Knosound? - - (maybe not, as they will then consider themselves covered for DOA items).With the current generation's confusion about the informal expression nob, the word knob and its use as a euphemism, I think Nobsound should seriously consider a name change.
I was thinking maybe dropping the word nob (or knob) altogether.Knosound? - - (maybe not, as they will then consider themselves covered for DOA items).
Naysound? - Limited Scottish Edition; (& 'Knosound' is free of the offensive b.)I was thinking maybe dropping the word nob (or knob) altogether.
An old thread but would like to share my experience so far - I’ve had much better luck with these than most people on the thread it seems - their A2 Pro is a nice sounding unit though they don’t make it any more I think - I take hardware for what it is and don’t mind non branded or startup brands - hard to say something is junk just because of who or where it’s made.Hi everyone!
I came by this Chinese audio/Hi-Fi make, Called Nobsound!
My question is if it is useable or if it is trash?
And if the results are bad on Paper, does that mean that it sounds bad for the Human ear?!!!
I have a pair of home made Speakers, witch sound great for me! So would it make a difference using my Speakers with a very good Amp or with Nobsound or similar?
Nice ! I didn’t know I could swap the op amp out - need to give that a shot - have you tried the 1612 as well and settle on the 1656 ?https://www.aliexpress.us/item/2255801005971202.html?spm
I had no problems driving a "quad pair" of Sony 6Ω SS-CS5's (4 speakers total with each set connected in parallel thereby halving their impedance) and tested thoroughly at outdoor party sound levels with the volume knob dialed at a minimum of 3/4 gain! The opamp (OPA1656) rolled unit remained slightly lukewarm and sounded nothing short of incredible. The source used was a XDuoo X3 DAP. I've since recently given the setup minus the X3 to my buddy who's Mom recently passed away and he's loving it. I'd really be missing it except I just just picked up an AIYIMA T8/A08 Pro combo that's connected to a subwoofer reinforced pair of JBL Stage A130's for my basement mancave ensemble. I consider most of Nobsound/Douk Audio's offerings to be the budget "Little Brother" equivalent to most of Aiyima's product catalog with this unit most definitely being an exception.
Ah you are referring to the amp in your link not necessarily the A2 Pro . I think I have a couple of these ones in the link as well - I found the bass better on the A2Pro but there may be other factors involved.. ( source, power supply etc )Nice ! I didn’t know I could swap the op amp out - need to give that a shot - have you tried the 1612 as well and settle on the 1656 ?
I don't have any experience with the A2 Pro you're referring to. I only have rolling experiences using the OPA1656 but I believe the 1612 is very similar. I probably would've rolled my new A08 Pro amp except it's opamps lack DIP sockets and it sounds just fine unmodded.Ah you are referring to the amp in your link not necessarily the A2 Pro . I think I have a couple of these ones in the link as well - I found the bass better on the A2Pro but there may be other factors involved.. ( source, power supply etc )
In a Galaxy far away Years later…. i discover this threadI have to laugh at idiots who buy a passive preamp, and then return it and give a one-star rating on Amazon because it doesn't "amplify" the signal. They apparently did not bother to figure out what passive vs active preamplifiers are, and cannot conceive that the prefix "pre" means before. And of course, anyone with a basic understanding or component audio knows that preamplifiers are located before (-pre) the amplifier in the signal chain, and do not necessarily amplify the signal- but rather they do add one or more "features" that can include a volume control, EQ/Tone controls, source switching, and even adding some "gain" for phono or other low-output sources.
The Douk/Nobsound XLR/RCA passive preamplifier seems to be sold around the world and targeted at people with active loudspeakers. No obvious bad reputation like many cheap ChiFi DACs and amps. Higher quality XLR passives start at $400-$500 (such as Khozmo, Axiom and Goldpoint), and go up to thousands of dollars each. I would not hesitate to buy a Douk/Nobsound unit if I needed one - especially from Amazon, where returns are easy.
Superbest AudioFriends.org did a comparison of the Goldpoint and the Nobsound and came to this conclusion:
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Near the mini DSP - but why are you bothering (I know you said "don't ask" but if we don't know why, it is difficult to advise on the best approach). What are you trying to achieve here?In a Galaxy far away Years later…. i discover this thread
in case you are still there, would you mind sharing your opinion?
Say you placed this between an Audio interface Output and a MiniDsp Flex which then goes into active Monitors (just lets not go into why .
When reading this "Conclusion: When used with at least 20 dB attenuation and very short, low capacitance cables the Nobsound NS-05P will come close to the performance of Goldpoint SA1X. „.
i wonder. Where should the cables be the sortest i.e where should the Volume controller best be placed? Near the MiniDsp or the near Interface (short cable wise)
I need a volume control that behaves like analog potentiometers behave. I am mixing music and editing sound.Near the mini DSP - but why are you bothering. What are you trying to achieve here?
Is the output of the audio interface too high for the MiniDSP?