So I think this is an opportunity to bring in a total and complete contrast into the "high end" turntable design philosophy - without starting YATT** to discuss it.
Rega's approach to (their) high end turntables is to go in totally the opposite direction with the Naiad, and construct them from spider web and soot. Admittedly this is still less than 10% of the cost of the OMA. I think when it was first "released" it was buyable for around £30K - but on a build to order and when we can find the man power to built it basis - and there doesn't seem to be a way to order one now. So perhaps more a concept turntable than an actual product.
A product unlike any other, created to push Rega’s philosophies to the extreme and prove beyond doubt that our lifelong mantra of ultra-light weight, high rigidity plinths and the use of key materials in key areas are paramount in constructing any serious performance turntable.
www.rega.co.uk
The design goal appears to be "lightweight but incredibly rigid" rather than "A few kg heavier than a chieftain tank" A philosophy common to all Rega TT with their foam cored plinths, including their current top of the range NAIA which is I think the productionised version of the Naiad - and at a positively cheap £12,500 with cartridge.
So the question is for anyone with mechanical design know how - how do the two approaches compare for (in the words of Roy Gandy) a vibration measuring machine?
EDIT- ooh - and would anyone be able to tell the difference between the £12,500 Naia, and the £360K K3 in a blind test?
**yet another turntable thread