I would only need about 5 channels, it would be great if we could have a custom AVR with upgrades for those 5 channels instead of getting 11 shoved in there.
I couldn't agree more! AVRs are designed specifically to supplement the "movie watching" experience, in other words, not critical listening to your favorite tunes. Stereo equipment makers assume you are focused on the audio and can hear the nuanced differences from the premium parts, design, DSP, etc. that all go towards stimulating only one sense - your hearing. Movie watching practically shuts down your critical listening skills with distractingly bombastic soundtracks and a compelling plot/dialogue. Given this reality, why would you want to pay more for extra audio performance that you will not notice. It's like asking why sports car owners don't buy an SUV or Minivan or vice versa. Or demanding Toyota offer more aggressive suspension tuning packaged with Michelin Pilot Sport tires on your Sienna Minivan. Completely different engineering and design objectives and constraints within a given budget.I dont understand how does this become a stereo vs avr when they are catering for different markets. Is it you folks ran out of things to argue about???..
What about something like a Yamaha AVR with DSP settings programmed specifically for music listening?AVRs are designed specifically to supplement the "movie watching" experience
You mean the "music listening" DSP that adds reverb to imitate the "music hall" experience? LOL I'm speechlessWhat about something like a Yamaha AVR with DSP settings programmed specifically for music listening?
I've listened to dedicated Yamaha DSP surround processors and flagship receivers that sounded pretty decent after one listens for a half hour or more and adjusts their mind to the effect. It was pretty good I thought. It did require some time to adjust otherwise the effect was foreign to me but I would use it at home if I wanted surround.You mean the "music listening" DSP that adds reverb to imitate the "music hall" experience? LOL I'm speechless
Hopefully you don't mean to incorrectly suggest that dreadful 'music hall' setting is the only option for music that Yamaha's AVRs offer.You mean the "music listening" DSP that adds reverb to imitate the "music hall" experience? LOL I'm speechless
That may have been the case at some point, but I think the gap has closed and today's AVRs would probably stand-up stereo gear in blind testing.I couldn't agree more! AVRs are designed specifically to supplement the "movie watching" experience, in other words, not critical listening to your favorite tunes. Stereo equipment makers assume you are focused on the audio and can hear the nuanced differences from the premium parts, design, DSP, etc. that all go towards stimulating only one sense - your hearing. Movie watching practically shuts down your critical listening skills with distractingly bombastic soundtracks and a compelling plot/dialogue. Given this reality, why would you want to pay more for extra audio performance that you will not notice. It's like asking why sports car owners don't buy an SUV or Minivan or vice versa. Or demanding Toyota offer more aggressive suspension tuning packaged with Michelin Pilot Sport tires on your Sienna Minivan. Completely different engineering and design objectives and constraints within a given budget.
I think it's really important to know if they are up to par. They've always gotten a bad rap from the stereo-only crowd so it's nice to see when everything checks out.I would NOT shed a tear if ASR would drop measuring the entire AVR segment…
I was not into the testing of AVRs initially but now I enjoy reading the tests and seeing the wheat cut from the chaff. There is a big following of readers at ASR that are AVR people. It's big business.I would NOT shed a tear if ASR would drop measuring the entire AVR segment…
If I was a betting man, I'd say that the new Onkyo AVR with Dirac should sound pretty incredible, and possibly better than similarly priced dedicated stereo systems without room correction (assuming appropriately sensitive speakers to match the Onkyo).That may have been the case at some point, but I think the gap has closed and today's AVRs would probably stand-up stereo gear in blind testing.
Has anyone performed such a (controlled) test?
LOL no I was just being a snarky, the last time I heard Yamaha's DSP effects were over 10 years ago so I hope things have improved since then!Hopefully you don't mean to incorrectly suggest that dreadful 'music hall' setting is the only option for music that Yamaha's AVRs offer.
I dont understand how does this become a stereo vs avr when they are catering for different markets. Is it you folks ran out of things to argue about???..
I couldn't agree more! AVRs are designed specifically to supplement the "movie watching" experience, in other words, not critical listening to your favorite tunes. Stereo equipment makers assume you are focused on the audio and can hear the nuanced differences from the premium parts, design, DSP, etc. that all go towards stimulating only one sense - your hearing.
[etc , etc]
I would NOT shed a tear if ASR would drop measuring the entire AVR segment…
What 2-channel amp can decode surround formats, handle bass management, and perform room correction?I can get a more powerful 2-channel amp. I can better better SINAD and overall performance from a 2-channel amp. I can use a cheap and fantastic DAMP with a two channel amp.
But mainly it's that I only use two channels and sub, even for movies.