I skimmed about 1/3 of the pages, so apologies if I missed anything.
Thought exercise: You have two signals going to a speaker. The first signal, A, is a perfect recreation of the signal. 0 measurable anomalies. None, nada, zip. The second signal, B, has very measurable anomalies. It is not a perfect recreation.
QUESTION: Which is high fidelity, A or B?
Answer: If your answer is anything other than, "I don't know", or "There is not enough information to determine an answer", then your answer is wrong. You cannot say with accuracy that A is high fidelity and B is not because you are only looking at the signal going to the speaker, not what is coming out.
Take a step back. My mantra, that I repeat daily, is that if you did not listen blind, you did not listen. One of the reasons why I don't post with my real name is a portion of my customer base would not take kindly to that stance. However, they buy my stuff.
At a signal level, yes, we can measure with more than enough precision to confidently say whether a difference is audible or not. I am very confident in that statement. However, to my thought exercise, the perfect electrical signal does not guarantee the most perfect signal out of the speaker.
Two channel audio is so grossly flawed though, that saying "high fidelity", is almost laughable. Microphones are flawed, every recording engineer and mixing engineer hears differently, you are not listening with the same speakers, or room as all that mixing work was done, we don't know the mood of the engineer when they did the final mix, etc. The only proper definition of high fidelity would be recreation of the original performance, but 99.9% of recordings are so far from that that it is a pointless exercise.
In the modern recording process, yes, noise and distortion is being added to recordings to make them more "real". The goal is to sell music, not perfect recreation. Not to all of them, but it is common. There are plug-ins to simulate analog tape machines as well.
Synthetic purely resistive loads do not perfectly simulate how an amplifier will behave into a real speaker load even from a classic high-fi definition, but they are still the standard in testing.
Audio science within the framework of audio recreation is ultimately about what the brain perceives, so perhaps we need to be a bit broader in our definition of high-fi. We are still working with our highly flawed two channel setup, so let's be realistic that it is not "high-fi".
p.s. not sure this was covered, but yes, film capacitors for cross-overs have been measured to have electromechanical resonances that are measurably within the realm of audibility. This was presented at AES.