Haha, that reminds me, there is a thread in another audio forum I keep an eye on, and the thread title is, “Show us your TTs”. Witty. I can’t help smiling.
Is it a TT (like the short abbreviation for urinating, as in "I have to go TT, Mama)?I should post pix of my car there?
Watching yet another new TV show where a turntable makes an appearance (signifying an at-home musical interlude) I notice again the easily-signified transition from plot-advancing-dialog via text message to introspective-moment-for-the-protagonist. I think we are stuck with it as a visual/narrative trope for the time being.
Yeah. Honestly, the “trading on vinyl being cool now” stuff in TV shows has become worth worthy of an eye-roll.
Maybe there's a blues artist recorded on it.blue LPs are the explanation for the vinyl renaissance?
One would hope so, actually.Maybe there's a blues artist recorded on it.
A bit late, but I wholeheartedly back this recommendation. 540 is just an excellent stylus. I'm very happy with it and I went through a lot of affordable styli of today. So much so that seeing some recommend 95 to be just as good, I'm a bit at odds.Your math is a bit strange or maybe I’m not getting it and it’s irony…
You buy a direct drive turntable. Even a new one, from technics you will get under 1000€.
You will probably end up using that thing a good 20 years before even thinking about having it serviced. No need to replace belts or anything else.
You don’t need to spend 1000€ on a ortofon black. You might as well just get a AT 33PTG/2 for 530€ that also has a ML stylus.
Or you go even cheaper with a AT VM540ML with the option to replace the stylus.
New records are expensive but there is plenty of stuff around 20-25€ . And of course used LPs are a nice option where you get nice VG+ or NM stuff for less than 20€
Streaming services are nice but not everything is on there. Especially not if you don’t want to listen to „whatever“ master is currently the one the publisher deems best
These are always "pat myself on the back" type of discourse. It can hardly escape this "buying one thing is an epic struggle against buying another thing" sort of delusion. As long as you're buying, the system doesn't care. You're just a part of it. It's impossible to change anything through buying. And as long as you're willing to give more of your money in the name of nostalgia, you're an even more desirable "foot soldier consumer".Billy Edwards’ student dissertation on the topic here: How can we explain the resurgence behind vinyl records….
There are some interesting statistics in there at least. The one that struck me after all the wasted pages here: only 15% of the survey respondents disagreed that vinyl brings the best sound quality.Billy Edwards’ student dissertation on the topic here: How can we explain the resurgence behind vinyl records….
There are some interesting statistics in there at least. The one that struck me after all the wasted pages here: only 15% of the survey respondents disagreed that vinyl brings the best sound quality.
Or that cognitive bias distorts perception...which, being indisputable, is far more likely than your conclusion.it suggests that "Sound Quality" as understood by audiophiles is nothing more that an opinion. A measure of personal satisfaction if you will.
Thought I would check in here to see if anyone had the answer yet in nearly 8000 posts. I think this paper is pretty well done, and mostly gets it all right.Billy Edwards’ student dissertation on the topic here: How can we explain the resurgence behind vinyl records….