I too must say that with Dirac I have had questionable results over time.
I think I have used it on 3 different systems, and in common there has always been the soundstage reduction effect. It really seems that the scene recedes and is limited between the two speakers.
I've never understood whether to consider it a flaw or a consequence of the more accurate reproduction, but I am more convinced of the second.
Uncorrected delay and phase discrepancies between speakers should actually contribute to the creation of a greater stereo effect than is actually recorded.
At the same time, however, they blur the details and clarity of the sound, in fact with Dirac active everything is much more tangible.
However, all this is valid between 100 and 500Hz. Above there is no big change other than the obvious magnitude correction.
A separate chapter however is for low frequencies. Dirac was made for that, and the result is night day. The correction is always much more "correct" and appreciable than the raw response.
On the other hand, it is where the room plays a decisive role and the alterations are significant.
I would add that a big variable on the quality of the perceived sound is the target curve. Changing the curve often results in a very different perception.
The fact that the ideal curve does not exist and that the preferred one has a boost at the bottom and a decreasing tilt towards the highs, indicates that there are factors that are mitigated in this way in order to have a natural result on the ear.
As a preference, I honestly don't like soundstage collapse... in fact I'm using a plugin to increase it and the result is similar to the not correct one.
For the record, these phenomena are not typical of Dirac but also of all other correction systems. Just read around the web. Evidently the correction is technically correct, but the result to the ear is, for not well defined reasons, more or less credible.