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Can anyone explain the vinyl renaissance?

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I'll give you a promise: I did not use settle in the way you read it. Not with all the meanness you added.
Nevertheless, I also perceived "settle" as a passive aggressive insult - just as I did your statement I pointed out a few days ago in post 9,123.

If you genuinely don't intend to belittle others in this discussion (and I confess, I find that difficult to believe) then you need to be looking for more neutral wording and phrasing.

In particular you need to avoid stating or implying what you believe others are doing like "settling", or "liking the opposite of better rather than worse". And avoid making (Or implying) statements about the motivations of others in ways that can be interpreted as belittling - especially when it files in the face of what they have actually said.

Here is another example of the type of thing to avoid.
You are like the person who is keenly interested in politics, but won't vote. Or the law student who won't observe the law. The priest who won't pray.
 
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One of the reasons upthread that I gave for listening to vinyl, is that I have generalized anxiety and depression and the ritual for preparing to play a record helps me focus on the music in ways that can be hard on a computer when I am anxious. His response was he had no problem concentrating. Again the denotation is that he has no problem concentrating, but mental health in this country is still highly stigmatized and a common reaction those of us with it get is along the lines of I get nervous too, but i just use self discipline to overcome it. Completely not understanding the difference between nervousness and anxiety (or sadness vs depression) and think I am just like them, so what’s the issue. This very often extends to denotations of cowardice and laziness. Newman’s response, in the context of my disclosure connotates an insult and a very clear one that is oft repeated in my culture. It does it in the guise of a simply statement so that Newman can disavow responsibility and further if challenged can throw it back in the challenger’s face by saying I am misunderstanding him or it is all in my head (the usual one since I have already admitted mental health issues).
Careful: that was me, not Newman. I made a comment about being able to listen to digital music and concentrate in a different context. You interjected, and yes, I misread your comment rather badly and challenged you, at which point you explained your particular health issue in some detail.

If you are still having a problem over that exchange, and reading it in that way, I'll apologise for that and leave the forum, it seems the only response I can make.
 
Nevertheless, I also perceived "settle" as a passive aggressive insult - just as I did your statement I pointed out a few days ago in post 9,123.

If you genuinely don't intend to belittle others in this discussion (and I confess, I find that difficult to believe) then you need to be looking for more neutral wording and phrasing.

In particular you need to avoid stating or implying what you believe others are doing like "settling", or "liking the opposite of better rather than worse". And avoid making (Or implying) statements about the motivations of others in ways that can be interpreted as belittling - especially when it files in the face of what they have actually said.

Here is another example of the type of thing to avoid.

Interesting. When @Newman completely mistook a post of mine a way back in this thread, to the extent of utterly raging about it, reporting it and momentarily having me banned until others corrected the misinterpretation (which I couldn't do, being banned). I don't recall a whit of acknowledgement or apology coming my way. Nothing. Would I offer asymmetric consideration of his clarification in this and probably a few other relevant cases? Probably not, I eventually learn to avoid gullibility after a few hits, and I mostly ignore now.
 
Careful: that was me, not Newman. I made a comment about being able to listen to digital music and concentrate in a different context. You interjected, and yes, I misread your comment rather badly and challenged you, at which point you explained your particular health issue in some detail.

If you are still having a problem over that exchange, and reading it in that way, I'll apologise for that and leave the forum, it seems the only response I can make.
We’re good. The context of the way you did it and your general thoughtfulness made me feel more comfortable fully explaining it.

Edit deleted reference to something that did not happen.
 
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We’re good. The context of the way you did it and your general thoughtfulness made me feel more comfortable fully explaining it.

Edit deleted reference to something that did not happen.
^That^ aside, In my opinion your explanation was a great service to us all, and a good reminder to be sensitive to others.

You sir, are still quit4 the gentleman (and brave) in my opinion.
And doubt I am the only one that wishes you well.
 
Interesting. When @Newman completely mistook a post of mine a way back in this thread, to the extent of utterly raging about it, reporting it and momentarily having me banned until others corrected the misinterpretation (which I couldn't do, being banned). I don't recall a whit of acknowledgement or apology coming my way. Nothing. Would I offer asymmetric consideration of his clarification in this and probably a few other relevant cases? Probably not, I eventually learn to avoid gullibility after a few hits, and I mostly ignore now.

Welcome to the club.
 
I had, one or two posts earlier, suggested that having vinyl as well as digital, which was pointed out as being the general case, (and I agree and said it applies to me too), allows the freedom to treat vinyl as 'a bit of low-fi fun' with no need to even compete or compare with digital. To which the reply was that I should have said 'lower' or 'lesser' because those are more accurate. My text above was simple frustration and I was saying 'call it what you like

This is where, again, reading someone’s post more carefully and with charity should save you frustration.

You’d written that “ Everyone should just agree” that vinyl is audibly inferior, low-fi, and not part of a serious pursuit of sound reproduction excellence.

I simply wrote that I disagreed (with the part I bolded) in terms of how I would characterize MY OWN impressions of vinyl on MY system, nor did I feel your characterization adequately described my OWN GOALS which for me include vinyl in my “ pursuit of sound reproduction excellence.” In other words that I care about hearing great sound from my vinyl just as I do from my digital, and generally feel I have achieved it.

If you read carefully, you would see that I was clearly, as always in this case, Just giving my own opinion, and NOT telling you that YOU should use terms like “lesser/lower fi.”

I was explicit about that writing in reference to your low-fi characterizations:

“I certainly wouldn’t begrudge anybody else characterizing whatever they are hearing that way. ”

And:

“But hey, that’s my experience. I totally respect anyone else having very different experiences and opinions when they’ve compared vinyl to digital.”

So if you really want to reduce your level of frustration leading to the type of post you are regretting, more careful and charitable reading of what I and others post would help solve that. I am less dissatisfied with the sound of vinyl versus digital than you are. This should not be an occasion for deep frustration (much less accusations of science denial, and all the rest).

But when people argue that settling for vinyl sound is settling for very, very little shortfall indeed, I disagree. I simply disagree,

That’s no problem to disagree of course. That will be your opinion. The problem is when you presented as more than that, as if your opinion simply represented “ science “ and that somebody disagreeing with your opinion becomes a “ science denier.” That’s where things go off track.

and I do so because of the objective evidence from controlled listening tests,

This is another request for that evidence, please. What is the objective evidence from controlled listening tests from which you can declare that my subjective assessment “ vinyl on my system CAN sound similar to a digital counterpart” to be false and in contradiction of science? Where is the objective evidence that a subjective assessment in certain cases that “ I find the differences to be somewhat subtle” is unreasonable or false?

Please look carefully at the caveats and qualifications in such statements.

. I put it to you that such an experiment would have yielded a strong and unequivocal preference for the control.

Yes, that is highly likely, especially since you’ve included many of the possible vinyl, artifacts and liabilities all in one track.

However, in the real world, the presence and significance of those artefacts are variable.
They can be plenty of instances where all those issues are not there, or difficult to hear and thus not obvious. That’s why, as I said plenty of people listening to my system, people who care about sound quality, don’t know when they are listening to a record versus a digital source. The Sonic problems you describe don’t always jump out.
We’ve had people post vinyl rips versus the digital counterpart on this very forum, and many of the issues you describe we’re not there or not obvious, and not everybody easily discerned the vinyl rip from the digital.

So again, can vinyl display all sorts of audible artefacts? Of course. Does it always display every single artifact? No. And when vinyl displays the artefacts are the artefacts always equally intrusive? No. Does the vinyl mastering for every record - the compromises in getting the sound of the original recording onto vinyl - have to be equally aggressive IN EVERY WAY ? No.

Which of those facts would you like to dispute?


This means that assessments of “ how different the vinyl sounds from the digital” are likely to vary on the recordings selected.
And also that individuals may differ in how they rate the significance of those differences.

But I still aspire to the levels above vinyl sound that are there, and I aspire to the levels above what my digital stuff is currently delivering.

Wonderful Newman! Great to hear it! Nobody begrudges you this at all!

The problem comes, as some keep pointing out to you, when you make posts that clearly contain belittling statements aimed at people who you think do not share your exact aspirations, or opinions of vinyl. Should someone talk about really enjoying vinyl, and dare praise the sound quality they perceive, for whatever reason your knives come out. This is the cause of much friction.

Also, when belittling those of us enthusiastic about records as having lower standards than you and lower aspirations, you seem to continually ignore that we have, just like you!, both high-quality digital sources as well as turntables! And as I pointed out so many times, I have a terrific surround system that I use all the time with great enjoyment! Very often up mixing two channel to surround with great results. And yet if someone like me dares to express happiness with the sound of vinyl as well… the belittling comments come.. claims of “ science denial” and all that.

If you want to be an ASR Truth Warrior, fine. But try to keep in mind the distinction between opinions (including yours) and The Scientific Truth, and perhaps practice some more charity in regards to reading the posts of others, and in your disagreeing with opinions you don’t share.
 
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Wonderful Newman! Great to hear it! Nobody begrudges you this at all!

The problem comes, as some keep pointing out to you, when you make posts that clearly contain belittling statements aimed at people who you think do not share your exact aspirations, or opinions of vinyl. Should someone talk about really enjoying vinyl, and dare praise the sound quality they perceive, for whatever reason your knives come out. This is the cause of much friction.

Also, when belittling those of us enthusiastic about records as having lower standards than you and lower aspirations, you seem to continually ignore that we have, just like you!, both high-quality digital sources as well as turntables! And as I pointed out so many times, I have a terrific surround system that I use all the time with great enjoyment! Very often up mixing two channel to surround with great results. And yet if someone like me dares to express happiness with the sound of vinyl as well… the belittling comments come.. claims of “ science denial” and all that.

If you want to be an ASR Truth Warrior, fine. But try to keep in mind the distinction between opinions (including yours) and The Scientific Truth, and perhaps practice some more charity in regards to reading the posts of others, and in your disagreeing with opinions you don’t share.

You correctly diagnosed why the thread keeps going. Is not that the vinyl renaissance has not been explained. It is that quite frankly it is hard to let go when the gentleman posts as indicated in the sections of your great reply that I have bolded.

I suspect this might be a factor

 
You correctly diagnosed why the thread keeps going. Is not that the vinyl renaissance has not been explained.
But there's also the fact that the subject is interesting and that there's new data concerning the phenom that crops up frequently. Some of what is going on is obvious trolling, but some is coming from fans demonstrating why people's interest in LPs has continued through the vinyl drought in the 1990's. As pointed out elsewhere, some of this so-called "renaissance" is more like a replenishment of stock after the majors gave up on LPs.
 
TBH, it can be said that people using vinyl are doing so for a reason other than getting the highest fidelity. They might cry foul and moan, and this may not have been the case in an earlier time period, but it is now.

How many have tried a $2000 DAC...., but a $2000 TT set-up is commonplace. Why?
 
TBH, it can be said that people using vinyl are doing so for a reason other than getting the highest fidelity. They might cry foul and moan, and this may not have been the case in an earlier time period, but it is now.

How many have tried a $2000 DAC...., but a $2000 TT set-up is commonplace. Why?
To begin with, making an audibly transparent DAC is easy. $900 worth of Topping will get you all the transparency currently possible. But turntables, even pricey ones, can have audible rumble or wow and flutter. Getting a turntable to get things exactly right takes a lot more effort.
 
But there's also the fact that the subject is interesting and that there's new data concerning the phenom that crops up frequently. Some of what is going on is obvious trolling, but some is coming from fans demonstrating why people's interest in LPs has continued through the vinyl drought in the 1990's. As pointed out elsewhere, some of this so-called "renaissance" is more like a replenishment of stock after the majors gave up on LPs.

It's also a format that needs to be refreshed occasionally just to keep the condition optimal. "Pent up demand", I say this without a ton of bias.

Also need to make a distinction between personal and commercial vinyl implementations. For lots of technical reasons they stand alone, but within the gap is someplace where a cultural affinity finds it's groove. As a group, they all ended up synergizing right now, but is the guy like me who bought a blem Back in Black LP in 1978 and saw the tour gonna align with an international mega club DJ based on mutual love of vinyl? How about the Golden Ear TT tweeker? Considering the passions involved, it almost seems like they should bond, and have something to talk about. But I don't think so...and maybe it points to how diverse vinyl users are.
 
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Among the reasons I bought a new turntable and new records was that it was a new thing to play with, a new toy. Shakes things up, diversifies my experience and makes things more interesting for me. I’ve never fully given up on the audio hobby, but it can wax and wane for me, sometimes I go years much more fixated on Home Theatre stuff.
The new turntable and records was one thing that led me to become deeply involved in two channel listening again.
 
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In my system good vinyl (Fluance RT85 turntable > Audio-Technica AT120Eb + VM540ML cart and stylus > Hagerman Bugle2 pre-amp) sounds better than the highest-rez Tidal digital (WiiM Pro > Emotiva Xda-3 DAC, converging to the same pre-pro, amps and speakers) -- not by a mile but by inches, and it does depend on the quality of the vinyl presssing. There were people arguing that digital was perfect back in the earliest days of CDs, when DACs frankly sucked by today's standards. They were wrong then; they still may be wrong now. You do need to know how to set up a turntable though; the cart and stylus are critical; and this only works with good, fresh vinyl.
 
TBH, it can be said that people using vinyl are doing so for a reason other than getting the highest fidelity. They might cry foul and moan, and this may not have been the case in an earlier time period, but it is now.
You would agree, though, that no one here (including those who enjoy vinyl) is crying foul or moaning about that, wouldn’t you?
 
In my system good vinyl (Fluance RT85 turntable > Audio-Technica AT120Eb + VM540ML cart and stylus > Hagerman Bugle2 pre-amp) sounds better than the highest-rez Tidal digital (WiiM Pro > Emotiva Xda-3 DAC, converging to the same pre-pro, amps and speakers) -- not by a mile but by inches, and it does depend on the quality of the vinyl presssing. There were people arguing that digital was perfect back in the earliest days of CDs, when DACs frankly sucked by today's standards. They were wrong then; they still may be wrong now. You do need to know how to set up a turntable though; the cart and stylus are critical; and this only works with good, fresh vinyl.

Define "better"...
 
TBH, it can be said that people using vinyl are doing so for a reason other than getting the highest fidelity. They might cry foul and moan, and this may not have been the case in an earlier time period, but it is now.

My own perspective is that I’m not seeking the highest Fidelity to the signal when I play records, since I would get that better with my digital source.

But I am seeking the highest sound quality (as I judge it ) that I can get with either my vinyl or digital source. I care about sound quality when I play records as I do when listening to my digital source.

How many have tried a $2000 DAC...., but a $2000 TT set-up is commonplace. Why?

What’s funny is how the audiophile need to tweak is never satisfied. When turntables reigned, there was at least lots of plausible ways that setting up your turntable and cartridge could affect the sound quality.

Once we moved to digital much of that was made moot. But that didn’t stop the audiophiles. They just moved onto worrying about separating transports, tweaking with magnetic and green marker cures, and then later with servers, you can visit the computer audiophile sites and see that they “ tweak” virtually every aspect of computer music server.

Even here, where people do not generally go in for woo woo tweaking, there is still an amazing amount of attention paid, measuring and specs-sniffing, to a medium that is essentially a solved problem.

Audiophiles can’t help themselves. Whatever the technology, they are going to poke about :)
 
They just moved onto worrying about separating transports, tweaking with magnetic and green marker cures
Can't leave out those CD rings that where sold for years. I tried one as it was a gift from a rep and it was useless... LoL. This was before I got a education in electronics and before I studied mechatronics.
CD Rings.jpg
 
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