D
Deleted member 60987
Guest
Anyone have the Philips Fidelio X2HR? I have the Philips SPH 9500 and don't think they sound that great. Comfortable. Look cool. But not the best.
For recording and mixing it is generally what people look for. And durability, which is why studios usually wont go over $300. They are going to take some abuse. Mikes are a different story. They will shell out for a Neumann U-87 without blinking. And expensive monitors.Neutrality doesn't mean the best. That's what eq is for.
If you seek absolute neutrality, your best bet is to get a high end planar (for ultra low distortion) with accurately measured, known frequency response curve and tune with EQ to absolute flat response.For recording and mixing it is generally what people look for. And durability, which is why studios usually wont go over $300. They are going to take some abuse.
You don't really need absolutes. Just some variety. I have 3 monitors and 10 headphones. Listen in my car. Which unfortunately SUCKS in the Prius. The Avalon had sweet JBLs. Even re-coned the woofer once.If you seek absolute neutrality, your best bet is to get a high end planar (for ultra low distortion) with accurately measured, known frequency response curve and tune with EQ to absolute flat response.
You can extended my answer to make ANY low distortion headphone with accurate measurement profiles available to give you ANY freq response you desire.You don't really need absolutes. Just some variety. I have 3 monitors and 10 headphones. Listen in my car. Which unfortunately SUCKS in the Prius. The Avalon had sweet JBLs. Even re-coned the woofer once.
What is here? I do think they are never perfect. There are measuring methods, different qualities they use to comprise the rating. One had Sure SRH 440 the highest which I know is false, because I have it along with a bunch of better headphones.I would question their neutrality metric. Here Senn HD600, AT M50x and Bose QC35 have an equal score. Contrasting with Harmans predictive model the scores are 92, 73, 69 in order. The Harman scores would probably correlate better with subjective rankings of multiple listeners.
The AutoEQ ranking I linked for you in another of the (many) threads you've started around this general topic uses Harman's predicted preference rating, devised by acoustics luminary Dr Sean Olive, calculated from the measured frequency response of the headphones on an industry standard GRAS ear simulator. The predicted rating has an 86% correlation with the average actual rating given to headphone frequency responses by many listeners in scientifically controlled double-blind tests. Rtings in contrast use an outdated ear simulator and their 'neutrality score' has no such demonstrated correlation with actual listener ratings. As mentioned to you before though, after first finding a high-ranked headphone on the AutoEQ list, it's best to then check Rtings' frequency response consistency measurements for that headphone, which, below ~450 Hz, show the variation in response for 5 different people using in-ear mics (above 450 Hz it's positional variation on their simulator), which is particularly poor for the SRH440, likely explaining why you don't rate them very highly.What is here? I do think they are never perfect. There are measuring methods, different qualities they use to comprise the rating. One had Sure SRH 440 the highest which I know is false, because I have it along with a bunch of better headphones.
If you read perfection from that then you need to learn more about Harmans predicative model, which showed a successful prediction rate of roughly 9/10 times. Rtings in contrast have not provided any comparable data to validate their scoring.What is here? I do think they are never perfect. There are measuring methods, different qualities they use to comprise the rating. One had Sure SRH 440 the highest which I know is false, because I have it along with a bunch of better headphones.
My post is about neutrality. As a musician and recording engineer that is what we look for. It makes no claim about which is the best or worse, only which headphones seem to color sound the least. In some cases very expensive ones do well. In some cases very cheap ones do well. What is it you don't get about that? It literally has a chart based on that one aspect. Not build, comfort, cost or soundstage. Just one aspect of headphones.If you read perfection from that then you need to learn more about Harmans predicative model, which showed a successful prediction rate of roughly 9/10 times. Rtings in contrast have not provided any comparable data to validate their scoring.
The AutoEQ ranking according to Harman rating is also about that one aspect, perceived neutrality. Unlike Rting's neutrality rating however Harman's has actual demonstrated experimental confirmation by professional acoustic scientists backing it.My post is about neutrality. As a musician and recording engineer that is what we look for. It makes no claim about which is the best or worse, only which headphones seem to color sound the least. In some cases very expensive ones do well. In some cases very cheap ones do well. What is it you don't get about that? It literally has a chart based on that one aspect. Not build, comfort, cost or soundstage. Just one aspect of headphones.
Sean Olive blog post "Audio's Circle of Confusion" talks about defining a common frequency response for consumers and content creators alike. Is that not neutrality? http://seanolive.blogspot.com/2009/10/audios-circle-of-confusion.htmlMy post is about neutrality. As a musician and recording engineer that is what we look for. It makes no claim about which is the best or worse, only which headphones seem to color sound the least. In some cases very expensive ones do well. In some cases very cheap ones do well. What is it you don't get about that?
I think it is well established that flat bass in a headphone or in-room response of a loudspeaker is NOT neutral. We’ve had trained listeners draw the perceived spectral balance of these targets and they are perceived as not flat.
Toole spent 10 years having listeners rate loudspeaker based on perceived fidelity/neutrality. When we switched to preference, the loudspeakers ratings didn’t suddenly change. There is a high correlation between fidelity/neutrality/ preference.
Our headphone targets do not deviate significantly above 200 Hz from a anechoically flat speaker measured in our reference room at the DRP. For the AE/OE target it’s within 2 dB of the bass of the in-room speaker target. For the IE target it’s higher, but there are data to support it needs to be higher to be perceived as equivalent
Who cares how 5 people perceive something? That is as unscientific as it gets. Electronic measurement at least attempts to measure how accurately something follows a signal of varying frequencies. What you are talking about is practically a poll. Totally subjective.The AutoEQ ranking according to Harman rating is also about that one aspect, perceived neutrality. Unlike Rting's neutrality rating however Harman's has actual demonstrated experimental confirmation by professional acoustic scientists backing it.
How old are these people? Can they even hear 20khz, because kids can. I assume they use adults. You measure neutrality with instruments, not ask people to guess.Indeed, and Sean explicitly states that here, referencing Dr Floyd Toole's work before him:
Philips Fidelio X2HR