I've been using a stereo playback method for about a year now that involves up-mixing 2 channel stereo into 3 channels, L-R, L+R, R-L.
A thread about it here: https://www.audiosciencereview.com/...k-elimination-reduction-par-excellence.39157/
This video explains that what I'm doing is a version of the Mid/Side method that is sometimes done with microphone setup and mixing and mastering:
I've been continuing to refine this system, and in working with it and comparing to regular 2 speaker stereo playback I've come to be more aware of tonal differences in sounds panned to the sides compared to center panned sounds, in both my setup and regular 2 speaker stereo. The lack of consistency in tone across the sound stage is, in my opinion, a serious detractor to sound quality, making it difficult or impossible to get the tone set correctly for everything in the recording. My 3 speaker upmix tends to cancel out bass in the side channels, since the bass tends to be more mono in a lot of recordings, so the signal differencing attenuates or completely eliminates it. This sounds to me like brighter, thinner tone to the sides. If I try to correct that with overall EQ, the center sounds get too thick and heavy. To solve that, I can EQ the side information independently of the center. When done correctly, the result of a more consistent tone across the sound stage is kind of startling. It's just not something I've heard that often.
This can also be useful for headphone listening. Take a 2 channel stereo track and create the same three channel mix, L-R, L+R, and R-L.
mix
L-R and L+R into the left ear and
R-L and L+R into right ear.
You're back to where you started, L in left ear and R in right ear, so what's the point?
The point is that before you mix them back together you can do EQ on the L-R and R-L without effecting the center as much, and EQ on the center without effecting the sides as much.
This gives you a considerably more powerful tone control. So far with headphones I've been intrigued again with the results of boosting the mids and bass on just the side channels. For whatever reason, the side panned sounds can seem slightly thin and bright to me compared to center panned images.
Another interesting thing you can do is adjust the center level up or down. For may main speaker system, I'm finding that about 1.5 or 2 dB of reduction of the mid levels has an overall desirable effect, helping to reduce the center speaker from dominating as it is the only truly coherent sound source in the room, which makes center panned singers just a bit too strong, dominating panned instruments and their own stereo ambience.
A thread about it here: https://www.audiosciencereview.com/...k-elimination-reduction-par-excellence.39157/
This video explains that what I'm doing is a version of the Mid/Side method that is sometimes done with microphone setup and mixing and mastering:
I've been continuing to refine this system, and in working with it and comparing to regular 2 speaker stereo playback I've come to be more aware of tonal differences in sounds panned to the sides compared to center panned sounds, in both my setup and regular 2 speaker stereo. The lack of consistency in tone across the sound stage is, in my opinion, a serious detractor to sound quality, making it difficult or impossible to get the tone set correctly for everything in the recording. My 3 speaker upmix tends to cancel out bass in the side channels, since the bass tends to be more mono in a lot of recordings, so the signal differencing attenuates or completely eliminates it. This sounds to me like brighter, thinner tone to the sides. If I try to correct that with overall EQ, the center sounds get too thick and heavy. To solve that, I can EQ the side information independently of the center. When done correctly, the result of a more consistent tone across the sound stage is kind of startling. It's just not something I've heard that often.
This can also be useful for headphone listening. Take a 2 channel stereo track and create the same three channel mix, L-R, L+R, and R-L.
mix
L-R and L+R into the left ear and
R-L and L+R into right ear.
You're back to where you started, L in left ear and R in right ear, so what's the point?
The point is that before you mix them back together you can do EQ on the L-R and R-L without effecting the center as much, and EQ on the center without effecting the sides as much.
This gives you a considerably more powerful tone control. So far with headphones I've been intrigued again with the results of boosting the mids and bass on just the side channels. For whatever reason, the side panned sounds can seem slightly thin and bright to me compared to center panned images.
Another interesting thing you can do is adjust the center level up or down. For may main speaker system, I'm finding that about 1.5 or 2 dB of reduction of the mid levels has an overall desirable effect, helping to reduce the center speaker from dominating as it is the only truly coherent sound source in the room, which makes center panned singers just a bit too strong, dominating panned instruments and their own stereo ambience.