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WiiM Amp Ultra Streaming Amplifier Review

Rate this streaming amplifier:

  • 1. Poor (headless panther)

    Votes: 4 1.2%
  • 2. Not terrible (postman panther)

    Votes: 9 2.7%
  • 3. Fine (happy panther)

    Votes: 71 21.5%
  • 4. Great (golfing panther)

    Votes: 247 74.6%

  • Total voters
    331
Can someone who understands these measurements better than I do please tell me: Would this Wiim Amp Ultra match the performance of my Wiim Ultra (just the streamer/DAC) combined with a pair of Fosi V3 mono amps?

I did originally have a Wiim Amp pro but when cranking the volume up with my Falcon Q7 speakers (basically, an LS3/5A...sorry...) I did get audible distortion (clipping?).
The Fosis have a tad more power into 4 Ohms, and while the LF distortion is fine they also have about the worst HF distortion of any PFFB implementation of the 3255 (not sure what happened there, probably budget output coils). If you look at the two tone IMD test, -67 dB for the highest distortion component vs. -79.5 in the Ultra. Or 15 kHz THD+N that hits -55 dB in the single digit Watts vs. -61 dB at 15 W.

I'm not sure if this is audible, but I like to think auf the Fosis as sub amps only.
 
I tried this setup and could never get anything that worked smoothly (especially with PEQ). For about the same price as a very cheap android tablet, a WiiM Pro/Pro Plus is a much smoother experience.
If you are ready to tinker there are solutions available even for raspberry pi along with DSP
 
My friend's partner is a genuine music lover whose amp recently died. She loves playing her old CDs and also streams from Tidal, however she has no HIFI / Audio knowledge.

  • Arcam FMJ AMP (about 9 years old but has been playing up for the past 12 months)
  • Separate Arcam IR DAC (old school - needs upgrading)
  • Rotel CD player
  • Paradigm Signature S2 speakers.



She does not have a lot of money but was prepared to pay US$1k to replace her system and asked for my advice. I recommended the Wiim Amp Ultra, which she duly purchased. I suggested she keep the Paradigm Speakers and connect her existing CD player via optical and call me when the unit arrived so I could walk her through the set up process, but in the meantime to down load the Wiim App. She proceeded to set up the gear without my help and absolutely loves the sound and also the ability to enhance it using Room fit, PEQ and the sub out etc.

Once upon a time HIFI enthusiasts believed in separates but now there is an inexpensive high performance "all in one" unit that is easy to use with excellent features ...... all for US$500.

I understand some here will view it as borderline for a main system but IMO for the average music lover it is the perfect upgrade at a very reasonable price. Wiim are on an absolute winner.
 
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For years , I'm looking for amp with 2.2 active crossover to setup FAST. Full range with subwoofer. FAST usually need crossover range around 250hz.
Wiim could have hit all my check list except for mono subwoofer out .

Need advice , if the mono subwoofer split into 2.2 dual mono sub for each left and right at 250hz.
250hz is chooses because my full range is Visaton B80 3inch with GF200 as a subwoofer

Does it destroy stereo imaging ? I'm using it mostly to listen to music


Thanks and happy new year
Crossing over at 250Hz will affect imaging. That pretty much covers all of the bass range and lower mids including parts of vocal ranges.
 
A Yamaha R-N303 with MusicCast that sold for $250 will beat this any day with a stable software, amplifier power, radio, phono and two set of speaker outputs. $280 more only for a fancy touch screen? Some might like the blings ;).
Have to disagree on the software part. I used to have a Yamaha NP-S303, and now I’m rocking a WiiM Ultra. WiiM’s software is much better—easier to use, more intuitive, less wonky—and the customer (and community) support is way better too. It’s clear that software is a core part of WiiM’s business, while for Yamaha it’s just one of many things they do.

BTW, I’ve been waiting for this review for a long time, so thank you, Amirm! Now I no longer have an excuse not to upgrade ;) I’ll be replacing the Ultra and my old Yamaha amp with the WiiM Amp Ultra to streamline the setup and save space.
 
Really stupid question - I don’t have an audio focused EE background, but is the Class D “rise in distortion with higher frequencies” a realistically solvable issue or is it simply inherent to the topology?

Even SOTA class D implementations from Purifi/Hypex still have ~15-20db worse performance at 10khz+ than the nice class A/B amps from topping/benchmark.

If that measurement was band limited to 20khz (so only up-to the second harmonic of 10khz would be resolvable) would that measured performance “improve”?

Again apologies for my ignorance or slightly off-direct-topic question.
 
Still does not achieve the specified 100wpc @8Ohm and 200wpc @4Ohm?. And the measured power is the max I believe and no room for peaks beyond that? One of the drawbacks of WiiM's UI is they have not prioritized the processes of audio playback with the highest priority. Try changing the playback screen to one of the fancy VU meters and the audio will stop playing and many other menu functions will do the same... lol. A lot have improved from the earlier wiim mini s/w but nothing perfect yet.

A Yamaha R-N303 with MusicCast that sold for $250 will beat this any day with a stable software, amplifier power, radio, phono and two set of speaker outputs. $280 more only for a fancy touch screen? Some might like the blings ;).

We're getting closer, though...

1767168412789.png
 
Really stupid question - I don’t have an audio focused EE background, but is the Class D “rise in distortion with higher frequencies” a realistically solvable issue or is it simply inherent to the topology?
It is hard to deal with than class AB but it has been reduced in higher end products:

index.php


Note that the issue shows up here because these amps have such low noise floors. A class AB may look cleaner but have much higher amount of noise which would hide that high frequency distortion.
 
MiniDSP SHD is perfect for that. I use the flex in a very similar diy setup with 2 ncore amps and a MiniDSP flex (the version without the streaming). The SHD has 4 channels out (2x main, 2 x woofer in your case), streaming and dsp with Dirac.
 
Crossing over at 250Hz will affect imaging. That pretty much covers all of the bass range and lower mids including parts of vocal ranges.
that is why he need a 2.2 sub, to tread it like a 2 way speaker with full dsp, not a Wiim. But that is a bit more complex to do it right
 
Really stupid question - I don’t have an audio focused EE background, but is the Class D “rise in distortion with higher frequencies” a realistically solvable issue or is it simply inherent to the topology?

Even SOTA class D implementations from Purifi/Hypex still have ~15-20db worse performance at 10khz+ than the nice class A/B amps from topping/benchmark.

If that measurement was band limited to 20khz (so only up-to the second harmonic of 10khz would be resolvable) would that measured performance “improve”?

Again apologies for my ignorance or slightly off-direct-topic question.
If "sound quality" is a concern I believe it is important to point out that music won't have the same level at e.g. 100Hz and at 10kHz - unlike the typical multitone signal which has same-level components at all frequencies:
1767169193524.png

Music has a decreasing level with frequency, and if we adapt the multitone signal to have a similar spectrum we can see that there's no increase in N+D anymore:
1767169282543.png

(Images taken from my measurements on WiiM forums)
This is all to say that the impact of THD increase at high frequencies isn't really an issue in practice.

IMHO having consistent distortion behaviour at low and high frequencies is more of a testament to great engineering rather than a practical requirement for audio amplifiers.
 
Really stupid question - I don’t have an audio focused EE background, but is the Class D “rise in distortion with higher frequencies” a realistically solvable issue or is it simply inherent to the topology?
It's mostly inherent to the topology. If you look at this graph, you'll see that the resonance of the amplifier's output LC filter is at 45-55 kHz. For all modern Class D amplifiers, this value fluctuates around 35-55 kHz. The 2nd and 3rd harmonics of a 15 kHz signal are 30 and 45 kHz, which is very close to the resonant frequency of the LC filter. Therefore, you simply have to accept the fact that Class D amplifiers only operate up to 20, maximum 25 kHz. Measurements of anything above these frequencies are have small sence and have little to do with sound quality.
 
It is hard to deal with than class AB but it has been reduced in higher end products:

index.php


Note that the issue shows up here because these amps have such low noise floors. A class AB may look cleaner but have much higher amount of noise which would hide that high frequency distortion.
It would be neat to see a one-off THD+N/SINAD vs. Frequency chart for a better comparison in that case, between two amps with comparable base dashboard SINAD (AHB2 vs NCx500 for example).

It's mostly inherent to the topology. If you look at this graph, you'll see that the resonance of the amplifier's output LC filter is at 45-55 kHz. For all modern Class D amplifiers, this value fluctuates around 35-55 kHz. The 2nd and 3rd harmonics of a 15 kHz signal are 30 and 45 kHz, which is very close to the resonant frequency of the LC filter. Therefore, you simply have to accept the fact that Class D amplifiers only operate up to 20, maximum 25 kHz. Measurements of anything above these frequencies are have small sence and have little to do with sound quality.
So if I’m understanding correctly, my hunch was right, and limiting the measurement bandwidth to 20khz would practically eliminate the disparity in that particular graph.

I don’t care about H3 above 6.67khz or H2 above 10khz, unless there is measured proof that the Class D excess >20khz signals sent to a tweeter will induce audible IMD sidebands that end up landing in the audible passband at any significant degree.

If "sound quality" is a concern I believe it is important to point out that music won't have the same level at e.g. 100Hz and at 10kHz - unlike the typical multitone signal which has same-level components at all frequencies:
I agree with you completely, but to play devils advocate, on this forum we consistently critique objectively poor performance, that will fall orders of magnitude below audibility thresholds, and on devices (I.E dacs) that are always followed by devices with orders of magnitude worse performance (speaker drivers), for systems that in 99.99% of rooms and listening levels, will have all audible noise+distortion masked by the ambient room noise floor.

My question about Class D vs Class A/B THD vs. Freq was not about audibility, but more on bleeding edge technical performance.
 
I don’t care about H3 above 6.67khz or H2 above 10khz, unless there is measured proof that the Class D excess >20khz signals sent to a tweeter will induce audible IMD sidebands that end up landing in the audible passband at any significant degree.
This is a controversial issue. It's been raised on the forum more than once. It's a well-known fact that Hypex/Purifi amplifiers measure much better at high frequencies and multitone than the TPA3255. But they also cost significantly more. How important this is and how much one is willing to spend for personal peace of mind is up to each individual to decide. It's difficult to even discuss the audibility of all this due to the vast differences in experience, sensitivity, and musical standards among listeners.
 
Thank you Amir as always for this very useful review. I guess it is a great almost-all-in-1 package but for me the lack of pre-outs and/or digital out is a big limiting factor for adding headphone dac/amp.
What about usb out to a hp amp? Works great for me.
 
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amirm, you need to measure the THD after aplying EQ.

@000,

I am uncertain what this request has to do with this review.

Consider creating a thread to discuss this topic instead of posting this request to Amir in multiple threads.
 
My friend's partner is a genuine music lover whose amp recently died. She loves playing her old CDs and also streams from Tidal, however she has no HIFI / Audio knowledge.





She does not have a lot of money but was prepared to pay US$1k to replace her system and asked for my advice. I recommended the Wiim Amp Ultra, which she duly purchased. I suggested she keep the Paradigm Speakers and connect her existing CD player via optical and call me when the unit arrived so I could walk her through the set up process, but in the meantime to down load the Wiim App. She proceeded to set up the gear without my help and absolutely loves the sound and also the ability to enhance it using Room fit, PEQ and the sub out etc.

Once upon a time HIFI enthusiasts believed in separates but now there is an inexpensive high performance "all in one" unit that is easy to use with excellent features ...... all for US$500.

I understand some here will view it as borderline for a main system but IMO for the average music lover it is the perfect upgrade at a very reasonable price. Wiim are on an absolute winner.
This story just makes me smile! As noted by many, it isn’t everyone’s cup of tea. But for many many people, it provides all-in-one audio beyond the limits of what was readily available just a few years ago. Perfect for people who only stream or maybe play CD’s occasionally. I just bought one to replace my TOPPING DAC and PA5 since my wife consented to add a sub to my KEF R3’s, and I think that the sub out with EQ will be fantastic. (The TOPPINGs will we relegated to a room sans subwoofer). Thanks for sharing her success!
 
Still does not achieve the specified 100wpc @8Ohm and 200wpc @4Ohm?
It does. Just by reading in this forum you should have learned about how power measurements can differ depending on the boundary conditions.

A Yamaha R-N303 with MusicCast that sold for $250 will beat this any day with a stable software, ...
Calling Yamaha's software "stable" is really the nicest euphemism one could come up with. :D

If anyone here thinks this is generous, keep in mind 4 years of software support makes this a disposable product.

Why I only use a computer connected via USB to a DAC as a streamer.
Not at all. This is not an EOL date. It's a legal requirement in some countries to provide such a list an WiiM are updating it from time to time. The date provided has just been updated from December 2026 to December 2029 some months ago. This means that even the <$100 Mini introduced in 2021 will receive software security updates for more than 8 years. Most probably the date will be pushed even further at a later point in time.
 
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