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- Jan 20, 2019
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I have been thinking a lot recently about the difference between standing in front of a Cezanne (or insert any artist here) at a museum, and seeing a picture in a book. There is honestly no comparison at all, regardless of how good the reproduction in the book is-- the original has a sense of depth and life and movement that is palpable, and it comes directly from how the paint was applied to the canvas. 2-D reproductions can only be a pale approximation.
I feel like serious listening, like we all do here at ASR has something in common-- we trying to recreate the experience of standing in front of Miles Davis or Chopin when they were performing. The question foremost in my mind is "how close can we get and how do we get there?", and the visual art analogy really clarified it for me.
In the case of visual art, you have only one option: look at a flat, lifeless copy, or fly to the room where the painting is hanging.
But how do folks here think about obtaining that rich, complex experience with electronic reproduction of music?
I feel like serious listening, like we all do here at ASR has something in common-- we trying to recreate the experience of standing in front of Miles Davis or Chopin when they were performing. The question foremost in my mind is "how close can we get and how do we get there?", and the visual art analogy really clarified it for me.
In the case of visual art, you have only one option: look at a flat, lifeless copy, or fly to the room where the painting is hanging.
But how do folks here think about obtaining that rich, complex experience with electronic reproduction of music?