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simple recordings?

alaios

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well what do i mean by that. For me that would mean 1-2 music organs, 1 singer and perhaps only 1 microphone. Something that allows you to pinpoint clearly the music sources on the stage.
Any tracks that you can suggest for that?
 
There are a few studios/engineers/labels who specialize in that, just google one mic recordings
 

Plenty of John Cuniberti vids on youtube labeled the Onemic Series.

Also any Chesky recordings before they started doing binaural. Those use a single stereo microphone.

Recordings from Mario Martinez are done with simple microphone pairs and he tries to get the result to accurately reflect real space.

Lots of very well recorded streaming examples are available to hear. One to a few instruments.
 
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Plenty of John Cuniberti vids on youtube labeled the Onemic Series.

Also any Chesky recordings before they started doing binaural. Those use a single stereo microphone.

Recordings from Mario Martinez are done with simple microphone pairs and he tries to get the result to accurately reflect real space.

Lots or very well recorded streaming examples are available to hear.
let me see if I can find those on tidayl
 
A lot of very old recordings are minimalistic in the way you describe. Before multi-track recording, everything had to be done live in one room. Totally different level of talent to create music like that.
 
How can I spot those? I want to listen to this kind of stuff in tidal
 
It seems you are looking for something not multitracked, or recorded in a single take. You might find The Trinity Sessions by Cowboy Junkies interesting.

Lots of pre 1960 orchestral recordings were not multitracked.
 
And that's what they use for their quality recordings....
 

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And that's what they use for their quality recordings....
Those are interesting microphones. The old Calrec Soundfield and current Tetra microphones use a different method to allow you to choose the pattern after the recording. Josephson does this in a another manner. I had a Lewitt for a while that let you do this. It can be very useful. You still have to figure out a good spot and get close to the right place to record. I would have thought such designs might become more common. They don't inherently cost a tremendous amount more. Josephson makes very high quality microphones as even their simpler mikes are quite expensive. Not that I've had one hands on.

I think the reason they haven't been more common is simple recordings are just a tiny market. Multi-pattern mikes are available and it doesn't take more than one extra connection to make the pattern selectable after the recording. But multi-miking is overwhelmingly the norm. So this isn't an advantage of much use in those conditions.
 
Probably not your kind of music (not mine, either), but this is a superb recording. Not single instrument, but simple, spare arrangements. Also not really minimally mic'd, but minimally effed with.
1711836632142.jpeg


Single instrument with vocal OK?

Patty Larkin (Live)
Not the best recording -- but a very honest sounding recording of an excellent singer/songwriter/guitarist in her prime
1711836705529.jpeg


Richard Thompson: Some of his classics re-recorded (relatively) recently.

1711836764315.jpeg


 
Probably not your kind of music (not mine, either), but this is a superb recording. Not single instrument, but simple, spare arrangements. Also not really minimally mic'd, but minimally effed with.
View attachment 360222

Single instrument with vocal OK?

Patty Larkin (Live)
Not the best recording -- but a very honest sounding recording of an excellent singer/songwriter/guitarist in her prime
View attachment 360223

Richard Thompson: Some of his classics re-recorded (relatively) recently.

View attachment 360224

YES, everyone of these are excellent recordings. Good music too.
 
I know opera is not especially popular in ASR, but the late '50s London/Decca recordings of complete operas satisfy the minimalist mic criteria (typically relying on a Decca Tree) and the resulting the stereo image is astounding. Unlike most "studio" recordings, these operas were staged, so one is able to hear the singers moving around within the sound field, not just side to side, but front to back as well. The London/Decca recording of Puccini's "La Boheme" conducted by Tullio Serafin is an especially fine example.

Many of the recent symphonic reissues (SACD) from the 50s and early 60s were recorded with similarly minimalist rigs and are similarly holographic.
 
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