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If you have a chance take a listen to the unit. The sound is sinply superb. Probably do to the combination of the chip implementation and the filters.

Their dacs are also used in mastering studios besides hifi. They simply sound very good and the bricasti support and upgrade paths for their products is top notch. I own one of their reverb units and allrhough its pure dsp, there is simply nothing like it on the market.

Thanks for the right measurements. This a great example that you should really know what you're doing when working with pro equipment.

Interested as well.

This is getting way out of hand. The same stuff repeated ’bass traps dont work’ etc. over and over again. While ignoring people’s good willed explanations how things work in the real world. There are guys like T.L on the thread sharing their wisdom on the subject for gods sake.

This is exactly how it is. Modern music since 50’s is produced with reverb, delay and all the spatial information allready on the recording. This is something that seems to be extremely hard for some people on this thread to grasp. Rooms can have higher RT and still sound nice but it needs to...

Guy cuts around 200ms of RT from a small room making it from quite unbearable to actually quite good and you are dismissing it and suggesting _planters_ instead. I’m not sure if this is serious or not.

Thank you. You said exactly the same I’ve been thinking, just worded better. I’m quite astounded on the comments on how DSP would be only thing needed to solve these problems.

Thanks for this. This is exactly why you see the treates sidewalls in about 99% studios.

Oh come on, Sarum with the studio stuff again. Just leave it dude… Soffit mounts are done all the time, everywhere. Just sold 3 soffit mounts for 8351 for a new build.

Hello. What do you mean by 'acoustic product'? You can get a quite a few off the shelf or custom absorbers, resonators even active traps that work wonders in smoothing out room response and RT even at low frequencies.

The loudness benefit comes from the directivity and phase accuracy. Its crazy how much louder the same DB is perceived when those are in check. Enjoy man!

Spot on.

This. The hate is from people who have no real world experience.

A lot of missinfo on this thread… Simply put, there is no replacement for a proper room treatmeat and even a small effort is vastly better than none at all. DSP will absolutely not correct nulls, reflections, phasing and a bunch of other anomalies from bad acoustics. Its meant to smooth things...

If it sounds good to you, then it sounds good. If there would be audible distortion, you would hear it, hence audible. There is nothing else to compare to and no mistakes to be made. Take it easy and enjoy the music!

Same as with the 1236, I rather not make direct comparisons as I did not listen to them side by side in the same room. You'd need to have them side by side and volume matched in the same space to make such claims. I find perception also so personal that I see as 'detail' might mean something...

I think they are so different that comparing them is a bit pointless. 1236 is a flush mountable main monitor for large control rooms and installations, just a different usage overall. Just as they are on the same price category doesn't mean they are competing products. Personally, for a free...

No. Better than average with slight acoustic measures and a wooden floor. Decay quite high from 400hz down with a resonance around 60hz but thats the usual for anything except properly built control rooms.