mhardy6647
Grand Contributor
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Besides being a GILF?
Does Kenny G Make Good Music?
The documentary “Listening to Kenny G” will have you questioning your own musical taste.www.newyorker.com
I don't mind this kind of use of auto tune (even if I dont like that song) where its obviously used as an effect. Using it to correct bad singing is another storey. And using it to make a great singer sound perfect, taking away any character is the worst. Its like using autotune on Jeff Becks guitar to get rid of any wammy.Well... there was Cher.
That same Cher who now has the distinction of having had a hit record in each of seven decades.
I report, you decide.
Anyone heard Cher’s Christmas single? Awful. Still at nearly 80 at least she has an excuse for not being able to sing.
One of the thing that kept me from listening to opera is singers' pitch control. A lot of flute music too.Yes, you are right about them using autotune live. It is hopless.
Well, they are hopeless.
And 'older music, classical and jazz' is quite precise description of my music library.
Classical and jazz, I listen to, is almost exclusively instrumental, so no problem here and with my 'older music', I don't think they used autotune back then
Autotune is the surest way to make me unfollow anything. If you need it, you should not be anywhere as a singer. Please. Unlistenable crap from untalented pretenders.I wonder if this awful tool might be even more detrimental to musical enjoyment than the overuse of dynamic compression.
Once you’ve heard that synthetic, robotic twang on a singer’s voice there’s no going back. Even in moderation you can hear it - what’s the point of loosing the natural voice to some air brushed facsimile .
I had the Andrea Bocelli family Christmas album on (don’t judge me) and his son sounds like a Michael Buble clone.
I’m going to stick to old jazz LPs as I know the singers were actually singing unaided , the drummers could play good time and feel without a click track and the band could play together live with appropriate dynamics .
Rant over - happy Christmas
When did you realize that method could be used to correct a singer's pitch?
Around 1995 I was at a trade show, it was me and a couple partners, and we were with a person who was distributing our products. His wife was there, and we were talking about what products would be interesting to do next. His wife said, "Well, Andy, why don't you make me a box that would have me sing in tune?" I looked around at the table, and everyone just stared at their lunch plates, they didn't say a word.
So I thought, "boy, that's a lousy idea." About eight or nine months into the year, I'd gone to work for a different project, and I came back to that idea, I said, "you know, that's pretty straightforward to do, I'll do that." At the same trade show a year later I had producers ripping it out of my hands.
Was it ever bothersome to you that people seemed more interested in the synthetic, "discretized" sound, rather than how you intended the technology to be used?
Well, my emotional response was more surprise [laughs]. When I first heard the Cher song, my reaction was more like, "She did that?"
That's how I felt when I heard it too.
I almost didn't put that feature in the software, but I was told, "Why not, you know? It won't hurt." So that's how it got to be.
Interesting. I've tried opera, but can't stand it.One of the thing that kept me from listening to opera is singers' pitch control. A lot of flute music too.
Yes, if used like the designer originally intended. Used the way it usually is now, no way.Doesn’t auto tune measure as more accurate?
Correct, originally intended to correct pitch on the track.The designer claims (and I have no reason to disbelieve him) that it was intended for minor tweaks after the fact to clean up a track that might otherwise have to be redone. Obviously, someone cranked the knob to 11, and here we are.
In truth you've probably heard a lot of autotune without realizing it. It's just that the recognizable use is very objectionable after a while.Yes, if used like the designer originally intended. Used the way it usually is now, no way.
I find that even the intended use case is easy to hear on a few newer albums I’ve listened to. It’s a synthetic, unnatural quality on voices. It’s even worse when it’s used on harmonies and applied to multiple singers !In truth you've probably heard a lot of autotune without realizing it. It's just that the recognizable use is very objectionable after a while.
Absolutely, I was about to post something similar. "Autotune" is so good now, it's used in almost all commercial releases and with slight use it's nearly impossible to pick it up unless comparing to that exact singer singing without it. You're spot on though, when it's easy to be heard, it's very easy to pick... it's on purpose or the person is just terrible at singing. It's akin to airbrushing a picture, but for human singing. However its now being used as a desirable "effect"... in effect.In truth you've probably heard a lot of autotune without realizing it. It's just that the recognizable use is very objectionable after a while.
The intended use case is to correct the pitch with minimal work, and not have it affect the sound of the performance otherwise. If the producer is successful, you'll never know... but supposedly it's on basically every vocal recording nowadays. The only way to be sure it's not being used is to hear a bum note.I find that even the intended use case is easy to hear on a few newer albums I’ve listened to. It’s a synthetic, unnatural quality on voices. It’s even worse when it’s used on harmonies and applied to multiple singers !
Sorry if we’re taking at cross purposes - when you say recognisable use do you mean “Cher - believe” or something else
Is a singer that sings in tune an optionThe original, unlistenable performance, or the corrected barely-listenable one?