I like reduced 3-6K, but Moondrop Lan exists for less.Anybody who wants a tuning like the Blessing 3 with subdued subbass might wait also a little longer and get the Project Red, supposedly below $100View attachment 278724
I like reduced 3-6K, but Moondrop Lan exists for less.Anybody who wants a tuning like the Blessing 3 with subdued subbass might wait also a little longer and get the Project Red, supposedly below $100View attachment 278724
I have a theoretical degree in theoretical physics.Ok, if you want to have it stated, I have a PhD in theoretical physics and some experience in data treatment, fitting and analysis.
But I prefer them for a good portion BECAUSE they are the most Harman compliant IEMs around.
Well, why not update with the cheap yet good Salnotes Zero?
What was your thesis on exactly?I have a PhD in theoretical physics
I doubt it, you can try to make fun of me, I will nevertheless have a real PhD degree in theoretical physis. And you just as a joke on an audio forum
Since the tilt used for each graph changes, a prospective buyer with an idea of wanting a warmer, brighter or balanced set will have no use for the graph, or be misled. By this move I'm sorry to say the issues predicted by @GaryH have become reality. It's in plain sight.Yes... THAT's why we're doing this clearly. You sure got us there lol.
Currently any reference curve based on DF + slope should be treated as being in 'beta'. Thankfully it's anchored to DF and therefore backwards compatible with other slopes, but we haven't established the preference boundaries yet, hence the need to test. In an ideal world, we have a setup where the user can input the tilt they want and then see how the data shakes out for themselves. This is also precisely what Crin is suggesting in the interview we did with Dr. Sean Olive. Maybe instead of... making wild assumptions and allegations about our motivations you may want to consider thinking about what might contribute to a more positive dialogue for how the data gets represented. After all, the point is to figure out how to best make the data useful to people.
Thanks for responding. I get where you're coming from but, though I wouldn't go so far as Gary, I do think it's misleading, whatever your intention. For example, if you wanted to compare the B3 to the B2, why not just use a measurement of the B2? In your Truthear Hexa review you just used a smoothed measurement of the ThieAudio Monarch Mk.II which I thought was much more useful and at least transparent. Even better, find a consistently measuring, affordable IEM which many people own so know the sound of (could be found via a poll) Of course this could have issues, it could be seen as a way to promote 1 particular product unfairly. Otherwise it kinda does look like you're picking a tilt that best fits the measurement after you take it. I know I've been/am being quite critical, I hope you see it as somewhat positive as my concern is also how useful the data is.
DF+slope is an effort to recreate the bass increasing effect of a flat speakers in real listening rooms. DF alone would represent a fully reflective room, which are used for some academic research. Real listening rooms in contrast have a mix of reflection and absorption.Can someone please explain to silly me or provide a link to the reliable source of information about the meaning of Tilt, 10dB Slope / 14 db Slope, etc. and most importantly Why to use modified targets instead of the regular DF target?
Please enlighten me a bit, as I really want to be able to understand everything you're talking about here guys, but I feel like I'm kinda missing the basic knowledge that you already possess.
That is what I know and have been clarified about this subject.Can someone please explain to silly me or provide a link to the reliable source of information about the meaning of Tilt, 10dB Slope / 14 db Slope, etc. and most importantly Why to use modified targets instead of the regular DF target?
Please enlighten me a bit, as I really want to be able to understand everything you're talking about here guys, but I feel like I'm kinda missing the basic knowledge that you already possess.
A 2dB tilt difference across the spectrum isn't massive, but it's still perceptually relevant. The argument is rather that the alternative of a 12dB slope doesn't exactly make the product look any worse, and therefore not a great 'smoking gun' for the intended narrative here. But the change in tilt has been explained multiple times now, including simply the fact that Crin's 4620 data was posted with a 10dB tilt and my post was in response to that with RA0402 data. I figured it made sense to post it with the same tilt.But if the argument is that differences are so small between tilt rates, why did he bother adjusting the tilt for each product then? That's not for @GaryH or anyone else to explain, I'm pretty certain.
Now I understand it, thanks a lot, it's simple and does make sense to me.But if the argument is that differences are so small between tilt rates, why did he bother adjusting the tilt for each product then? That's not for @GaryH or anyone else to explain, I'm pretty certain.
DF+slope is an effort to recreate the bass increasing effect of a flat speakers in real listening rooms. DF alone would represent a fully reflective room, which are used for some academic research. Real listening rooms in contrast have a mix of reflection and absorption.
A separate discussion would cover if DF+slope succeeds in doing what Harman does, providing a reference for headphone playback of content created for speakers. But you asked for a simple explanation.
Excellent, very good read, thank you very much, there is always something new to learn indeed.That is what I know and have been clarified about this subject.
"Sloped neutral" target curves for headphones and IEMs?
Some days ago I was reading reviews of headphones and IEMs, and their frequency responses compared against a "neutral" target curve, and that got me thinking... Contrary to a "preference" target curve, a "neutral" target curve, as far as I know, is defined by using a head (+torso?) simulator...www.audiosciencereview.com
This context wasn't stated, maybe some in your circle got the connection, I can see how blind spots occur. The perceived audacity of an objectivists framing should hopefully not trap you into giving off Pious aura. I usually appreciate guys like you and Crinacle being upfront, unlike many reviewers that don't disclose their commercial connections. Having a good reputation attracts sycophantic attention and it's human to let things go to you head some times, I've thought you handled this well overall.A 2dB tilt difference across the spectrum isn't massive, but it's still perceptually relevant. The argument is rather that the alternative of a 12dB slope doesn't exactly make the product look any worse, and therefore not a great 'smoking gun' for the intended narrative here. But the change in tilt has been explained multiple times now, including simply the fact that Crin's 4620 data was posted with a 10dB tilt and my post was in response to that with RA0402 data. I figured it made sense to post it with the same tilt.
But you can use anything from 6dB to 14dB and have it still make sense, it just depends which segment you prefer the data to be represented against.
Yes... THAT's why we're doing this clearly. You sure got us there lol.