Multicore
Major Contributor
- Joined
- Dec 6, 2021
- Messages
- 1,806
- Likes
- 1,985
I'm not going to read 33 pages of an old ASR topic to try and understand what you're talking about with 'misplaced "Classical Music Superiority Complex."' But I read Fluffy's opener which is articulate and, apart from a few minor quibbles, unimpeachable.Personally I find your posts packed full of the misplaced "Classical Music Superiority Complex."
We've been down this road before and rather than waste my time typing you can take a few minutes
to read one of the best posts I've ever read on the subject.
A millennial's rant on classical music
I've been wanting for a long time to unload all my issues with classical music, but didn't really find a judgment-free platform to do it on. From my short time as a reader in this forum, I believe there are enough people here who are classical music enthusiasts that are capable of having a...www.audiosciencereview.com
Mostly the only point he missed is that with a Symphony Orchestra packed with 50 to 100 players, there's probably a good number of
them who's musicianship is marginal but hey, who's to know? They got their seat because they were screwing either the conductor
or some deep pockets in the orchestra's supporting clan.
True stories abound. LOL
Let the rav's begin.
I'll leave Fluffy's personal history and aesthetic judgements aside and tackle only the elitism. Uh ... Duh! No right-minded non-partisan can really contest this because it is so obvious. I think it's worse than Fluffy describes when we consider the social and political purposes of symphony orchestras, halls and concerts etc. serve and have served through history, it's clear the cultural superiority is a reflection of social hierarchy. These things are objects of pride for priests/kings and their loyal subjects relative to each other. Today church, monarchy, and national dimensions are out of fashion and replaced by cities of culture, the homes of the European technocratic ruling class, competing with each other for vibrancy points with architecture, art, music, etc. It's all hideously antidemocratic. And this is even reflected in the bizarre nature of orchestra musicians, the only kind of musician who's art is not wanted or allowed, who should perform only what's on the page as the conductor says. Musician as technology. And there are great and ancient schools for producing these machines.
The situation is perverse and it's obvious to all involved. What, then, are we to make of the fact that many people, many of whom are perfectly realistic about these facts of the matter, myself included, still get a unique kick out of this kind of musical practice? Dismissing them as elitists with a superiority complex seems not very serious or logical to me. Other things must also be going on and I don't believe they are all social. Some, I believe, are genuinely aesthetic.
Last edited: