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It seems to me like this could only be true if the harmonic distortion from the amplifier and the overtones from the piano are both audible. Beating between two tones that are inaudible should be inaudible as well. If the harmonic distortion from the amplifier is audible, then that's by definition an audible difference from other amplifiers where the distortion is inaudible.He proposes that pianos produce overtones that are at a slightly higher frequency than the precise harmonics. So when piano is playing on an amplifier that has rich even harmonic distortion, you hear both the precise harmonic from the amplifier and also the slightly higher frequency piano overtone, at the same time. This causes them to "beat".[/MEDIA]
