Going down the rabbit hole of recordings of J. S. Bach's Das Wohltemperiete Klavier again. I know the first recording I heard was Wanda Landowska's weirdly Gothic set for RCA Victor, many moons ago. I've gone through many more since, including Davitt Moroney's relatively sane harpsichord account for Harmonia Mundi, Glenn Gould's notably eccentric set on his specially prepared piano (don't ask) for Columbia, Edwin Fischer's pioneering but scandalously messy account for HMV in the 1930's. There are many others I've heard, too many to number or account. But there's two sets, both from the "Russian School" I keep returning to, two sets with much in common. Sviatovslav Richter's set, originally for Europadisc, as far as I can tell, has been reissued by RCA, Melodiya, Alto and other labels. It fairly well known, as far as such recordings go. Samuel Feinberg's set should be much better known. It shares many of the good qualities of Richter's set. The sound isn't quite as good as Richter's, but it isn't bad. I find both sets much to be preferred to Glenn Gould's much better-known set.
Now that I've got Tidal, I'm going to explore other sets, like Angela Hewitt's. But meanwhile: