LIΟN
Senior Member
Hello, yes, I agree with you.Now that is what I call “immersive audio” and I have often done the same in a variety of settings; there is so much more to audio listening than “fidelity” and what you are describing adds “realism” and “verisimilitude” with degraded “fidelity” reminding me the is a lot of innovation ahead of us when it comes to the enjoyment of music as experience.
Of course, as long as the recording and setup aren’t done incorrectly, most of the characteristics I hear are captured in the impulse.
However, the "nuance" and "atmosphere" that can fool my brain into perceiving those characteristics are not fully reflected.
Visual elements also carry a significant amount of information that influences our perception.
I’ve experimented with intentionally adding realism in other ways as well.
For example, if we go to a café, have a cup of coffee, and read a book (though I don’t really read books myself), music often plays in the background of the café. While this experience is far from the precise sound of maintaining proper center and symmetry in a listening room, the feeling of steam rising from a freshly made cup of coffee, sunlight streaming in, and music softly coming from somewhere distant—perhaps behind me, or from the ceiling—is a perfect match for that atmosphere.
That’s why I sometimes intentionally listen using a BRIR with a non-symmetric ITD and a distant HRTF that places the sound somewhere behind or near the ceiling, rather than directly in front. (I also add a touch of rough early reflections.)
It feels quite café-like. It’s as if the music is playing from somewhere in the background, and it suits the "mood" I’m aiming for perfectly.