C'mon, Jim. I come from a scientifiuc background steeped in metrology and statistics. Except for having 6% improved conductivity, I cannot explain why solid silver can cause the ear-brain to solidify, detail, clarify, and perceive a soundstage as more natural. It just happens.
I was imperfectly happy going along listening to my ref system after climbing the Nordost (Ag-PLATED Cu) ladder for decades, blaming upper octave artifacts on source material, mics, CD res, etc. As soon as I configured a bunch of twisted-pair Ag strands in individual tubes and made jumpers for my Parsifals and decidedly...and repeatedly...heard differences I wouldn't have believed it either.
This revelation followed peeling back a Valhalla clone layer by layer and listening to matched pairs...not hearing a delta even when the naked strands were exposed. Comparison THEN to solid Ag was jaw-dropping and decisive.
The effect was even larger when I replaced my trusty 8' Nordost SPM with 1 12AWG matrix of silver strands I concocted. Replacing my RedDawn long XLRs wasn't as important as the speaker leads.
I am NOT going to claim that my cables have less L, C, or R than others, but simply that the ear-brain is capable of synthesizing soundstage retrieval and detail in ways that we simply don't fully understand...and haven't measured yet.
My 71 year old ears aren't as capable as decades ago, so I rely on very sensitive feedback from 40 yr olds with more acute hearing. One guy sweated comparisons with Tellerium Qs for a week, finally selling them off after a two month long series of rounds before picking them. Another guy recently shed his $$$ Ansuz after listening to my humble hand-builts. It isn't magical nor voodoo. Just build matrices of fine Ag strands in individual airy tubes to the desired AWG and terminate carefully.
I'd been listening through the Orchard ULTRAs for two years before recently deciding to build a pair in nicer chassis with better power supplies...and of course solid Ag thoughout. If they didn't sound different well that's ok, as I sold off the OEM pair anyway. But dammit, the soundstage improved AGAIN, so I might as well make some for others.
Like I said, I'm quite in the red, perhaps never seeing the black ever. If this was all bullshit I'd just ride my bike, play my Steinway (Schubert Sonatas and the classical Spaniards are faves), and revisit this 4-stringed mistress called a violin-cello I picked up recently.
I am NOT lurking to eventually submit cables or monos for measurement, as I suspect there'd be no surprises, as I don't think deltas are about phase, group delay, or other measurements pertaining to the complete coherence that solid Ag allows us humans to perceive.
I just wish I'd doubted silver-PLATED copper (or other bonded alloys) earlier in my life. I always wondered how B&W could get away with a huge upcharge on their "Signature" editions using internal Ag wiring. Overpriced? Of course. Audible? Undeniable.
I respect pure objectivists for their beliefs, of course. My chat with Galen of Iconoclast at AXPONA revealed his great reliance on electrical measurements to predict cable performance. But of course, as a Belden chief tech for decades! Others, like Jonny at Snake River, mix metals to arrive at various tonalities or spectral tilts to match a variety of systems' resolutions and personalities. Bravo. He's been at it awhile, as have George C and Ray K., to whom I'm grateful for guiding precepts such as the Golden Ratio and braided construction for self-shielding RCAs.
My aim is to match the elevated sensitivity of better Siltech and Crystal, as well Kimber Silver Signature, but at much lower prices. My limitation is the 2-4 hrs needed to hand-thread and complete 2 PCs or pair of ICs, and 6-8 hrs for a pair of speaker cables. Would I be doing this and shedding our savings if I was kidding anyone? Gimme a break. Try an AgPur cable for 27 days. If you can't hear the improvement in a good ref system send it back. Simple. Just don't think that it will act as a low pass like a lot of copper cables and tame a hot tweeter or eliminate distortion in a tube amp.
I'm pretty thin-skinned. Please be nice. Thanks.