See it for yourself.I'm confident the 24-bit tone is there to, you can download it and look at it in an audio editor (or cheat and give it digital gain before the conversion to hear it).
See it for yourself.I'm confident the 24-bit tone is there to, you can download it and look at it in an audio editor (or cheat and give it digital gain before the conversion to hear it).
I don't think it would matter practically. If one were close enough to be hearing a +124db signal, they would be temporarily deafened anyway, if not permanently. If one is far enough away to hear a cannon blast without being deafened then it wouldn't be +124db. And a truly quiet orchestral hall is a dream worth realizing. Too bad one doesn't exist. There are realistic limits to the dynamic range a human being can actually hear. And there are real-world practical limits to the noise levels of recording venues.Re-read what I wrote. I said the SPL difference between a quite hall and the canon ball explosion.
You failed to see the joke... I give up...I don't think it would matter practically. If one were close enough to be hearing a +124db signal, they would be temporarily deafened anyway, if not permanently. If one is far enough away to hear it without being deafened then it wouldn't be +124db. There are realistic limits to the dynamic range a human being can actually hear.
To demonstrate it's not reproducible—or hearable, either is sufficient to get across that excessive concern with the bottom bits is unwarranted. And if it were reproducible, then it might be useful to get an idea of the loudness of the levels I'm discussing. That's the case with the 16-bit, but for the 24-bit we run into limitations. The obvious reference would be noise, but it's too hard to tell test noise from equipment noise. That's easiest to show with the 16-bit, of course. The second obvious would be sine tones, but then you have a resolution problem at the source level. I thought it was pretty clever to come up with the digital sweeps, bummer you think they are useless.Even you admit the file is not reproducible. What is the objective idea then?
I will start with files that have correct data in them firstI'd be happy to hear what you would do.
What's the joke?You failed to see the joke... I give up...
Forget it.What's the joke?
Depends on what type of music you listen to. Try synthwave or anything EDM, indie, etc. Waveform is just a blob.I think the complaints about loudness wars are overblown, and I said so in a teasing way. But we digress.
Why do you say that? The files have exactly the data intended. Did you try them?I will start with files that have correct data in them first
Humor is not allowed here, nor is subjectivity.What's the joke?
OK, you are having download issues or something. The files have been up since 2013, I assure you they are correct and appropriately named, I assure you the links are correct. As I noted, downloading from the direct links can be problematic with browsers, and I gave the link to the article containing the links. You'll find that they are the same exact links, with the files correctly named, the only difference is that you might do better by right-clicking the links in the article, and downloading that way. Honestly, I'm not sure what's going on for you, but I verified all of them multiple ways, the files are correct, they all sound correct (5-bit is loud, 16-bit is quiet, 24-bit is "not there"), and the bit levels are correct in RX 8.5-bit file is not empty but it is also 24-bit!
View attachment 162840
I remember when I was at Skywalker for a recording session. I mentioned to one of the staff [thinking I was making a joke] the possibility of Metallica recording there. This gentleman had a very serious look when he told me there's nothing he would welcome more than that. So, there are real world situations of recording that come close to the thought experiment you posted. I don't know how loud Metallica gets. I just know they are really loud. And recordings of the 1812 Overture are not thought experiments either. So I wonder what your point is.Forget it.
The fact is there are a few people here having the same issue. If files were corrupted on download we couldn't have opened them as the file headers will be fractured.OK, you are having download issues or something. The files have been up since 2013, I assure you they are correct and appropriately named, I assure you the links are correct. As I noted, downloading from the direct links can be problematic with browsers, and I gave the link to the article containing the links. You'll find that they are the same exact links, with the files correctly named, the only difference is that you might do better by right-clicking the links in the article, and downloading that way. Honestly, I'm not sure what's going on for you, but I verified all of them multiple ways, the files are correct, they all sound correct (5-bit is loud, 16-bit is quiet, 24-bit is "not there"), and the bit levels are correct in RX 8.
You can see the dB level on the right side if you enlarge the images.
I've verified by listening (5-bit and 16-bit), downloading via https, downloading via ftp. They end up as new download in my Downloads folder, I open them one-by-one with iZotope RX 8, they show the correct amplitude on the dB scale (see the photos above).The fact is there are a few people here having the same issue. If files were corrupted on download we couldn't have opened them as the file headers will be fractured.
I have posted what I am seeing using Audition, which is a major audio editor. Please download and open the files and show us what you are seeing.
Besides the 16-bit and 24-bit file being empty, all three files are 24-bit.
Oh—lol—look at your right hand scale. It is not empty, you just didn't give it enough vertical gain to see anything!16-bit file is also empty and it is in fact 24-bit!
View attachment 162839
Here are the download link of the files that I have downloaded using the links on your post. I only linked the two files that are empty. The 5-bit file is not empty.I've verified by listening (5-bit and 16-bit), downloading via https, downloading via ftp. They end up as new download in my Downloads folder, I open them one-by-one with iZotope RX 8, they show the correct amplitude on the dB scale (see the photos above).