Yeah it does—doesn’t help for Qobuz or Tidal, but it works for the Apple Music store. I’ve never been quite sure what it does to the signal path in terms of resolution—whenever I add whatever form of EQ in the settings, the sound drops volume considerably, and to my ears sounds like it’s coming through a lead wall.
With Roon, they claim that their DSPs, including volume leveling, use algorithms that cause as little degradation to the original signal as possible—I think they have a technical white paper that explains the granular details of it, but I’ve mostly taken their word for it because I am very pleased with the results. In Apple’s case, not so much.
Regardless, I’m very pleased with my iFi-Gryphon. It has tons of power, true balanced headphone outputs, a very well-executed bass and presence boost, a working lightning OTG cable, a great digital GUI, a terrific form factor and build, and to me it sounds great. For an even more compact solution, I’ve also been very happy with my FiiO Q3, which also has a nice bass boost and a surfeit of power for my choice of cans.
I am glad to see that a FiiO portable recently got good appraisals on here, and I’m hoping for some of the newer iFi offerings to be put on Amir’s bench soon—they’ve recently cut the cord with their inviolable commitment to Burr Brown, and I’m still rooting for them despite their less-than-stellar assessments on this site.
In the past couple of years, brands like Topping, iFI, FiiO, Gustard and others have started producing some very well-made and noteworthy “audiophile” offerings that are honestly and accessibly priced. I’m determined to support such brands that demonstrate that digital audio has reached a technological age where mass-produced, extraordinary-sounding high resolution audio shouldn’t require significant expense, and should be achievable on any budget. It’s time for “premium” brands such as dCS, Chord, NAIM and PS Audio to be exposed for their felonious claims and disingenuous pricing practices.