I've run room correction multiple times with the WiiM and settled on a preference for flat, over Harmon /bk. My current setup:
- Wiim Ultra
- Fosi Audio V3 Mono amps
- Wharfedale Linton 85th speakers
- Wharfedale SW-150 subwoofer
I set parameters of flat correction, from 35hz (low spec of the sub) to 400hz, with min of -12db / max of +0.5db and max Q=10, along with 1/6th octave (just chose the middle) and using multiple measurements. I'm using a Hyperx Quadcast S mic, set Omni directional, to take the readings as it provided results that were much less erratic than using my phone!
Here are the results of the correction (sub included):
Question 1:
Overall it's a big improvement on the playback without correction, but I'm not sure about the structure of the results. Seems odd to have corrections so close together, so can they be cleaned up or improved by consolidating or removing unnecessary bands?
Question 2:
This might be a silly question, but do I need different room correction profiles for different amps? If transparent amps have no audible differences, then I assume this means the room correction profile from one transparent amp should be valid for any other transparent amp. Is that assumption correct (and if not, why not)?
- Wiim Ultra
- Fosi Audio V3 Mono amps
- Wharfedale Linton 85th speakers
- Wharfedale SW-150 subwoofer
I set parameters of flat correction, from 35hz (low spec of the sub) to 400hz, with min of -12db / max of +0.5db and max Q=10, along with 1/6th octave (just chose the middle) and using multiple measurements. I'm using a Hyperx Quadcast S mic, set Omni directional, to take the readings as it provided results that were much less erratic than using my phone!
Here are the results of the correction (sub included):
Question 1:
Overall it's a big improvement on the playback without correction, but I'm not sure about the structure of the results. Seems odd to have corrections so close together, so can they be cleaned up or improved by consolidating or removing unnecessary bands?
Question 2:
This might be a silly question, but do I need different room correction profiles for different amps? If transparent amps have no audible differences, then I assume this means the room correction profile from one transparent amp should be valid for any other transparent amp. Is that assumption correct (and if not, why not)?