My personal taste leans towards Toole's curve for stereo listening due to its slightly less bassy profile compared to the Harman curve, which I find more suitable for multichannel movie setups. However, I receive feedback from a number of subscribers who desire a touch more bass after room correction. This might be partly attributed to my age (and the limitations of hearing above 15kHz) influencing my preference for slightly boosted treble.As is Floyd Toole.
But the point is that Harman Curve used colloquially in internet chatter can mean the target curve above, also seen in any of the downloadable Dirac targets from Arcam or JBL Synthesis, and the target curve that Dr Olive has published which has the odd looking bumps (but is what you want for a neutral sounding headphone).
My latest, unpublished method takes a different approach, eschewing target curves entirely. I believe a well-designed modern speaker, placed in the right environment (in terms of size and reflectivity), should shine on its own. My focus is on minimizing room influence and achieving a natural, speaker-centric listening experience. This involves inverting the minimum phase response at the listening position, as it's mathematically the only "stable" option for inversion. Using target curves and room reflections to enhance bass can introduce group delay and compromise the speaker's capabilities. Ultimately, I believe the ideal DRC "target curve" is the speaker's own anechoic response.
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