- Thread Starter
- #181
The only thing they could do to make this worse is not accepting this return. Then we can add bad customer service to the issues of the hardware.Good luck with that, hopefully they'll do the right thing.
The only thing they could do to make this worse is not accepting this return. Then we can add bad customer service to the issues of the hardware.Good luck with that, hopefully they'll do the right thing.
Galen Gareis must have called in the troops over on the PS Audio forum. I heard he’s been trolling Amir over there after his review of the Iconoclast cable…
Well that would be dandy for me if the unit is defective, but I find it hard to argue with Amir and out of caution for me and my dac I believe he acted out of caution for the member who sent it in. Thank you Amir.dear amir I'm doing the devil's advocate because I'm passionate about the subject. my request to use ASIO is dictated by the possibility that the AES connection is faulty
and then I repeat that with the driver of the manufacturer ASIO it does not give problems, with ROON it works very well
this statement of yours I read only nowIt produced identical results to Windows PC driving it over USB/ASIO emulation. How on earth could it be broken in identical way?
I suspect that Luca will find a way to pin that on you, too.The only thing they could do to make this worse is not accepting this return. Then we can add bad customer service to the issues of the hardware.
So, since musical enjoyment is primary, the significant question to examine scientifically is: why do measurements of audio equipment sometimes differ sharply from what is subjectively heard by the listener?
This is a scientific question, though not one confined to physics and electronic date exclusively. As far as I know at this time we do not know the answer. It is not easy to explore, but it seems to me we should look to the fields of psychology and neuropsychology. For now, again, it seems we don’t know. Clearly enjoyment of music is a mental phenomenon.
I (partially) agree. I think the "measurement reports" of Amir cannot very accurately predict what impact a certain component will have on my music enjoyment. But, in absence of sufficient time and means to perform evaluations myself, the work of Amir does save me quite some money. They provide healthy evidence against the prejudice that expensive is better.What’s going on here appears to be neither science nor a review, but a measurement report.
Yes that is why I bought the Topping D90SE as a "control" DAC to evaluate all my other DACS. I agree with the general principle that DACS should measure well especially with respect to noise floor approaching 22-24 bits now, but measurements DON"T explain differences in tone, soundstage and dynamics, only unfortunately our ears. I don't mean to be purposely obtuse or flat earther I just seek to land on the best DAC for my tastes in my system for the money. I really wish that I don't have to spend more money than I already have to achieve the sound qualities I want my system to have, genuinely hoping the Topping ends up staying in my system so I can sell the rest!Fine, accepted. I wish your testing methods and understanding of what the purpose of a DAC is were equally capable, no offense. Your money will be much better spent if you’d acquiesce to the principle of not applying analog terms to digital audio devices.
Pure DACs should not have a “sound”—impure DACs do, in the form of distortion and noise, and that is what this DAC offers. You can get one that produces neither at a fraction of this price.
Agreed, but although this DAC isn't transparent even to CD resolution, would this be audible in most real situations with real world source material?Fine, accepted. I wish your testing methods and understanding of what the purpose of a DAC is were equally capable, no offense. Your money will be much better spent if you’d acquiesce to the principle of not applying analog terms to digital audio devices.
Pure DACs should not have a “sound”—impure DACs do, in the form of distortion and noise, and that is what this DAC offers. You can get one that produces neither at a fraction of this price.
You don’t seem to understand—DACs don’t HAVE a tone, soundstage or dynamics! Those endpoints are the responsibility of your amplifier, or more importantly, your headphones or speakers. This is a device that converts a stream of ones and zeros into an analog facsimile of the original master. If it’s applying any coloration to the sound, it’s not doing its job!Yes that is why I bought the Topping D90SE as a "control" DAC to evaluate all my other DACS. I agree with the general principle that DACS should measure well especially with respect to noise floor approaching 22-24 bits now, but measurements DON"T explain differences in tone, soundstage and dynamics, only unfortunately our ears. I don't mean to be purposely obtuse or flat earther I just seek to land on the best DAC for my tastes in my system for the money. I really wish that I don't have to spend more money than I already have to achieve the sound qualities I want my system to have, genuinely hoping the Topping ends up staying in my system so I can sell the rest!
BTW I agree that the new TAS review of the Topping is going to send waves through the traditional audiophile community though it may take some time, will be interesting to see what comes of it moving forward.
I'll also add that there are many discussions of science here, from the scientific investigation of human hearing, to how to scientifically evaluate subjective impressions, and to the science of transducer interactions with air and surfaces. These topics have been covered extensively, if not exhaustively, and go beyond merely measuring equipment.This site is oriented at assessing fidelity, specially of electronics. A DAC is expected to convert as perfectly as possible the digital signal into an analogue one, and the parameters that measure this performance are well known. There is very little room for arguing here. If your goal is not fidelity, and is subjective preference, this is a very different topic, but then the thing to compare are the measurements against the personal preference. In any case, listening to a DAC doesn't make any sense, as the measured parameters tells everything about what the DAC does.This is an important point.
Explain your question a little more please. Do you mean that the practical differences would be inaudible?Agreed, but although this DAC isn't transparent even to CD resolution, would this be audible in most real situations with real world source material?
Points at my signature.Well, in the case of Okto, my listening impressions correlated with measurements. Was I also biased here?
I'm not sure; that's why I ask. IOW, though this DAC is poor value, is it "good enough" subjectively?Explain your question a little more please. Do you mean that the practical differences would be inaudible?
And again, why should a brand new unit at such high cost ship with anything other than the latest firmware?
My point is that the measurement findings are secondary to the subjective sound quality. The minions here deprecated this dac solely on measurements. Measurements are the tail, sound quality is the dog.
I think this is one of the "issues" that stem from these reviews. Although it measures relatively poorly, it probably sounds fine due to limitations in either the rest of our systems or in our hearing. That causes people who own these units to get all hot and bothered and sign up to post here because their own experience doesn't match the results of the test. It sounds fine to them and don't understand why people are calling it an overpriced POS - hence the constant "have you even listened to it?" comments.I'm not sure; that's why I ask. IOW, though this DAC is poor value, is it "good enough" subjectively?
Yes, I know. I'm assuming that in the mythical break in of electronics, the assumption is more than one component is involved. It would be really odd if of the hundreds of components, only one were breaking in.[pedant]
singular phenomenon
plural phenomena
[/pedant]
Yey! Faulty unit response has arrived. It took longer this time, 177 messages.the possibility that the AES connection is faulty
“I’m not likely to make any progress here?” I think you are the one being dogmatic. Rather than hanging on to a belief that burn-in is real, why not open your mind and question your beliefs and look at the science? We are all here to learn, not to preach. Audio is science, not religion.I understand. Since the concept is totally rejected here with absolute certainty, I assume, break-in/burn-in is a laughable notion.
I'm not likely to make any progress here. I will say this. The issue is not what you know but what you don't know. It is epistemological. Science progresses by considering data that conflicts or challenges what is currently believed to be true. Dogma is not science.
Yes, he's lazy, that's why on any given week, he manages to post 4-5 product reviews despite also having a business to run during the day.Yes, what a pain. By pain you obviously mean the bother of having to stare at the remote and wonder if you could get away with doing a comprehensive review without it. It can't be the chore of installing the batteries because you didn't do that. Change the dpll setting? Fuck that. See how it works at 1.5v out instead of 2v? Fuck that. Change the filter selection to see if the high frequency distortion improves? Fuck that.
I don't understand why you are so lazy. Actually I do, nobody here on this forum cares that you don't bother and allow you to keep getting away with it.
The entertainment value of the forum response to the reviews is still there and to that I say, Well done.