IMHO, absolutely not! But I don't know what you need — are you after USB => XLR, USB => digital, or the ability to do both?
- So I guess the next best thing is a Fosi ZD3?
Also, wait to see if anyone does have a D10B that they want to move along... give it a bit of time and hope for a response. (Of course, you can't have mineSo I guess the next best thing is a Fosi ZD3?
Yes, I only want XLR but I also don't disqualify for a knob. It's not as good but I deal with it elsewhere (Minidsp).IMHO, absolutely not! But I don't know what you need — are you after USB => XLR, USB => digital, or the ability to do both?
The reason I say "absolutely not" is because I use the D10B as a basic pass-through converter: input USB => output to analog XLR and (when needed) S/PDIF. No volume control, no DSP, no remote, no other settings... just simple input to output and nothing else. More unique to my case, any knobs on the front panel are an immediate disqualifier.
For me, the only other alternative I know of is the SMSL SU-2 DAC, which comes in under your target of $100 for brand new device.
Of course, you will need to tackle the USB => digital translation so you can input into the SU-2. For example:
The SU-2 is the fraternal twin of the D10B. One takes USB in, the other takes digital (AES, optical, coax). Otherwise, both are identical in doing absolutely nothing except that.
- Get a TOPPING D10S and route its optical output to the optical input on the SU-2
- Get any of the many USB to S/PDIF dongles to route USB to the optical input on the SU-2 (around USD $25ish).
Each of us has our own aesthetic and system design style. For me, the aesthetic is a smooth clean bank. But also a minor human factors aspect: the only equipment with knobs are the very few where I actually use that knob — such as ADI-2 Pro (for speaker volume and routing adjustments) and my headphone amp (for headphone volume). And every other device that is not being used for control should not have a knob.Yes, I only want XLR but I also don't disqualify for a knob. It's not as good but I deal with it elsewhere (Minidsp).
That's a great point. I had forgotten that was just released. Has a knob but I don't care.Apart from the connectors Topping's recently reviewed DX1 II seems to do everything the D10 B did and more. The balanced out is on a single 4.4mm TRRRS connector on the rear so needs a different cable or an adapter.
This might be a pain. I'd need a single Male 4.4mm TRRRS connector to double Female XLR. It's for active monitors.4.4mm TRRRS connector
Surely XLR male for connecting to monitors? They are available off the shelf, although not all that widely. They sometimes mention iFi since they've been using TRRRS for balanced ins and outs too. I'm assuming Topping are using the usual pinout - maybe worth checking.This might be a pain. I'd need a single Male 4.4mm TRRRS connector to double Female XLR. It's for active monitors.
The knob can be disabled, and the DAC can be set to a mode without volume control.That's a great point. I had forgotten that was just released. Has a knob but I don't care.
Adapters can be purchased or made. This isn't a problem for me, and that's exactly how the adapter for the XLR works.This might be a pain. I'd need a single Male 4.4mm TRRRS connector to double Female XLR. It's for active monitors.
Any recommendation? Are you US though... Edit no you are notThe knob can be disabled, and the DAC can be set to a mode without volume control.
Adapters can be purchased or made. This isn't a problem for me, and that's exactly how the adapter for the XLR works.
One option for custom cables in the USA is Performance Audio. Very good pricing, and you get to select all of individual components, including the connectors, wire, and (optional) techflex-type covering.Any recommendation? Are you US though... Edit no you are not
Yes, correct. The shielding is the opposite which throws me.Surely XLR male for connecting to monitors? They are available off the shelf, although not all that widely. They sometimes mention iFi since they've been using TRRRS for balanced ins and outs too. I'm assuming Topping are using the usual pinout - maybe worth checking.
Can you explain what you mean by shielding is opposite? I would assume you would use two microphone cables (e.g., Mogami 2549) out to each speaker; and the shield / ground wire ("pin 1") from both cables would be joined together at the TRRRS plug.The shielding is the opposite which throws me.
Looks like a nice fine. But can you please update your link to exclude tracking details?![]()
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