr.17, which in my understanding isn't identical with a resulting frequency response. Maybe this the reason why it isn't compensated automatically, when creating a measured frequency amplitude response graph. Namely, it is unclear how that impedance would translate to amplitude. It depends on, just guessing, additional masses and pathways, flow resistors in the IEM.Ok, but independend of the individual location, there definitely is a pronounced treble peak that is hard to exactely localize, let alone EQ away. There are many offerings, in this price range or even well below, that perform better in this respect.
Among reviewed iems , TE Zero:Red and 7Hz Zero 2 surely show a smoother higher region, with Hane more resembling original 7Hz Zero:Ok, but independend of the individual location, there definitely is a pronounced treble peak that is hard to exactely localize, let alone EQ away. There are many offerings, in this price range or even well below, that perform better in this respect.
Yes, an inconvenient Truth: All these possibilities would kill me! I am sticking with my Crinacle Zero Red‘s: Same extremely low distortions, easy to add a tiny bit (2 dB) bass in the sub 140 Hz range, and last but not least, much higher sensitivity, which is handy for me as an IPad (6th Generation) user.I guess the advantage is flexibility but if you are the apprehensive type is going to be hell deciding which one is the best configuration for you.
I don't mind switches (or nozzles) as long as they are used only to adjust bass or treble level but having too many combinations is a headache, you stop hearing any difference after the 3th or 4th one.
I think for the price (and aesthetics) they are a year or two too late.