ascend posts klippel measurements and Dave (the owner) is a pretty stand up guy.. i'd bet my sub on the fact the measurements are real...Links to the reviews?
ascend posts klippel measurements and Dave (the owner) is a pretty stand up guy.. i'd bet my sub on the fact the measurements are real...Links to the reviews?
thanks for elaborating on this, those were / are my thoughts as well.. i have very entry level emotiva b1's and an svs pb1000 pro sub (the b1's were modded by Dennis Murphy) .. the clarity is pretty amazing and the sub was the key ,*clean* bass response fixes a lot of issues.. i'd love to hear how m105's or philharmonic ceramic mini's or ascend sierra 1's might sound in this set up ...towers would be great , but it'd be a large investment in comparison...Count me on team “get a sb and a mimiDSP” and I have F206. And a sub. And a minDSP.
If you think the point of a sub is to dial in 10 dB of bass boost like a teen boosting their car stereo, then I guess you Don’t know what you don’t know.
Getting perfectly flat frequency response 30 hz does amazing things to make music more engaging. Even the F206 can’t do that alone.
I was hoping for something from a "professional" reviewer because they get to listen to a lot of different gear.As one example:
Ascend Acoustics Sierra LX Review
The LX's arrived yesterday and I have listened to them for a good 4 hours. Definitely not enough time to really bring out what these are capable of, but nonetheless, I am impressed. They are large for bookshelf speakers, each one is about 20 pounds and hasabout 14.25 inches of height. They...www.audiosciencereview.com
Klippel outputs are all available on the product page of Ascend's site if one is so inclined.
i'd suspect Erin might get a hold on something at some time soon... i'm guessing maybe even Amir as well.. it was his review that spurred Dave into the klippel machine...Edit: there are some good comparative threads at avs in the form of sierra xxx vs whatever (generally bmr's or revel or kef r3's)I was hoping for something from a "professional" reviewer because they get to listen to a lot of different gear.
That's a funny comment to see on this site In all seriousness though there isn't much out there on these in that regard, but Ascend has been making the Sierra line for a long time and reception has been positive. Them combining that philosophy with the measurement insights seems like a recipe for excellent performance.I was hoping for something from a "professional" reviewer because they get to listen to a lot of different gear.
The original R3 is somewhat of an outlier. Although it has a very high preference score our host did not find it satisfying. It never caught on like the LS50.i'd suspect Erin might get a hold on something at some time soon... i'm guessing maybe even Amir as well.. it was his review that spurred Dave into the klippel machine...Edit: there are some good comparative threads at avs in the form of sierra xxx vs whatever (generally bmr's or revel or kef r3's)
I have seen a few unfavorable posts about the Sierra LX. It's not a funny comment because that seems to be the one piece of information which is lacking. By the way, I consider Erin and our host to be professional reviewers. They all have different levels of credibility.That's a funny comment to see on this site In all seriousness though there isn't much out there on these in that regard, but Ascend has been making the Sierra line for a long time and reception has been positive. Them combining that philosophy with the measurement insights seems like a recipe for excellent performance.
Only way to know for sure though is to pick a pair up in one's own room. I may end up doing that myself as well at some point.
i heard it and the bmr monitor v2 on the same day at the speaker shoot out here in Az in aug '22.. the bmr's were better imo, but i could live with the r3's and some eq....the other entrants that had similar clarity to either of those also had tilted up treble and a bit less midrange clarity..The original R3 is somewhat of an outlier. Although it has a very high preference score our host did not find it satisfying. It never caught on like the LS50.
It was a funny comment since you put 'professional' in quotes, to me implying a degree of sarcasm. With your intent clarified now, I don't disagree with your taste in reviewers or calling them professional.I have seen a few unfavorable posts about the Sierra LX. It's not a funny comment because that seems to be the one piece of information which is lacking. By the way, I consider Erin and our host to be professional reviewers. They all have different levels of credibility.
The worst complaint I have seen is that they sound recessed in the upper mid range and require a lot of power. I owned them for awhile,and put them head to head against KEF R3's,Philharmonic BMR's and CSS Criton 1TDX's l,they won out for me. I will agree that they sound a little lean in the upper mids but they are an excellent speaker in my unprofessional opinion.I have seen a few unfavorable posts about the Sierra LX. It's not a funny comment because that seems to be the one piece of information which is lacking. By the way, I consider Erin and our host to be professional reviewers. They all have different levels of credibility.
I put it in quotes because some of these reviewers are trying to make money, but don't work to professional standards.It was a funny comment since you put 'professional' in quotes, to me implying a degree of sarcasm. With your intent clarified now, I don't disagree with your taste in reviewers or calling them professional.
Out of curiosity, where are you seeing unfavorable comments? Seems relevant to the topic at hand since that was what I was thinking as a recommendation to OP.
The BMR's get a lot of love.i heard it and the bmr monitor v2 on the same day at the speaker shoot out here in Az in aug '22.. the bmr's were better imo, but i could live with the r3's and some eq....the other entrants that had similar clarity to either of those also had tilted up treble and a bit less midrange clarity..
Regarding your first point, they appear to have a consistent design philosophy, like Revel, JBL, or any other number of brands. Doesn't mean all of their products are equivalent, that drivers don't perform differently over time, etc. The Revel Performa series hasn't used the same drivers over the decades and model-specific responses have varied to some degree and yet we still have an idea what to expect from them all, yes?True, in general. However, the entire Sierra line has used a wide variety of different drivers so comparing them by name only is not necessarily helpful.
I don't think ASR primarily deals in "seems like" do they?
Some Sierra models have ribbons and some domes, as I believe they've been doing for a while now. OP's M105s are dome and achieve wide dispersion with a pretty neutral response, similar to the LX, which is a reason it was my suggestion for someone looking for more bass.Have they switched between ribbon and dome tweeters?
No one is questioning why reviews exist, and I'm referring to the ASR-inspired measurements performed by Ascend as a sign that the LX speakers might be acceptable. That seems to be an ASR objective, so am I misisng something?That idiom applies across the board. However, sometimes that isn't possible. If it were, there'd be much less reason for ASR.
Since the OP seems interested in staying within the Revel line, I'd be more concerned with the LX having too much bass when placed in room. However, the vendor is including port blockers to assist in taming that where necessary.
The original R3 is somewhat of an outlier. Although it has a very high preference score our host did not find it satisfying. It never caught on like the LS50.
You may have missed this part in Amir's review:The original R3 is somewhat of an outlier. Although it has a very high preference score our host did not find it satisfying. It never caught on like the LS50.
EDIT: later testing showed that the room mode at about 105 Hz was impacting the tonality of the speaker. Once I filtered that, the sound was very good. I have since made this part of the protocol.
I recall our host was more concerned about a broad rise in the high frequencies. None the less the R3 never took off the way the LS50 did.You may have missed this part in Amir's review:
Way to move the goalposts there from only Revel to only the 105/106 in the title. With that said feel free to similarly chide the poster(s) that suggested an F208/F206 or a subwoofer as those aren't in the title either.Ah, except this indication: Revel M105 vs. M106
Only that it will take substantial (amp) power to get the full benefit of the inefficient LX woofers. There's no free lunch.