William Basinski made a career from it. Bjorn Olson has used cassettes in production to good effect. And, of course, there is no forgetting Chromdioxidgedächtnis by Felix Kubin.As someone who listens to ambient & drone music a lot, cassettes make a lot of sense for certain albums. You add randomness (hiss and breaks for example) that you couldn't have with plugins (even with some automation), and that's the only way to achieve it as far as I know.
Maybe but not for the same reasons. Digital is fundamentally different because of the prefect reproducibility.You think in about 20 years CD will make a comeback?
Eurorack modular ambient
Maybe even a portable one!
No it's not very obscure.That sure is obscure
One reason is that indy artist don't have the access to pressing plants that majors do, so in order to send a fan a tangible souvenir the band resorts to dubbing cassettes. It brings in ore revenue than streaming, that's for sure.I've been ordering new music recently and noticed an odd trend. Every site I've visited recently is offering cassette tapes alongside LPs, CDs and downloads.
Some examples:
Who is buying cassette tapes and why?
- https://shop.aurora-music.com/
- https://shop.adele.com/
- https://usstore.edsheeran.com/music-1.html
- https://store.billieeilish.com/collections/music
Martin
Metal tapes were better.As far as I know, nobody is making the older chromium type tapes which are the only ones which had any measure of performance (such as it was).
No it's not very obscure.
The tl;dr is that Eurorack is just a type of racks for modular music. Modular music is everywhere, Aphex Twin being the most popular name.Ah, I see. The pieces I listened to are very reminiscent of Chicane's early output or some of the relaxation/nature/rainforest/chillout style CDs I used to sell in the 90s.
So, basically, hipsters going back to analog patch-bay linked synthesizers like Jarre (Oxygene/Equinox/Magnetic Fields etc) did in the 1970s?
I don't think anyone is making those either. I know RTM is making cassettes, but these are based on their regular mastering tapes.Metal tapes were better.
Yup. Mostly pretty dreary music. Which is a pity given how much creativity goes into the hardware. That part of it is a cool scene.Ah, I see. The pieces I listened to are very reminiscent of Chicane's early output or some of the relaxation/nature/rainforest/chillout style CDs I used to sell in the 90s.
So, basically, hipsters going back to analog patch-bay linked synthesizers like Jarre (Oxygene/Equinox/Magnetic Fields etc) did in the 1970s?
Which is a pity given how much creativity goes into the hardware. That part of it is a cool scene.
TD was a huge influence on me in the late 70s. Rubicon and Phaedra are monuments in my life.Sure is. I have some pictures from the 1970s of Jean Michel Jarre's private studio with cables running everywhere from synth to synth. He built a bunch of gear too. I was fascinated in my teens with quality electronic music as it seemed so authentic when they built, adapted, connected and played a roomful of gear.