Oh, yeah, I love the old rangefinders cameras. That is, especially those with high-mag, bright viewfinders -- which is by no means all of them. The precision of rangefinders is great -- manual focus sucks on my otherwise-beloved, mirrorless Fujifilm X-T10 and X-T2.
Looking once again at the old film rangefinders I notice the Canons and Contax are dirt cheap relative to Leicas. I'm sorely tempted but I know I can't tolerate dealing with film any more.
I'd be temped by a real rangefinder digital but the only ones I'm aware of are the Leicas M8 and so on, but these are far beyond my budget. Leica M11, sure, but not for Cdn$ 11,000 body only.
So that ain't going to happen. I have given some thought to the Fujifilm X-Pro2 or X-Pro3 to round up my Fuji collection. The Pro's have an optical viewfinder but has no real rangefinder. Unfortunately X-Pro's are pretty expensive vs. the regular mirrorless models, IMO.
I am a sucker for really good luxury branding and presentation, but there's always a faint whiff of BS (or is that ambergris?) involved! We humans seem to love stories, and successful luxury brands are masters at suggesting that we can be part of their fairy tales if we buy say, a $2500 Hermes blanket. Which, btw, looked like a swell blanket, but would I give it a second glance if it were stripped of it's branding and sold via discount stores?
Lomography was partly what inspired me to dip my toes back into film once again: It's a reminder that I don't have to pursue film the same way I did in the 1980s-90s. My film volume is much lower now: If I shot a dozen rolls of film/year today, that would be a big deal. Film tends to be grainier and less linear than a digital sensor, and sometimes that's just what I want. If I could have just one 35 mm camera, I think my pick might be a chrome pre-"Apollo" Nikon F with meterless eye level prism: To me, a great combo of classic looks and still a fine picture-taker.
Digital cameras: Sony seems to have me figured out
I find the technical aspects of RX1/RX100/A1/A7/A9 top-notch, while design-wise, they're kind of a blank slate: Modern, understated, neutral. Sort of like a movie with an ambiguous story, in which meaning develops over time, and I seem to keep them long enough to get glimpses of that meaning. Not immune to the charms of something more overtly classical (hello Nikon Zfc?) but those sorts of things are really more pleasant indulgences, and I've already got an Olympus Pen-F.