TitaniumTroy
Active Member
JBL 4367 Studio Monitor loudspeaker
www.stereophile.com
After all of the abstruse and esoteric discussion of horns vs. waveguides that I've pored through (here and elsewhere), now I understand. Per no less of an authority than Stereophile, it's a waveguide because "JBL calls it" one....Above those ports and the woofers—which feature "Aquaplas-treated Pure Pulp cones," dual voice-coils, and neodymium magnets—there's a horn (JBL calls it a waveguide)...
By the way, Art and Alex are hardly the only Altec admirers among Stereophile contributors. Stereophile founder J. Gordon Holt was also a fan; read his short 1966 description of the Altec A7 "Voice of the Theater" speakers, which he placed on the first Recommended Components list in Vol.1 No.12. Many years ago, when they were still sold new and on Stereophile's Recommended Components list, even Kal Rubinson owned a pair.– Jim Austin
Just get the sodding things OFF the floor and sensible distance from walls and enjoy the music coming out of them. Their smaller sibling 4349 set up similarly with ear between the two drivers should also be great for those of us still into separate power amps and smaller rooms too
I knew I liked that @Kal Rubinson guy!
PS Do "we" know quantitativelly how getting these big two ways (the Valencias & the titular JBLs) off the floor cures things like steely treble?
Is this a tweeter axis thingy?
This is a very curious quote from the review:Since these are my current main speakers since 2016, I have been waiting for this review it seems like forever. I am curios why now, maybe Amir or someone can use their contacts at Harmon to find out.JBL 4367 Studio Monitor loudspeaker
www.stereophile.com
Since most of the spectrum is coming from the compression driver (the crossover frequency is 700Hz), it is odd that a driver would have such an audible and long break-in period. And no mention of this anomalous break-in effect from Erin in his review. I'm smelling bullshit.Listening
My first three weeks of listening to the JBLs were pretty miserable. They sounded rhythmically disjointed, grayish, soft, bass shy, and so incapable of creating a soundstage that I at first thought I had connected them out of phase. This confused me, because the Harman rep had informed me that these were demo units, presumably with many hours of use. Yet, after about 200 hours of play, the 4367s had improved dramatically, and after 300 they began to sound great. I later learned that the pair I received had only a few hours on them. Mystery solved.
Isn't "steely treble" what every Judas Priest record contains on their higher frequencies?"Steely treble" is always caused by metal dome tweeters. Everyone knows that!
Good point. He could have also been listening to Cousin Dupree on repeat for 300 hours. That would sound pretty Steely.Isn't "steely treble" what every Judas Priest record contains on their higher frequencies?
I'm smelling bullshit.
My thought exactly as I was reading the OP. Plus a review from stereophile! @TitaniumTroy, you should be writing the review, you are living with those speakers. Not that it would be of any interest to any one, since we would listen to them with a different room, placement, ancillary, etc..., but no less valid than some guy at Stereophile who still believe in speaker, or anything else, break in. Hilarious.I'm wondering why do you need to read a review for a product you already own?
“Compared to the Pass and Levinson, the Ayre subtly shifted my attention from the sound of Ocean's voice to the meaning of his words.”