MasterApex
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- May 3, 2021
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I have Benchmark LA4 and a friend brought his Topping Pre90 to experiment in one of my room setup.
We compared two use cases :
1) Direct stereo pre-amp
2) Front only pass thru from a multichannel Pre-pro
Direct Stereo compare:
In my listening room, both sounds very clean and good. However, with specific songs (For example: Diana Krall ‘Temptation’ , The Dave Brubeck Quartet ‘Take Five’, Eric Kunzel Tchaikossky 1812 ‘Cossack Dance’) we can blindly notice the audible presentation differences.
Front only pass thru compare:
We compared two use cases :
1) Direct stereo pre-amp
2) Front only pass thru from a multichannel Pre-pro
Direct Stereo compare:
- Oppo 105D XLR out --> LA4 ---> Mark Levinson 536 / 802D3 (Listening impression)
- Oppo 105D XLR out --> Pre90 ---> Mark Levinson 536 / 802D3 (Listening impression)
In my listening room, both sounds very clean and good. However, with specific songs (For example: Diana Krall ‘Temptation’ , The Dave Brubeck Quartet ‘Take Five’, Eric Kunzel Tchaikossky 1812 ‘Cossack Dance’) we can blindly notice the audible presentation differences.
- Typical Stereo phantom center Image is less focus on Pre90. With LA4, when we moved our heads 1- 2ft away from center, the center phantom image will phase clearly phase out.
- Use picture as analogy, Pre-90 presentation has high contrast (bass and treble sounds more distinct), LA4 presentation has more shades (instrument and voice harmonics are more detailed)
Front only pass thru compare:
- Oppo 105D HDMI out --> Marantz AV7706 XLR out (Set to -20dB volume setting) --> Mark Levinson 536 ===for baseline volume level matching, 70dBA SPL at 10ft listening position.
- Oppo 105D XLR out --> Marantz AV7706 XLR out (Set to -20dB volume setting) --> LA4 (Find “Unity” Gain setting ) --> Mark Levinson 536
- Oppo 105D XLR out --> Marantz AV7706 XLR out (Set to -20dB volume setting) --> Pre90 (Find “Unity” Gain setting ) --> Mark Levinson 536