The fact that JBL can't get a $15k speaker out the door and have them be matched leaves me at a loss for words. What are these companies even doing?
Actually, a lot can go wrong with overseas suppliers and manufacturers as well as quality control and rough handling of the products during shipping. I agree it should not happen, but you cannot compare this to a DIY or home-manufactured product.
Check the scaling. Matching the scaling that Erin uses, it's really not as bad as it first appears.
The scaling might change the visual impression of linearity issues, which are anyways to be taken with a grain of salt, if there is no additional information on the directivity, and we don´t know how it actually sounds (have heard the 3-way model solely).
Nevertheless I would say, despite from heavy smoothing the issues between 500Hz and 2K persist, and they would make me cautious as such behavior is often a result of either resonance, diaphragm breakup, cancellation or directivity issues which in most cases are audible and cannot be EQ´ed.
If we assume that on-axis response and in-room response have to somehow work together to create a tonally balanced impression, I would assume the bumps at 800 and 1,2k do not make any sense, as this is usually the band in which an 8" just begins to narrow down directivity, and the neighboring bands are transition to the horn and the horn playing alone, which makes them recessed in the room anyways. Many 8"+horn 2-ways sound presence-heavy, like with boosted 1K region, so boosting this band further does not really add up.
In other cases, such behavior is indicative of a soft-diaphragm, yet powerful 8" cone which shows breakup in its highest octave, but it would be speculation to presume this is the case here. I would anyways shy away from such concepts as they in my understanding offer not advantage over a 3-way, particular not with a price tag of 15 Grand.
Differences like these could be from slightly different mic positions (vertical), but that would also indicate a less than stellar design.
That is a rather unlikely explanation, as FR with changing vertical position would always be most pronounced at crossover point (1.6k) as well as in the upper treble, and result in pretty narrow-banded issues or a continuous slope (for the treble). Both is not the case here, issues are rather broad-band and limited to 1-6K.
Triangle Titus EZ (same 30 dB vertical scale as Hi-Fi News):
That is clearly a narrow-banded issue and might be resulting from either problematic horn design, high crossover frequency or lobing/phase issues (or a combination thereof). A similar behavior can be ruled out for the JBL in question (1.6K crossover).