It’s interesting how the speakers are laid out in that demonstration room: All the main players are clustered around the ATCs.
Also a bit of expectation bias in the video - he sort-of wanted the ATCs before he went in…
It’s interesting how the speakers are laid out in that demonstration room: All the main players are clustered around the ATCs.
yea, especially when in room response vs psychoacoustics, it's not easy to make one change his mind from the one he originally waned, unless it really sucksIt’s interesting how the speakers are laid out in that demonstration room: All the main players are clustered around the ATCs.
Also a bit of expectation bias in the video - he sort-of wanted the ATCs before he went in…
Honestly I think this is why I had such a visceral reaction to the 8361s - I expected them to be world beaters and they just... weren't?yea, especially when in room response vs psychoacoustics, it's not easy to make one change his mind from the one he originally waned, unless it really sucks
It could well be it, when you’re hoping for night and day difference and wow you, it’s very easy to be disappointed and turn to great disappointment.Honestly I think this is why I had such a visceral reaction to the 8361s - I expected them to be world beaters and they just... weren't?
I don't think it's mostly about expectations but it's more about the sound you like/dislike .Honestly I think this is why I had such a visceral reaction to the 8361s - I expected them to be world beaters and they just... weren't?
This is interesting. My Neumann KH150 sound “brighter” than my Genelec 8330…I read a million reviews about the KH120 before I bought them without hearing them , like I said they were too dark to me compared to the Genelecs .
Maybe the KH120II and the KH150 sound differently than the old KH120This is interesting. My Neumann KH150 sound “brighter” than my Genelec 8330…
I have 8030C and when the KH150 arrived I briefly thought the same. But then my feeling was that the 8030s could be a little brighter. Anyway, I have dialled down the KH150 top end by 1db. Needless to say, the KH150 are superior speakers and the best I have ever had (I am ex ATC owner).This is interesting. My Neumann KH150 sound “brighter” than my Genelec 8330…
Considering the cost, it should be.I have 8030C and when the KH150 arrived I briefly thought the same. But then my feeling was that the 8030s could be a little brighter. Anyway, I have dialled down the KH150 top end by 1db. Needless to say, the KH150 are superior speakers and the best I have ever had (I am ex ATC owner).
Dont expect such speakers to turn shit into wax like some people say...Honestly I think this is why I had such a visceral reaction to the 8361s - I expected them to be world beaters and they just... weren't?
I mean, it was on tracks I knew very well. I have a list of tunes I use to test.Dont expect such speakers to turn shit into wax like some people say...
Try it on best possible recordings and not just library that you listen.
What did you hate about them ?I mean, it was on tracks I knew very well. I have a list of tunes I use to test.
IMO this is the blind spot, when you got adapted to a set of tunes you get listened to often so you "know it well" in the old system, and all in a sudden you change to another speaker, be it better or worse, one would likely think "something is off", or even when one go from a good system to a better one, since most reproduction systems out there are just completely BS, the difference between good to better will be much less than one would expect from the data. it will be even more pronounced if you test the 8361 without GLM calibration comparing to the old speakers.I mean, it was on tracks I knew very well. I have a list of tunes I use to test.
IMO this is the blind spot, when you got adapted to a set of tunes you get listened to often so you "know it well" in the old system, and all in a sudden you change to another speaker, be it better or worse, one would likely think "something is off", or even when one go from a good system to a better one, since most reproduction systems out there are just completely BS, the difference between good to better will be much less than one would expect from the data. it will be even more pronounced if you test the 8361 without GLM calibration comparing to the old speakers.
I didn't like the way the mids sounded, mostly - they felt kind of "blurry". Things that I knew would be defined a certain way on speakers that make sense to my ears were just not right.What did you hate about them ?
that was quite a surprised twist, but I am wondering did you audition all in the same room, and if the 8361 and KH420 used the intended room correction to tune them to a specific target? coz muddiness sometimes is just where exactly the drivers or the speakers in related to stuffs around creating various room modes masking the range, and all those 3 sized rather differently so likely it could create some kind of illutions.I didn't like the way the mids sounded, mostly - they felt kind of "blurry". Things that I knew would be defined a certain way on speakers that make sense to my ears were just not right.
The low end also felt boomy but that may well have been the room.
The ATCs I was considering (the SCM50s) won in the mids by a lot, by comparison. However I'm not made of money so I ended up with KH420s, which were $7000 a pair cheaper and don't need subs to be full range. The SCM50s are great but they lack deep low end - ATC themselves spec F6 at 38Hz where F6 of the KH420s is 25hz, so the better part of an octave lower.
The GLM profile Vintage King had running was trash - they sounded better with it off. The KH420s were the only ones I couldn't audition in the same room.that was quite a surprised twist, but I am wondering did you audition all in the same room, and if the 8361 and KH420 used the intended room correction to tune them to a specific target? coz muddiness sometimes is just where exactly the drivers or the speakers in related to stuffs around creating various room modes masking the range, and all those 3 sized rather differently so likely it could create some kind of illutions.
hum~ if that's the case I personally won't compare them by ear, dealer showroom demo are always easy for them to tinker with room setting, any source profile etc. not sure about vintage king but in asia quite some dealer demo rooms have pre apply certain curve to the source to make the MLP in their demo room sound best with the speaker they wanted to sell most. they likely just used the default in room flat curve from GLM though, so not sure what they did.The GLM profile Vintage King had running was trash - they sounded better with it off. The KH420s were the only ones I couldn't audition in the same room.
If I had to rate the speakers I demoed by tiers, it would look like this:
S tier: DD8C, KH420, SCM50
A tier: Kii, Mesanovic CDM65
B tier: PMC 6-2, PSI A25M
C tier: 8361, Ex Machina Quasar Mk2
D tier: MM27 Gen2
VK is a pro dealer - they know better than to do that. And yeah, the only set that was actively bad was the Barefoots.hum~ if that's the case I personally won't compare them by ear, dealer showroom demo are always easy for them to tinker with room setting, any source profile etc. not sure about vintage king but in asia quite some dealer demo rooms have pre apply certain curve to the source to make the MLP in their demo room sound best with the speaker they wanted to sell most. they likely just used the default in room flat curve from GLM though, so not sure what they did.
I say so coz from the list you showed, all objectively falls at least into the good to very good speakers category if ignoring the price factor. in such case the room affects the sound one way or the other easily outweight what it could actually perform. have seen way too much cases where if one do a quick REW sweep one could see in the room mode region there are huge differences in FR even if they appear to be placed in the same spot.
What made the barefoots bad? i've never heard them but have heard that theyre not good and others then praising them.VK is a pro dealer - they know better than to do that. And yeah, the only set that was actively bad was the Barefoots.