Head over to Headfi, you will find plenty of suggestions! there is no shortage of that.Can anyone seriously suggest that Chord DACs are preferred over a dirt-cheap Topping DAC after any of this discussion? DACs all sound the same.
Head over to Headfi, you will find plenty of suggestions! there is no shortage of that.Can anyone seriously suggest that Chord DACs are preferred over a dirt-cheap Topping DAC after any of this discussion? DACs all sound the same.
That site is, generally speaking, why I spend any external energy over here.Head over to Headfi, you will find plenty of suggestions! there is no shortage of that.
I have yet to get an answer when I ask if DAC's have improved since they were introduced in 1983?...also do all DAC chips sound the same?
Well Chord DACs have significantly different filter response than nearly all othersI think it's typically implied that we are talking about using regular music, at rational listening levels, in either a real listening room or with headphones. When comparing DACs, the most comparable filters should be chosen. In other words, no playing games with extreme gain riding or weird pathological corner cases and test tones. This is not useful, unless you are trying to make a point no one really disputes.
The filter type is well known for Chord DACs, so this part is not new. What is new is that seemingly it is possible to hear a difference between a Chord DAC with such a filter and one with a standard filter. Yet, only very few people will be able to do so (probably less than 0,1% of the population), so for the vast majority it would be wasted money.Well Chord DACs have significantly different filter response than nearly all others
People here say dont waste your money on Chord, many Topping and SMSL DACs will sound the same - but none of those have the kind of extended freq response of Chord DACs
So this is new information for those Chord bashers to ponder I guess
Of course playback gear and hearing are critical factors in this
The thing is all DACs that can do 88.2kHz or higher can easily outperform the frequency response of a Chord DAC playing 44.1kHz files using software filtering (as the one used by GoldenSound) so there is no need for a DAC like that, certainly not at that price.People here say dont waste your money on Chord, many Topping and SMSL DACs will sound the same - but none of those have the kind of extended freq response of Chord DACs
So a new rule? If you are under 30, upsample 2x, if over 30 don't worry about it. Even the guy at GS said it wouldn't amount to much in his normal music listening. If only we had gotten J_J's 64 khz rate to rule them all.The thing is all DACs that can do 88.2kHz or higher can easily outperform the frequency response of a Chord DAC playing 44.1kHz files using software filtering (as the one used by GoldenSound) so there is no need for a DAC like that, certainly not at that price.
In that case one could even say that even Cameron and Sharur could not possibly tell any difference between DACs as long as they upsample 44.1/48kHz files at least 2x with a sharp filter.
Expensive DAC problem (for that 0.1%) is basically solved for them too. It already is solved for me
It seems to me that this filter (the nicer one) is closer to nice one Bricasti DAC has (admirable for the time it came out),not so much with Chord and it's abysmal attenuation.The filter type is well know for Chord DACs, so this part is not new. What is new is that seemingly it is possible to hear a difference between a Chord DAC with such a filter and one with a standard filter. Yet, only very few people will be able to do so (probably less than 0,1% of the population), so for the vast majority it would be wasted money.
Filterless NOS (or its emulation) @44.1kHz is often described -- and not only by "audiophools" but also by seasoned recording engineers -- as "more detailed and airy" on transients despite being slightly rolled-off in the high treble for more steady state signals. With proper treble correction the effect becomes even stronger, naturally.True audiophools swear by filterless NOS DACs for the same reason and even prefer the roll-off these DACs exhibit but say they appreciate the treble extension and 'impulse' behavior.
The original 24/44.1Khz file is in the download folder with the rest of the tracks,tests,etc.It might be fun to compare the original sample Cameron used upsampled to 176kHz (once steep filtered and once not filtered).
Filterless NOS (or its emulation) @44.1kHz is often described -- and not only by "audiophools" but also by seasoned recording engineers -- as "more detailed and airy" on transients despite being slightly rolled-off in the high treble for more steady state signals. With proper treble correction the effect becomes even stronger, naturally.
In my listening experiments with 1/2 or 1/4 sample rate, to cater for my well-aged ears, I can easily hear why...
Which is exactly what I wrote. Read it again before behaving like this.I never said the ADC could not detect it, did I? nor suggested it.
The knee-jerk reaction by many, on either side of the fence (DACs sound different - DACs don't sound different) would be to blame the ADC, let's take it out of the equation.
Again, going back to basics, what is the goal here? I is it Audibility?
After all, we already know there are differences in the output of (say) a Chord DAC and a top ESS based DAC. The bit at 20/22kHz, distortion patterns and levels etc.. We need no ADC to confirm, Amir has already confirmed it by measurements.
The point has always been " Aha! but are they Audible?"
Ears, test subjects are/should be the only judges, to confirm or refute.
I am bowing out, enough said (by me). you guys go on.
A and B are always the same.Will "A" and "B" stay the same files throughout all the trial runs and just the "X" and "Y" change randomly, or will "A" and "B" also change randomly?
A and B are always the same.
Let's not get personal, we are all friends here.Which is exactly what I wrote. Read it again before behaving like this.