I drove down to Tampa again for this year's show. I spent about half my time in the headphone rooms, and the other half in the stereo rooms. Here's my show report and highlights from the stereo rooms I visited:
Perlisten had two rooms at the show: a traditional two-channel room, and a home theater room.
The home theater room (Atmos 5.2.2 with Perlisten speakers and subs powered by Primare electronics) was a big hit with attendees. The crowd was a lot more diverse on every metric than the median two-channel room at this show, and there was some fizz around the HT room. The vendors decided to have 6-8 people at a time max in there, for calibration and space reasons. The line that built up outside was a nice side effect for them.
The 2 Minutes, 15 Seconds scene from
Top Gun: Maverick, which was one of dozens of movies available locally in the room, was played on audience request. I overheard that there was a verbal agreement between the show organizers and the vendor to keep the room under 90 dB SPL. This limit was easily passed, much to the frustration of the person whose job it was to monitor the levels. The room frankly sounded tighter than the theater in which I saw
Top Gun: Maverick, which I remember as just being loud without the clean, deep bass and even tonal balance that this room had.
I was able to spend some quality time with the flagship Perlisten speakers, the S7t, which were in a traditional two-channel configuration. Dan Roemer was hanging out in the kitchen if you wanted to talk to him. I'd say these were my favorite speakers I was able to demo at the show, with their very even tonality, great bass extension without a subwoofer, and clean playback at high volumes.
A dealer based out of Melbourne, Deep Dive Audio, had a nice-sounding old-school system. The only non-acoustic records I saw in the bin were Steely Dan, and Dire Straits. Thus I did as so many audiophiles have done before me: I dragged
Aja out of the bin for a system evaluation. While I thought the off-axis response of the speakers lent a bit of sharpness to Wayne Shorter's saxophone on the title track, the system sounded nice through the bass and mids.
There were KEF speakers on display this year, which was not the case last year, but I didn't get the chance to demo them. It was too loud for me to hang around and wait in the room to play something, and the room felt a bit too much like a car dealership.
I popped by the Orchard Audio room. The system was set up well, with an even response from the bass through the mids, and some extra juice in the treble. The amplifiers had no issues driving the speakers in this room, and in the other room with bookshelf speakers powered by Orchard amplifiers that I visited; I even had to ask the vendor to turn down the volume in the latter room.