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Oh so now you come in with the sarcasm.No, it's not sarcasm. ChatGPT doesn't write sarcasm.
Here is the response from Perplexity.ai about ChatGPT.
Oh so now you come in with the sarcasm.No, it's not sarcasm. ChatGPT doesn't write sarcasm.
Frequency response is about level.I've owned a couple devices of his. I'd have no complaint with his work. It flat out performed in exemplary fashion at all times. In all ways.
But right at the beginning he describes hearing over a 45khz capable ribbon a difference in a 5 khz squarewave filtered to 100 khz response and one filtered to 35 khz response. Everyone heard it he said. More than FR they all seemed to hear rate of change he said. Well, okay, but they would have heard the 5 khz fundamental, and very likely the 15 khz 3rd harmonic. The filter change to 35 khz response would have lowered volume of the 5 khz a little, and would have lowered the volume of the 15 khz 3rd harmonic quite a bit. No surprise it sounded obviously different, and it wasn't about rate of change. It was just about a FR which inadvertently changed levels in what could be heard. Oops!
There would have been a .6 db difference in loudness in the two signals and a different level mix between the 3rd harmonic larger than this.
My words of wisdom: HiFi is 85% frequency response, and much of the rest is about level differences.
Might have been a faulty Vendetta phono preamp?Yes, there's no way to listen to the turntable alone. The system itself wasn't great, and in no small part due to the Wilson speakers. The lobing from the crossover was clearly audible as was the peaky treble ("low level detail retrieval").
Happy to make an attempt at explaining my opinion on the matter: It is in part because I am working with a discrete resistor DSD-only dac. Because of the large output step size (0 or 1), clock phase noise can have bigger effect on the integrated output than would be the case for a multibit dac. It looks to me like phase noise can have a substantial effect on some small details of sound, such as low level localization cues. Of course, phase noise can be kept very low with careful enough design, but doing it well can be perhaps too costly for most of the consumer dac market. Anyway, in the process of investigating the perceptual effects of lower and lower phase noise (down to the SOA level), I noticed what it sounds like to me personally as phase noise level is changed in this particular type of dac. To me signal-correlated noise doesn't sound like a noise because it the noise has become a low level part of the audio signal itself. I suspect that noise masks what would otherwise be low level audible details of a well made CD recording. IMHO, many dacs do that to some extent or another. It takes very high resolution FFTs to see small-ish changes in spectral line noise skirts, but I believe there does appear to be some measurable correlation with subjective perception. Probably I am failing to effectively write of the above in the form of a personal opinion, but that's what it is. In no way do I claim the above opinion to be proven fact.I am curious the technical reasons for your personal view?
LOL, the regulators on those things go out at the drop of a hat.Might have been a faulty Vendetta phono preamp?
In no way do I claim the above opinion to be proven fact.
Anyway, in the process of investigating the perceptual effects
A one-bit DAC for DSD input? Assuming a conventional oversampled approach it should be no more sensitive to phase noise than other DACs, and have the advantage that high-frequency noise is filtered. Also not sure what the resistors are doing; you just need a switch and output filter.Happy to make an attempt at explaining my opinion on the matter: It is in part because I am working with a discrete resistor DSD-only dac. Because of the large output step size (0 or 1), clock phase noise can have bigger effect on the integrated output than would be the case for a multibit dac.
That would have to be seriously high correlated phase noise at low frequencies. If true you need a better clock source and/or clock recovery circuit. Lots of off-the-shelf PLLs to do the trick. It could also be noise and distortion injected from your switch. But I do not know what "looks like" means; the noise should be easily measured with a spectrum analyzer or phase noise test rig. I would use an SA or a good 'scope as you can better see exactly the noise (jitter, whatever) involved, especially using a 'scope with decent jitter package. The SA will tell you spectral information and (with the right option) generate the phase noise plot, but a 'scope is more likely to provide jitter separation so you can better isolate cause and effect. My last work involved analyzing nearly 30 different types of jitter using a 'scope and some post-processing (mine and others' -- I am not the best programmer by a long shot).It looks to me like phase noise can have a substantial effect on some small details of sound, such as low level localization cues.
Test results indicate the consumer market has solved that problem for a couple of decades or more now. Most DAC chips these days include integrated clock recovery and regeneration that pushes clock noise (phase and otherwise) well below audibility.Of course, phase noise can be kept very low with careful enough design, but doing it well can be perhaps too costly for most of the consumer dac market.
Signal-correlated noise sounds more like correlated jitter than noise per se. That is different than phase noise, or rather could be consider part of the integrated phase noise of the clock, but sounds like you need to get a 'scope or analyzer that does jitter separation so yo can see what's gong on. You could inject phase noise into your DAC at various levels so you can measure and hear the result. Best if you have a SW-controlled test rig that can enable blind trials.Anyway, in the process of investigating the perceptual effects of lower and lower phase noise (down to the SOA level), I noticed what it sounds like to me personally as phase noise level is changed in this particular type of dac. To me signal-correlated noise doesn't sound like a noise because it the noise has become a low level part of the audio signal itself. I suspect that noise masks what would otherwise be low level audible details of a well made CD recording. IMHO, many dacs do that to some extent or another. It takes very high resolution FFTs to see small-ish changes in spectral line noise skirts, but I believe there does appear to be some measurable correlation with subjective perception. Probably I am failing to effectively write of the above in the form of a personal opinion, but that's what it is. In no way do I claim the above opinion to be proven fact.
The version I heard was with the CTC Blowtorch preamp. Curl told me he wasn't happy with the Wilson WATTs. That would be the weak link in the system, along with the room they were playing in. When I was speaking of "low level resolution" it wasn't about a treble lift, but about the way all the separate elements of sound were clearly audible without smearing. In any case I'll admit that I haven't had as much exposure to properly set up turntable rigs as others here and leave it at that.Might have been a faulty Vendetta phono preamp?
Yes, I am familiar with those methods. However, scope jitter packages are not generally good at measuring close-in phase noise, say 1-10Hz offset from the carrier (at dac clock frequencies). PN measurement equipment can do it but is expensive, although I have PN plots for my SOA clocks. Hard to measure some of correlated noise effects at the output of dac though. For IC dacs substrate coupled noise can also be an issue; at least that is reportedly some of the motivation for why AKM separated AK4191 and AK4499EX into two chips. Once again, I am trying to keep this in the realm of opinion. In particular, because I am new around here. Don't want to get into into trouble for what might be taken as, or perceived as, being disrespectful. Probably I should stop here.I would use an SA or a good 'scope as you can better see exactly the noise (jitter, whatever) involved, especially using a 'scope with decent jitter package.
At the risk of asking a question well beneath you, have you looked at the power supply noise at the output stage? Early designs suffered from supply noise since it directly modulates the output level(s).Yes, I am familiar with those methods. However, scope jitter packages are not generally good at measuring close-in phase noise, say 1-10Hz offset from the carrier (at dac clock frequencies). PN measurement equipment can do it but is expensive, although I have PN plots for my SOA clocks. Hard to measure some of correlated noise effects at the output of dac though. For IC dacs substrate coupled noise can also be an issue; at least that is reportedly some of the motivation for why AKM separated AK4191 and AK4499EX into two chips. Once again, I am trying to keep this in the realm of opinion. In particular, because I am new around here. Don't want to get into into trouble for what might be taken as, or perceived as, being disrespectful. Probably I should stop here.
If memory serves, that's just a line amp. In any case, that was always in his system when I was up at his place.The version I heard was with the CTC Blowtorch preamp.
Out of curiosity, when did this happen?If memory serves, that's just a line amp. In any case, that was always in his system when I was up at his place.
Not beneath me at all. You are right on, IMHO. Only in this case its the final clocking drive circuitry power to the output array. The output array itself has clean, low noise power and approximates the interleaving of two RTZ DSD dacs to help cancel out errors, as described in an expired patent. The clock drive circuitry also has clean, low noise power, but the PDN design for both pieces of circuitry is critical. If I clock in a very slightly less clean way there are obvious degradations to the sound, including blurred out low level details of various types. The surface layer of sound is still intact, it doesn't have symptoms of audible masking. Maybe only 40dB down or somewhere like that where low level detail goes missing. Exact effect depends on clocking PDN properties. At least, that's how I am able to observe audible effects in this set of experiments. Just one way to affect/degrade phase noise, again only IMHO.At the risk of asking a question well beneath you, have you looked at the power supply noise at the output stage? Early designs suffered from supply noise since it directly modulates the output level(s).
Thanks.Not beneath me at all. You are right on, IMHO. Only in this case its the final clocking drive circuitry power to the output array. The output array itself has clean, low noise power and approximates the interleaving of two RTZ DSD dacs to help cancel out errors, as described in an expired patent. The clock drive circuitry also has clean, low noise power, but the PDN design for both pieces of circuitry is critical. If I clock in a very slightly less clean way there are obvious degradations to the sound, including blurred out low level details of various types. The surface layer of sound is still intact, it doesn't have symptoms of audible masking. Maybe only 40dB down or somewhere like that where low level detail goes missing. Exact effect depends on clocking PDN properties. At least, that's how I am able to observe audible effects in this set of experiments. Just one way to affect/degrade phase noise, again only IMHO.
That's trivially easy. You can VASTLY reduce the cost and improve the performance. Assuming that's what your goal actually is.First is whether the high cost of making the dac can be reduced without reducing its desirable qualities?