That oversampling is in more stages. Usual implementation is that the 1st stage can be fully or partially skipped if you feed the DAC with higher sample rate PCM signal. For example when you are sending 768k sample rate content to DAC, the 1st stage may be completely skipped. If you are playing 192k file, the first stage may go from 192 to 768k. The 1st stage oversampling ends at some common frequency for 44.1k / 48k sample rate families, for example 705.6 / 768k. Then at that rate the digital volume control may occur. Then the 2nd oversampling stage is usually a simpler one (repeating the previous sample or simple linear interpolation), because computing capabilities of a $10 DAC chips don't allow more at so high rates. Take it only as an example how it could work. The ESS schematics does not show much, for example https://www.esstech.com/wp-content/uploads/2021/04/ES9068A-Product-Brief-v0.2.pdfSorry for the dumb question but in this case at which stage does the preamp of the E50 DAC lower the volume ?
Extremely interesting. Now I also get why some may want to feed their DAC with Hi Res and DSD files.That oversampling is in more stages. Usual implementation is that the 1st stage can be fully or partially skipped if you feed the DAC with higher sample rate PCM signal. For example when you are sending 768k sample rate content to DAC, the 1st stage may be completely skipped. If you are playing 192k file, the first stage may go from 192 to 768k. The 1st stage oversampling ends at some common frequency for 44.1k / 48k sample rate families, for example 705.6 / 768k. Then at that rate the digital volume control may occur. Then the 2nd oversampling stage is usually a simpler one (repeating the previous sample or simple linear interpolation), because computing capabilities of a $10 DAC chips don't allow more at so high rates. Take it only as an example how it could work. The ESS schematics does not show much, for example https://www.esstech.com/wp-content/uploads/2021/04/ES9068A-Product-Brief-v0.2.pdf
That's the point which most people don't understand.Now I also get why some may want to feed their DAC with Hi Res and DSD files.
I am using ASIO or WASAPI, so I don't have experience. What I found on web indicates that lowering digital volume about few dB may be desirable.Do I need additional headroom from windows other than the CAudioLimiter (0.14db) ?
New here so I am probably doing it wrong. Anyhow, I really do appreciate the science based approach. The EQ suggestions (from the review on this site) for my Sundaras are really good. But the question I have is how to understand something about this DAC (which I own) and the Khadas Tone Board (which I own). I would guess from reading about both here that both must be linear vs. frequency response and measure very well. However, I note that the Khadas sounds rolled off in the treble by comparison. This was confirmed by "No Theme Review"This is a review and detailed measurements of the new Topping E50 balanced USB DAC. It was sent to me by the company and costs US $269. I just reviewed its companion headphone amplifier, the Topping L50.
The E50 takes my favorite orange LED display and makes it even nicer!
View attachment 150583
It is a gorgeous bright orange display. A single button turns the unit on and cycles through the inputs. You also get a remote control:
View attachment 150584
As you see, power is provided through a 5 volt barrel connector. Topping provides a USB to barrel cable adapter so you can use any USB power supply.
As with more recent Topping products, it uses TRS output for balanced output instead of XLR which takes up a lot more space.
Topping E50 Measurements
As usual we start without dashboard. Let's test the balanced output with USB input:
View attachment 150585
Another exemplary performance from Topping, landing it almost at top of all DACs ever tested:
View attachment 150587
RCA output is nearly as good:
View attachment 150588
Noise performance is excellent as well:
View attachment 150589
Linearity is as perfect as you can get:
View attachment 150590
IMD performance is excellent:
View attachment 150591
I see a hint of ESS dac chip IMD hump. I wonder if that is what powers it.
Multitone performance is superb with almost no frequency dependency:
View attachment 150593
Jitter over USB is perfect:
View attachment 150594
It degrades just a hair over Toslink/Coax:
View attachment 150595
There are three filers available:
View attachment 150597
They impact our THD+N vs frequency thusly:
View attachment 150599
Conclusions
What can I say but another star performance from Topping. Company is so focused on squeezing every bit of noise and distortion out of these products while providing them to us at bargain prices. And in this case, great looks as well. I wish I could complain about something but nothing comes to mind.
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As always, questions, comments, recommendations, etc. are welcome.
Any donations are much appreciated using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
I don't have a direct preference between the DACs on my Sundaras (2020) per se but is there anything in the measurements which can point to for this rolled off observations for the Khadas? The E50 / Tone Board is driving a Vorzuge Pure II headphone amp.
I have both DACs and I may try to measure them and compare later. These days I measured KTB and E30 for a AB testing. Filters differences aside, their frequency response had less than +-0.1 dB of variation and I couldn't tell them apart...New here so I am probably doing it wrong. Anyhow, I really do appreciate the science based approach. The EQ suggestions (from the review on this site) for my Sundaras are really good. But the question I have is how to understand something about this DAC (which I own) and the Khadas Tone Board (which I own). I would guess from reading about both here that both must be linear vs. frequency response and measure very well. However, I note that the Khadas sounds rolled off in the treble by comparison. This was confirmed by "No Theme Review"who is the type of person to not buy into any BS about differences in sound unless he can hear it in A/B via a switch box. I don't have a direct preference between the DACs on my Sundaras (2020) per se but is there anything in the measurements which can point to for this rolled off observations for the Khadas? The E50 / Tone Board is driving a Vorzuge Pure II headphone amp.
It does not sound harsh (KTB), but I will check to see if there is a FW update for it. To me the KTB is smoother but less detailed than the E50.I have both DACs and I may try to measure them and compare later. These days I measured KTB and E30 for a AB testing. Filters differences aside, their frequency response had less than +-0.1 dB of variation and I couldn't tell them apart...
I have both DACs and I may try to measure them and compare later. These days I measured KTB and E30 for a AB testing. Filters differences aside, their frequency response had less than +-0.1 dB of variation and I couldn't tell them apart...
Ah, your board firmware is up to date? People were reporting some KTB were sounding harsh and the latest firmware may have solved it.
I have both DACs and I may try to measure them and compare later. These days I measured KTB and E30 for a AB testing. Filters differences aside, their frequency response had less than +-0.1 dB of variation and I couldn't tell them apart...
I have both DACs and I may try to measure them and compare later. These days I measured KTB and E30 for a AB testing. Filters differences aside, their frequency response had less than +-0.1 dB of variation and I couldn't tell them apart...
Ah, your board firmware is up to date? People were reporting some KTB were sounding harsh and the latest firmware may have solved it.
I think the resolution in the bass is better than the KTB. It definitely seems to be fuller in the sub bass than the KTB. Because of the KTB rolled off highs, vocals seem more intimate and the image more grounded on the KTB. I have a A30 pro coming to see how it compares to my Vorzuge pure 2 with both DACSHow about the bass? Do you find it equal (as quantity) on those two dacs?
IMHO it is not the KTB that is rolled off, E50 has like +1db on treble. And I think not only there, on (mid?)bass also (I believe it is easy to hear that too), people refer to that as 'fuller'.
I would say E50 has a 'sound', like a 'loudness' preset which makes its somehow more 'exciting'.
I find it (by far) superior to KTB on every respect.
No such problems here, with 1.05 firmware (and Volumio 3.x).I just received my E50. Is it normal, that there is a popping sound when pausing the music? It doesn't happen as often anymore since I updated the firmware from 1.05 to 1.06 but it still happens way more frequently than with the atom dac, zen dac or e30.
Thanks for helping me.
No problems for me. Volumio and MOde in past. The fact that it happens with others DACs makes it seem like a problem with your PC/Streamer.I just received my E50. Is it normal, that there is a popping sound when pausing the music? It doesn't happen as often anymore since I updated the firmware from 1.05 to 1.06 but it still happens way more frequently than with the atom dac, zen dac or e30.
Thanks for helping me.
Ok thanks. I also don't have that problem when using moode. I'm going to test it with android and iPad os too and report back.No such problems here, with 1.05 firmware (and Volumio 3.x).
maybe since it has became quite easy to develop a DAC with Exemplary noise reduction and performance , can the review make further analysis on the items that may affect its reliability , quality of electrical components such as Capacitors and if internal operating temperature are suitable for the rated operating temps of its internal componentsI wish I could complain about something but nothing comes to mind.
who is the type of person to not buy into any BS about differences in sound unless he can hear it in A/B via a switch box.
If I'm not mistaken that's a muting function implemented by Topping on some of their DACs (D10s, D10 bal, E30 newer batchs). It's not a problem but can be annoying, even more when using IEMs. I took a time to get used to with the E50 and D10s.I just received my E50. Is it normal, that there is a popping sound when pausing the music? It doesn't happen as often anymore since I updated the firmware from 1.05 to 1.06 but it still happens way more frequently than with the atom dac, zen dac or e30.
Thanks for helping me.
I hear it on most track changes, even the same rate/bit depth/same album on the E30 but no the D70 or the D90SE. I believe I also heard it on the D10B but can't remember since I took it out of my HP system.If I'm not mistaken that's a muting function implemented by Topping on some of their DACs (D10s, D10 bal, E30 newer batchs). It's not a problem but can be annoying, even more when using IEMs. I took a time to get used to with the E50 and D10s.
How do you know there are two stages oversampling on this dac? First at 705.6/768k and the second at which frequency? You mentioned about 10 Mhz earlier.That oversampling is in more stages. Usual implementation is that the 1st stage can be fully or partially skipped if you feed the DAC with higher sample rate PCM signal. For example when you are sending 768k sample rate content to DAC, the 1st stage may be completely skipped. If you are playing 192k file, the first stage may go from 192 to 768k. The 1st stage oversampling ends at some common frequency for 44.1k / 48k sample rate families, for example 705.6 / 768k. Then at that rate the digital volume control may occur. Then the 2nd oversampling stage is usually a simpler one (repeating the previous sample or simple linear interpolation), because computing capabilities of a $10 DAC chips don't allow more at so high rates. Take it only as an example how it could work. The ESS schematics does not show much, for example https://www.esstech.com/wp-content/uploads/2021/04/ES9068A-Product-Brief-v0.2.pdf