It seems you are mixing up the multitone measurements I chose to post (as Erin and I find them better correlating to audibility) with the usual harmonic distortion measurements where the tweeter stays well below 1%:Why is the distortion so high above 6k? Many high end tweeters manage better than 1% distortion in that range. I would probably find these speakers fatiguing.
Remember that those test levels are way higher than actual music content would have. Even if you listen loud, treble is lower than bass and mids. Especially high treble around 20 kHz. Just check the graph of some of your favourite songs, and see how many dBs down they are.Why is the distortion so high above 6k? Many high end tweeters manage better than 1% distortion in that range. I would probably find these speakers fatiguing.
16:08 in the video.I didn't see the impedance mini with EPDR? is there a table?
you're not reading the graph correctlyWhy is the distortion so high above 6k? Many high end tweeters manage better than 1% distortion in that range. I would probably find these speakers fatiguing.
For me, it's around a year and half of salary. And yes, I'd also get them if I could.This cost more than a car and i still want one
Define "don't need subs".For a truckload of money it better be good. Someone tell me about towers for under $5k that don't need subs. That's what we really need to know about.
You don't have to be confrontational. The BMR tower definitely does not need subs. The other two, maybe, maybe not.Define "don't need subs".
Philharmonic BMR Tower: -3dB @25Hz
Philharmonic HT Tower: -3dB @38Hz
Ascend ELX Tower: -3dB @36Hz
The Phils are under $5k/pr, the Ascend is a bit over $5k w/ ribbon tweeters, well under w/ dome tweeters. All are reasonably neutral with good directivity (not as ridiculously good as the Blades, of course).
How was that in any way confrontational? Everyone's definition of necessary bass extension will vary wildly based on preferences, listening habits, and environment. I was simply asking you to define yours.You don't have to be confrontational. The BMR tower definitely does not need subs. The other two, maybe, maybe not.
KEF Blade's just have slightly smoother directivity than 8361's. However KEF Blade 2's the transition from bass to mids in directivity is not as smooth as 8361's, you can see below:So other than esthetics, why would someone pick something like these obviously remarkable speakers over something like the Genelec 8361A (8351A for smaller space) or the Neumann Kh 420 (Kh 310 for smaller space)? Not a rhetorical question - I'm thinking of upgrading my family room (television and music listening) area (16'W x 20'L x 18'H) with a stereo speaker setup and just recently started shopping. Based on Amir's testing, I had pretty much narrowed down my choices to the flip of a coin/availability of the Genelec vs Neumann but these Kef's seem to be so good - maybe worth investigation. I guess back to my original question, are these speakers "that much" better than the other choices given the massive difference in price. BTW: Current setup is a pair of old Tannoy 10"/1" 2-way passive monitors (don't remember the model but from the 90s) attached to a Bryston 3B amp from the same period.
It was confrontational, coming across as a challenge. Kindly don't do it again to me.How was that in any way confrontational? Everyone's definition of necessary bass extension will vary wildly based on preferences and environment, it was simply a question so as to determine yours.