mononoaware
Addicted to Fun and Learning
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Hi,
I recently started experimenting with and purchased "full-range" Fostex drivers so here is some input about the drivers in a small back-loaded horn cabinet in particular.
I agree with some of the replies so I will address them as I go.
In a nutshell, they are a "particular use" speaker with the main requirements being:
1. Narrow speaker placement in a small room
2. Low level (SPL) near-field listening
3. Only realistic with acoustic instrument/vocal music.
The driver's I purchased are the most recent generation 10cm (3.9-inch) Fostex FE103NV.
Apparently they are now manufactured in china, previous generations were made in japan I am not sure when this hand over happened but I have no issue with it.
Edit: Also even with DSP EQ boosting bass below 70hz, the small back-loaded horn speakers are lean in Bass. Even the large Back-loaded horn enclosure is often recommended being paired with a subwoofer.
I am happy to listen to them with lean bass, inside a quiet small room. These are not for those who like bass punch, extension and SPL.
- FE103NV Specifications
The Frequency Response measurement provided by Fostex shows the driver only has its 10khz+ extension when directly on-axis (in front of the speaker). Move 30 degrees off-axis and response starts rolling off above 3khz, and you lose everything above 10khz.
I can confirm the 10khz+ region has very narrow dispersion.
Bass is almost non-existent according to the measurement it is very weak below 200hz.
Fostex's large back-loaded horn cabinet for the previous generation of the driver will improve the missing bass extension.
I do not have this enclosure specifically, but Fostex says bass is extended to 50hz which is similar to a typical modern bookshelf speaker, only the Fostex cabinet takes as much space as a typical modern floor-standing speaker and will have nowhere near as much SPL capability.
1. Narrow Speaker placement in a small room
By having the speakers ~40cm apart with drivers pointing straight into the room, and each driver at eye level aiming just past each ear, I am able to minimise the off-axis losses of high frequencies. In this position each driver is about 5-10 degrees off-axis in this position while sitting 1-1.2m away.
I believe this is how they are supposed to be listened to, in a ultra-concentrated near-field fashion.
Yes I think there is a connection to the Fostex driver DIY popularity in Japan. Small living quarters requiring narrow placement, living density requiring low SPL listening.
From my experience with the smaller Fostex FE103NV: with the correct setup (speakers placed a maximum of 40cm apart facing straight forward) I am able to get back the high frequency extension and also slightly extend the Bass with help from DSP EQ.
But I agree they are realistic only with certain music.
With the setup I have it does fine with vocal/acoustic instruments/string instruments and can get away with some well recorded upright double bass.
Where it fails miserably is reproducing a large instrument's scale, such as grand piano/orchestral music/even rock music where that all important kick-drum sounds like it is buried and 1/3th of its true size.
Maybe a large Back-loaded horn cabinet will help with extension, but since SPL is still very limited I highly doubt it would be enough to convince anyone.
2. Low level (SPL) near-field listening
The drivers are not designed to handle much power so I believe they are designed for (ultra)near-field listening at low SPL.
In a larger room with a larger cabinet tuned for bass extension, if you turn up the volume you will probably quickly over-heat and burn the voice coil.
I had them briefly set up in the lounge room for testing about 4m apart. Every time I played music I found myself ending up directly in-front of the either the left or right speaker.
3. Only realistic with acoustic instrument/vocal music.
Addressed after quote above.
-
So my general thought of these speakers is that they are a "charming novelty".
The way they sound best is setup nice and cosy taking up less than half the space of a desk.
Some might conclude a "particular use speaker" is a bad speaker. That's understandable.
The cabinet's are about 1/2 the size of the bookshelf sized studio monitors I have.
So the expectations of the FE103NV are to produce sound at roughly 1/3 scale.
And in that way it is charming, what a small simple speaker can do.
A simple miniature system in dimensions & sound. One step in scale below a bookshelf speaker?
I recently started experimenting with and purchased "full-range" Fostex drivers so here is some input about the drivers in a small back-loaded horn cabinet in particular.
I agree with some of the replies so I will address them as I go.
In a nutshell, they are a "particular use" speaker with the main requirements being:
1. Narrow speaker placement in a small room
2. Low level (SPL) near-field listening
3. Only realistic with acoustic instrument/vocal music.
The driver's I purchased are the most recent generation 10cm (3.9-inch) Fostex FE103NV.
Apparently they are now manufactured in china, previous generations were made in japan I am not sure when this hand over happened but I have no issue with it.
Edit: Also even with DSP EQ boosting bass below 70hz, the small back-loaded horn speakers are lean in Bass. Even the large Back-loaded horn enclosure is often recommended being paired with a subwoofer.
I am happy to listen to them with lean bass, inside a quiet small room. These are not for those who like bass punch, extension and SPL.
- FE103NV Specifications
The Frequency Response measurement provided by Fostex shows the driver only has its 10khz+ extension when directly on-axis (in front of the speaker). Move 30 degrees off-axis and response starts rolling off above 3khz, and you lose everything above 10khz.
I can confirm the 10khz+ region has very narrow dispersion.
Bass is almost non-existent according to the measurement it is very weak below 200hz.
Fostex's large back-loaded horn cabinet for the previous generation of the driver will improve the missing bass extension.
I do not have this enclosure specifically, but Fostex says bass is extended to 50hz which is similar to a typical modern bookshelf speaker, only the Fostex cabinet takes as much space as a typical modern floor-standing speaker and will have nowhere near as much SPL capability.
1. Narrow Speaker placement in a small room
By having the speakers ~40cm apart with drivers pointing straight into the room, and each driver at eye level aiming just past each ear, I am able to minimise the off-axis losses of high frequencies. In this position each driver is about 5-10 degrees off-axis in this position while sitting 1-1.2m away.
I believe this is how they are supposed to be listened to, in a ultra-concentrated near-field fashion.
Back when my wife lived in Japan, and I used to visit often. Akihabara had many small shops that catered to DIY single driver full range hobbyists.
I wonder if these things were popular in Japan due to their tiny living quarters. These shops were basically booths barely larger than your average office cubicle. My wife's old apartment was the size of my garage.
Yes I think there is a connection to the Fostex driver DIY popularity in Japan. Small living quarters requiring narrow placement, living density requiring low SPL listening.
If you are really fond of "one voice, one acoustic guitar" style music... they're pretty fantastic (especially for $300-400/pr) - for anything outside of that... no. If the signal has any amount of low frequency energy, everything goes sideways - and even if you're over 60... there won't likely be enough HF energy at all.
From my experience with the smaller Fostex FE103NV: with the correct setup (speakers placed a maximum of 40cm apart facing straight forward) I am able to get back the high frequency extension and also slightly extend the Bass with help from DSP EQ.
But I agree they are realistic only with certain music.
With the setup I have it does fine with vocal/acoustic instruments/string instruments and can get away with some well recorded upright double bass.
Where it fails miserably is reproducing a large instrument's scale, such as grand piano/orchestral music/even rock music where that all important kick-drum sounds like it is buried and 1/3th of its true size.
Maybe a large Back-loaded horn cabinet will help with extension, but since SPL is still very limited I highly doubt it would be enough to convince anyone.
2. Low level (SPL) near-field listening
The drivers are not designed to handle much power so I believe they are designed for (ultra)near-field listening at low SPL.
In a larger room with a larger cabinet tuned for bass extension, if you turn up the volume you will probably quickly over-heat and burn the voice coil.
I had them briefly set up in the lounge room for testing about 4m apart. Every time I played music I found myself ending up directly in-front of the either the left or right speaker.
3. Only realistic with acoustic instrument/vocal music.
Addressed after quote above.
-
So my general thought of these speakers is that they are a "charming novelty".
The way they sound best is setup nice and cosy taking up less than half the space of a desk.
Some might conclude a "particular use speaker" is a bad speaker. That's understandable.
The cabinet's are about 1/2 the size of the bookshelf sized studio monitors I have.
So the expectations of the FE103NV are to produce sound at roughly 1/3 scale.
And in that way it is charming, what a small simple speaker can do.
A simple miniature system in dimensions & sound. One step in scale below a bookshelf speaker?
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