- Thread Starter
- #81
Could do.Tear down?
Could do.Tear down?
Thanks for the review Amir. I agree this looks nice, and I guess I'll stop telling people I've never heard of a Yamaha that didn't have above average sound.
I could have phrased that better. I just always thought of Yamaha as a very consistently good brand for designing durable and transparent amplifiers, and the performance of this one is rather average, though it looks nice. They should all sound pretty close. Making lots of power, which this does decently can be really important too. I am sure it would be hard to pick this blind with most speakers.Did he actually comment on the sound?
I saw a lot of comments about mediocre test performance.
But from my real world experience, the lowliest Yamaha I happen to have recently acquired, (for free) sounds fairly decent.
And yes I have heard far pricier and better testing stuff...
Even the 5000 serie?
Yamaha use AVR parts right into the AS-xxxx series. The M-5000 amplifier is beautiful to look at for sure, but it's what's inside and its performance, that is sorely lacking.
Let's be honest, The M-5000 looks better than any Yamaha product made previously. But that is what you are paying for- the looks. ASR members are smarter than that.
The specifications are extremely underwhelming and typical of the descent into mediocre numbers we have witnessed from Yamaha (and plenty of others) for decades.
M-5000 100wpc/8R @0.07%! rated.
View attachment 91041
Let's compare to Yamaha's 1988/9 range, even the baby in the range (back then AU$999) outperformed the M-5000 (AU$12,999 today).
MX-1000 260wpc/8R @0.003%
View attachment 91042
Here's an actual AU price list from circa 1990/1 I just scanned.
View attachment 91043
Find me a single specification that is superior, 40 years on, apart from excess weight! The money on the 5000 series amplifier goes on looks, pretty speaker terminals and panels of steel to get the weight up because that's what audiophiles associate with quality.
I haven't seen a C-5000 preamplifier, so I can't comment. And the 5000 speakers are lovely, but certainly not remotely worth AU$20K.
The turntable GT-5000 turntable has been lambasted for the arm geometry (or lack thereof), it's a synchoronous belt drive and is not a patch on the Gigantic & Tremendous (GT) turntables that Yamaha brought to market in the late 80s.
Anyway, this review is of a cheap Yamaha AVR and it performs like one. It unfortunate as I'm sure @amirm remembers the quality Yamaha gear of yesteryear. Gear where the volume knobs weren't made of plastic and felt like they were going to break off if you used them. Where every spec has a few more leading zeroes.
Find me a single specification that is superior, 40 years on
Well we've got ten years to find one
It was edited before you posted that!
Yamaha use AVR parts right into the AS-xxxx series. The M-5000 amplifier is beautiful to look at for sure, but it's what's inside and its performance, that is sorely lacking.
Let's be honest, The M-5000 looks better than any Yamaha product made previously. But that is what you are paying for- the looks. ASR members are smarter than that.
The specifications are extremely underwhelming and typical of the descent into mediocre numbers we have witnessed from Yamaha (and plenty of others) for decades.
M-5000 100wpc/8R @0.07%! rated.
View attachment 91041
Let's compare to Yamaha's 1988/9 range, even the baby in the range (back then AU$999) outperformed the M-5000 (AU$12,999 today).
MX-1000 260wpc/8R @0.003%
View attachment 91042
Here's an actual AU price list from circa 1990/1 I just scanned.
View attachment 91043
Find me a single specification that is superior, 30 years on, apart from excess weight! The money on the 5000 series amplifier goes on looks, pretty speaker terminals and panels of steel to get the weight up because that's what audiophiles associate with quality.
I haven't seen a C-5000 preamplifier, so I can't comment. And the 5000 speakers are lovely, but certainly not remotely worth AU$20K.
The turntable GT-5000 turntable has been lambasted for the arm geometry (or lack thereof), it's a synchoronous belt drive and is not a patch on the Gigantic & Tremendous (GT) turntables that Yamaha brought to market in the late 80s.
Anyway, this review is of a cheap Yamaha AVR and it performs like one. It unfortunate as I'm sure @amirm remembers the quality Yamaha gear of yesteryear. Gear where the volume knobs weren't made of plastic and felt like they were going to break off if you used them. Where every spec has a few more leading zeroes.
I guess they brought in consultants from Bain or McKinsey or similar to re-structure their companies to be more capital efficient or hired a CEO graduating from an American Business School.Yamaha sold themselves out in the early very 2000s. Prior to that, they were a specialist only brand, with no exposure in the big box discounters and their home theatre range was also reserved for dedicated retailers who would display, demonstrate and do justice to the brand.
but I guess I do not see this huge discrepancy you talk about in specs.
The specs quoted seem suspect tbh
I have not heard, nor read about any AVR by a major well known manufacturer that has ever sounded less than good.
I know there is a lot of AVR bashing in general, but "very poor", meaning what? Like an alarm clock radio, Super audible distortion or what?
Separates are a niche category now.
With respect, every D/A converter, headphone amplifier, integrated amplifier and pre/power tested here on ASR is regarded as a separate component. As such, there's been more separates tested by Amir than anything else.
However, I would lump the AVRs, streaming amplifiers in their own category now as the lines have blurred.
A yamaha amp today, I would assume does not make a large dent sales wise, in comparison to their more common AVRs
I have not heard, nor read about any AVR by a major well known manufacturer that has ever sounded less than good.
I know there is a lot of AVR bashing in general, but "very poor", meaning what? Like an alarm clock radio, Super audible distortion or what?
Seems I did a terrible mistake as I've placed an order for the 4A version at 450€, to drive my Klipsch RP8000F.
I had a Denon X1200 before but I died and I was not happy neither of the poor OSD or the lack of options.
The 4A version has been recommended by the vendor but here is seems to be the poorest ever made AVR.
To be honest, I'm glad that Amir took the time to review it, however I do have the feeling that only few elite members can hear the difference between a 500USD amp and 2500USD one.
I'll listen to music at low volume, with a room which has no correction, meaning the sound quality could be "poor" even with the best pair of speakers.
At the end, after all theses graph, is it possible to REALLY hear the low quality ?
I was looking for an amp with BT, remote control on Android, 4K ready, around 450euros, and it appears to be the best, in that range.
Denon suffer from OSD problem, even with a mid model, same for Marantz, and the sound quality is great for some, only good for some others.
That's being said, I may have to send back the AVR if I do not like it but then I will have no clue about which receiver to buy with only 500e in m'y hand.
Possibly a second hand can be worth, but which one and how much time will have to spend to find it ?
Holy crossover distortion batman. They must be running that output stage really lean. I get that you have to keep idle power dissipation down in an AVR, but this first watt performance is pretty lousy. Clearly they don't want you using 4 ohm speakers for good reason. (The 20 kHz hump would be even higher than 15 kHz if the 3rd harmonic didn't end up outside measurement bandwidth.) The FTC rating might just about make it to 0.1% THD with 8 ohm speakers. I guess it just about gets the job done but that's about it.I expected little frequency dependency but found more:
Still, compared to cheap class D amps, this is very clean.