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Why SACD Disc playback sounds better (less jitter?) than its equivalent ripped DSF file / streaming playback

Noise-shaped DSD quantisation noise usually begin to be seen from about 25 kHz to higher above noise floor of SA-CD players, but that noise isn't that significant. And, most importantly, since 1999 (launch year of SA-CD) nobody anywhere in the world has ever demonstrated that that noise have any effect, neither by properly conducted listening test nor by measurement. In fact, to the best of my knowledge, nobody in the world has ever published a single measurement in order to investigate the possible effect of noise-shaped DSD quantisation noise on downstream electronics or loudspeakers. Incredible but true, until someone point out to a relevant experiment !
I'm sure you're right here, but I look at the response of so many high end 'HiFi speakers' where the fancy-foo tweeters go ape over 20kHz with massive peaks anywhere up to 40kHz. Add in the noise in the source amplified by this amount and my concern is possible intermod at audible frequencies. SA-CD is pretty much finished now though, but it would be nice if future (re) masterings of standard issue music could take the maybe 'better' masters into account.
 
What do you think about my typical experience shared in my post #362 on my project thread?

This experience illustrate something that is very well known from the beginning : the presence of the noise-shaped quantisation noise of DSD signals in the tens of kHz region when signal is analysed in the frequency domain in a relatively narrow frequency spectrum. It is well known that this noise inherent to DSD (or sigma-delta signals) extends much above tens of kilohertz if one can observe it with a wider bandwidth spectrum analyser.

As you wrote yourself, you "suspect" that that HF noise "could be harmful" for tweeter or super-tweeters or for pets "if" that noise would be reproduced as sound waves by super-tweeters, ie it's "speculation", from your own words.

As DSJR just wrote, he is concerned by "possible" inter-modulation products in the audible bandwidth.

That is exactly the point I have stressed : there is much speculation spread about the suspected effects of DSD HF quantisation noise. We all know this noise exists. Measuring this noise ad nauseam will do nothing more to improve the knowledge of the existence of this noise, which is very well known and is a byproduct inherent to the way DSD (or sigma-delta modulated signal) works.

What is needed is proper experimentation to assess these speculations. Do the remainder of this noise (after the mandatory low-pass filter to attenuate it, of course) disturb the downstream line level electronics and power amplifiers as is claimed ? Do the remainder of this noise have an effect, thermal or mechanical, on the speakers, especially tweeters? If this noise spectrum were to be reproduced by adequate speakers, would it be perceivable?

Although no specific experiment to make those assessments are known to me, we know the outcome of some tests designed to establish the audibility or lack thereof of different kinds of signal, PCM and DSD. The result of this tests* so far is that most likely it is impossible to distinguish by ear a PCM analogue to digital to analogue conversion chain from a DSD (1 bit delta-sigma) analogue to digital to analogue conversion chain. If telling apart PCM from DSD is not possible, to me it also means that DSD HF quantisation noise introduces no audible impairment in downstream electronics or speakers within the test set-up.

Thus, so far, the scarce clues we have about the topic of the effect of DSD HF quantisation noise tend to lead to the conclusion that this noise have no effect, at least no audible effect.

I am absolutely bewildered that in 2024, after so much talks and speculation spread about the feared effect of DSD HF quantisation noise, no one in the world having access to DSD test signals and test equipments, notably in the Hi-Fi press, eg Mr Atkinson at Stereophile or Mr Miller at Hi-Fi News and Record Review or Mr Montanucci at Audioreview, had the simple idea to measure a preamp or power amp by subjecting it with test signals generated from DSD sources (eg from Philips's Super Audio CD DAC Test Disc) and compare the results with those obtained with test signals generated by their usual means in order to see if the feared inter-modulation products in the audio band are there or not when replaying DSD test signals! Absolutely bewildered!

* The infamous Meyer and Moran paper, the famous blind-test with Tonmeisters at Detmold from Blech and Yang, the blind-test Mr Howard subjected himself that I cited at the end of this post, dualazmak's family own experimental test results stated here.
 
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I am absolutely bewildered that in 2024, after so much talks and speculation spread about the feared effect of DSD HF quantisation noise, no one in the world having access to DSD test signals and test equipments, notably in the Hi-Fi press, eg Mr Atkinson at Stereophile or Mr Miller at Hi-Fi News and Record Review or Mr Montanucci at Audioreview, had the simple idea to measure a preamp or power amp by subjecting it with test signals generated from DSD sources (eg from Philips's Super Audio CD DAC Test Disc) and compare the results with those obtained with test signals generated by their usual means in order to see if the feared inter-modulation products in the audio band are there or not when replaying DSD test signals! Absolutely bewildered!
Luckily @pkane has created full suite of DSD signal tests from the ground up at all rates for his Multitone Analyzer.

Here's a direct comparison for example (set-up visible at the analyzer) :

DSD PCM.PNG

Anyone can do all kinds of tests,IMD,CCIF,DIM,TIM,etc.

Edit:I forgot to mention that the DSD modulator order is set at 6 (range is 1 to 7) at the above chart,is not visible so I should have mentioned it)
 
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Time for the reviewers to put Multitone to good use and produce measurements of preamps or amps or speakers when subject to DSD test signals and compare them with measurements when said devices are subjected to analogue or PCM-originated test signals!
 
I am absolutely bewildered that in 2024, after so much talks and speculation spread about the feared effect of DSD HF quantisation noise, no one in the world having access to DSD test signals and test equipments, notably in the Hi-Fi press, eg Mr Atkinson at Stereophile or Mr Miller at Hi-Fi News and Record Review or Mr Montanucci at Audioreview, had the simple idea to measure a preamp or power amp by subjecting it with test signals generated from DSD sources (eg from Philips's Super Audio CD DAC Test Disc) and compare the results with those obtained with test signals generated by their usual means in order to see if the feared inter-modulation products in the audio band are there or not when replaying DSD test signals! Absolutely bewildered!

As I shared/pointed in my post #381 on my project thread, the "UHF quantization noise issue" in SACD, DSD and even some HiRes distribtuon (like 192 kHz 24 bit) has been being well recognized in early years after their birth.

Just for example, you would please refer to this web article written in September 2015, even in Japanese though;
https://sandalaudio.blogspot.com/2015/09/blog-post_17.html
I hope your web browser would properly translate it into English. Where, "Nisè-rezo/Nicè-rezo in Japanese (偽レゾ、ニセレゾ)" means "sham HiRes".
The writer objectively observed and subjectively "heard" the clicking noises highly possibly due to the large amount of the UHF quantization noises (using his HiFi HiRes audio system as of September 2015, though).


I can "understand" most of your points that these UHF quantization noises would be almost inaudible and gives almost no mal-effect on audible Fq sound (to humans).

I myself just do not like personally, however, high amount of useless UHF noises going into my treasure tweeters + super-tweeters (my FOSTEX T925A is essentially flat up to 35 kHz); I also do not like "seeing" the VU-meters/peak-meters for high Fq signals (say exceeding 9 kHz to upper limit Fq of the HiRes format) stay abnormally in high-gain position due to the UHF quantization noises completely hiding the peak-meters' (VU-meters') desirable movements for audible/meaningful high Fq (in 8 kHz - 22 kHz) music sound;
Ref. here #362 on my project thread;
WS001585.JPG

I repeatedly shared, therefore, my own (unique to myself) stance/policy and practice of having -48 dB/Oct LP (Low-Pass = high-cut) filter at 25 kHz for my midrange, tweeter and super-tweeter in my DSP XO configuration to cut-off the possible UHF quantization noises. And I play all the music tracks (including all the high-bit-rate-PCM tracks and DSD(DSF) tracks) in 88.2 kHz or 96 kHz 24 bit PCM (by JRiver MC's on-the-fly format conversion)
not only due to the UHF-cut-off filters but also based on several other factors/requirements in my audio setup and for my ears and brain (ref. here #532 on my project thread sharing ""Summary of rationales for "on-the-fly (real-time)" conversion of all music tracks (including 1 bit DSD tracks) into 88.2 kHz or 96 kHz PCM format for DSP (XO/EQ) processing"".

Of course, if you would like, you may go/proceed further towards intensive objective measurements and/or subjective comparative listening studies as far as you would be satisfied, but I myself have little interest on such further experiments and discussions regarding quantization UHF noises, as you can kindly understand my present policy and practice; I play all tracks in PCM and I have -48 dB/Oct LP filter at 25 kHz all the way, that is more than enough at least for me!:D
Fig03_WS00007533 (1).JPG
 
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SACD and sacd players have been around for nearly 25 years now. DSD modulation noise has also been a well-known factor for nearly as long. It has never really been shown, or known, to be an issue. I listen primarily to sacd, and have done so for over 20 years without issue with any DSD modulation noise.
Nonetheless, the DSD modulation noise issue has led to the creation of higher modulation rates for DSD recordings, since Merging developed their Horus and Hapi ADC systems. Playback of DSD128 and DSD256 recorded files in native recorded rates is file play only. The DSD modulation noise is pushed one and two octaves upward and far away from the audio band.
 
Sine test signals on this Denon SA-CD are :
  1. CD layer : tracks 12 to 15, respectively 1 kHz, 100 Hz, 10 kHz and 15 kHz
  2. SA-CD layer, stereo area : tracks 12 to 16, respectively 1 kHz, 100 Hz, 10 kHz, 15 kHz and 30 kHz
  3. SA-CD layer, multichannel area : tracks 28 to 32, respectively 1 kHz, 100 Hz, 10 kHz, 15 kHz and 30 kHz
Depending on the bandwidth of the voltmeter you have at hand, it is preferable to measure the output voltage with the 100 Hz or the 1 kHz signal.

Sine waves on the Denon test disc are at -16 dBFS (CD layer) and -16 dB SA-CD (SA-CD layer) and are level aligned : the -16 dBFS and -16 dB SA-CD signals have the exact same amplitude.

I would begin to measure the output level at source terminal, not at amplifier terminal. As the Oppo BDP-205 XLR output you will probably use have a nominal level of about 4.25 V at full scale, you should measure a voltage of about 0.55 V between pin 2 and pin 3 of the XLR with the -16 dB sine signals on the Denon disc. At unbalanced terminals, those voltages should be roughly divided by 2.

If the output levels will be different between disc playback and file playback, there is a risk that 0.5 dB increment may be to broad to accurately compensate the difference with the preamplifier volume control, but we will see.

Beware ! Do not try to listen to the high frequency sine test signals with your loudspeakers by increasing the volume: you may damage the tweeters !
Both the Denon SA-CD Disc and a used Oppo 205 (my prior experiment was done on oppo 105D) have arrived.
I have EE background but have not been using scope for audio equipment and this purpose. So I need to order a new voltmeter/scope.
Can you recommend one or Is this a good enough for this your ask ? https://www.amazon.com/gp/product/B08L3FRKYF/ref=ox_sc_act_title_1?smid=A303H5HYV5TJUL&psc=1
Also, what is the best probe to connect to XLR Pin2 and Pin3 as you described above ?
 
I'm not familiar with this hand-held oscilloscope.

I wish to point out that for the sole purpose of aligning levels at the output of an audio devices, an handheld voltmeter or multi-meter and its standard probes is sufficient. If the probe are physically to short or to large to make proper contact with the pins of the output socket of a particular devices, an open RCA or XLR jack plug in the ouput would do to have a better access.

Even if the voltmeter or multi-meter is not of the utmost accuracy, that's not that important, because all we want to know is if the measurement device displays the same voltage reading or not at the outputs of different devices.
 
I'm not familiar with this hand-held oscilloscope.

I wish to point out that for the sole purpose of aligning levels at the output of an audio devices, an handheld voltmeter or multi-meter and its standard probes is sufficient. If the probe are physically to short or to large to make proper contact with the pins of the output socket of a particular devices, an open RCA or XLR jack plug in the ouput would do to have a better access.

Even if the voltmeter or multi-meter is not of the utmost accuracy, that's not that important, because all we want to know is if the measurement device displays the same voltage reading or not at the outputs of different devices.
I like an adapter to TS or TRS for easy access to check voltages with a meter.
 
Both the Denon SA-CD Disc and a used Oppo 205 (my prior experiment was done on oppo 105D) have arrived.
I have EE background but have not been using scope for audio equipment and this purpose. So I need to order a new voltmeter/scope.
Can you recommend one or Is this a good enough for this your ask ? https://www.amazon.com/gp/product/B08L3FRKYF/ref=ox_sc_act_title_1?smid=A303H5HYV5TJUL&psc=1
Also, what is the best probe to connect to XLR Pin2 and Pin3 as you described above ?

You may better to invite and/or contact with @mdsimon2 for your specific inquiry, I believe (e.g. ref. his post here on my project thread).
 
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Sine test signals on this Denon SA-CD are :
  1. CD layer : tracks 12 to 15, respectively 1 kHz, 100 Hz, 10 kHz and 15 kHz
  2. SA-CD layer, stereo area : tracks 12 to 16, respectively 1 kHz, 100 Hz, 10 kHz, 15 kHz and 30 kHz
  3. SA-CD layer, multichannel area : tracks 28 to 32, respectively 1 kHz, 100 Hz, 10 kHz, 15 kHz and 30 kHz
Depending on the bandwidth of the voltmeter you have at hand, it is preferable to measure the output voltage with the 100 Hz or the 1 kHz signal.

Sine waves on the Denon test disc are at -16 dBFS (CD layer) and -16 dB SA-CD (SA-CD layer) and are level aligned : the -16 dBFS and -16 dB SA-CD signals have the exact same amplitude.

I would begin to measure the output level at source terminal, not at amplifier terminal. As the Oppo BDP-205 XLR output you will probably use have a nominal level of about 4.25 V at full scale, you should measure a voltage of about 0.55 V between pin 2 and pin 3 of the XLR with the -16 dB sine signals on the Denon disc. At unbalanced terminals, those voltages should be roughly divided by 2.

If the output levels will be different between disc playback and file playback, there is a risk that 0.5 dB increment may be to broad to accurately compensate the difference with the preamplifier volume control, but we will see.

Beware ! Do not try to listen to the high frequency sine test signals with your loudspeakers by increasing the volume: you may damage the tweeters !

The Denon SA-CD test disc has arrived and I have bought a new handheld oscilloscope & multi-meter (https://www.amazon.com/gp/product/B08VRDG94N/ref=ppx_od_dt_b_asin_title_s00?ie=UTF8&psc=1)

I also ripped the Denon SA-CD disc and save the DSF file in SATA SSD along with the other DSF music files.

Per your ask, I measured the XLR output (pin 2/3) of oppo 105D (the player that I used to report the experiment) to compare the disc playback vs the DSF file playback (via its USB port) voltage output. (oppo 105 volume setting set to fixed)

I only did measurement for Track 12, 1kHz, and noticed the Vpp , Va , RMS fluctuate a little bit (scope waveform) so I just take snapshot picture of the measurement.
At any case, both Disc and DSF file playback voltage level are essentially the same coming out of oppo 105 XLR (between pin 2/3).
For track 12, Vpp ~1.140V (fluctuation range ~5%) . Va~1.040V (fluctuation range ~ 5%), RMS ~351.2 mV (fluctuation range ~0.8%)
I believe RMS value reading is what it will read if I set its mode as multi meter so it is more stable (fluctuate less than 1%)
Va = amplitude according to the menu.
 

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That’s only if you need the Oppo.

I had the Marantz SA-10 and PM-10 combo which is great and I genuinely loved the SA-10. In the US, you can find used ones for a good price.

That said, the Sony UBP-X800M2 does a great job of SACD playback output to HDMI. It cannot do SACD out to SPDIF though. Given the performance of modern processors like the HTP-1 and AV10, that’s a very wise approach to take.

The Panasonic UB9000 does a great job playing DSF files.
I own a Sony UBP X-8OO M2, HDMI port 2, intended for audio only. HDMI goes straight to an LG 55" OLED. HDMI port 2 goes to the "Chinese HDMI to I²S" and its output to an SMSL D 400 PRO (latest two ICs AKM D/A chipset), and both actual SACDs and its ripped DSF files played from an SSD sound exactely the same via the Sony UBP X-8OO M2 USB inputs.
 
I've never taken the trouble to measure or figure it out because I don't use it much these days, but I've found the same with an Oppo 103 also, where high res flac files and even 44.1 CD copies sound mildly tilted up (less bass more treble) compared to the disc being played. It just doesn't sound quite right when it is playing from files either over the network or via a hard drive directly plugged in.

What I will say though is that even a direct, bit perfect CD copy has slightly different volume to the CD itself.

This is using the internal DAC.
 
I've never taken the trouble to measure or figure it out because I don't use it much these days, but I've found the same with an Oppo 103 also, where high res flac files and even 44.1 CD copies sound mildly tilted up (less bass more treble) compared to the disc being played. It just doesn't sound quite right when it is playing from files either over the network or via a hard drive directly plugged in.

What I will say though is that even a direct, bit perfect CD copy has slightly different volume to the CD itself.

This is using the internal DAC.
It looks like your OPPO player is doing some kind of processing to untampered files (what kind of software are you using to rip your CDs? I'm using dBpoweramp) played by its USB input. My Sony UBP X-8OO M2 doesn't. Original CDs and their counterparts CD Rips using dBpoweramp sound more or less the same. Actually, dBpoweramp CD Rips sound better stored on an SSD (I think an SSD is a more reliable playing than an optical disc drive, if the internal SSD is of enough quality as we as its SATA to USB controller, I can elaborate on that) and at the same volumen level tested the same CDs and its ripped counterparts measured by playing both on my system with a Sound Level Preasure Meter.
 
............. (what kind of software are you using to rip your CDs? I'm using dBpoweramp) played by its USB input. My Sony UBP X-8OO M2 doesn't. Original CDs and their counterparts CD Rips using dBpoweramp sound more or less the same. Actually, dBpoweramp CD Rips sound better stored on an SSD (I think an SSD is a more reliable playing than an optical disc drive, if the internal SSD is of enough quality as we as its SATA to USB controller, I can elaborate on that) and at the same volumen level tested the same CDs and its ripped counterparts measured by playing both on my system with a Sound Level Preasure Meter.
I essetially agree with you.

I too use very much reliable "dBpoweramp CD Ripper safe mode" to rip CDs into non-compressed 44.1 kHz 16 bit AIF tracks to be stored in my SSD, and I mainly use JRiver MC to play them into my OKTO DAC8PRO via PC-DSP "EKIO". I like AIF format since almost unlimited tag info, including artworks, addition/editing can be applied (ref. my post here for my policy on digital music library organization).
If you would be interested in the latest details of my PC-DSP-based multichannel multi-SP-driver multi-amplifier fully active audio setup, please visit my post #931 on my project thread.

I assume my post here would be also of your interest and reference;
- Summary of rationales for "on-the-fly (real-time)" conversion of all music tracks (including 1 bit DSD tracks) into 88.2 kHz or 96 kHz PCM format for DSP (XO/EQ) processing: #532
 
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I essetially agree with you.

I too use very much reliable "dBpoweramp CD Ripper safe mode" to rip CDs into non-compressed 44.1 kHz 16 bit AIF tracks to be stored in my SSD, and I mainly use JRiver MC to play them into my OKTO DAC8PRO via PC-DSP "EKIO". I like AIF format since almost unlimited tag info, including artworks, addition/editing can be applied (ref. my post here for my policy on digital music library organization).
If you would be interested in the latest details of my PC-DSP-based multichannel multi-SP-driver multi-amplifier fully active audio setup, please visit my post #931 on my project thread.

I assume my post here would be also of your interest and reference;
- Summary of rationales for "on-the-fly (real-time)" conversion of all music tracks (including 1 bit DSD tracks) into 88.2 kHz or 96 kHz PCM format for DSP (XO/EQ) processing: #532
Maybe you should use, if you want to use a losless codec, FLAC, or if you want to use a non-compressed audio file, wave, and see how your OPPO player behaves.
If I'm not mistaken, OPPO players use Sabre ICs D/A converters, that are not my cup of tea.
 
I'd like to add more information to this thread:
First, Sabre D/A IC's despite their their tested lab specs, it's well known that Sabre chipsets, even its top of the like IC, convert internally DSD to PCM. This will sure has an impact on how DSD sounds converted by Sabre ICs.
Burr Brown or AKM can convert DSD to analogue natively. The SMSL D400 PRO that I own uses the top of the line AKM two IC's solution: AK4191 that does oversampling and Delta Sigma modulation, and an AK4499EX that is the actual D/A IC. This combination as implemented on the SMSL D400 PRO can convert DSD natively (It can bypass digital volumen control or any other kind of processing), and It shows. The SMSL D 400 PRO is an inexpensive D/A converter but It sounds great for the price and It really shines when converting DSD.

Regarding SSD's, I don't buy off the shelve external USB SSD's, I mount/put together them together myself.
Until last Black Friday I had two USB SSD's, one for CD Rips, and a second one for Hi Rez files, includding ripped SACD's with their tracks extracted wit ISO2DSD.
I've been using Blueendless full aluminium USB cases for years. They are reliable and get great Heat disipation of the internal SATA SSD. My two external USB SSD's comprised of an Blueendless USB case and Kingston SATA SSD's that also have s full metal case. But these don't use the latest 3 D NAND technology as they are from 2017.
On last Black Friday I got the latest Blueendless USB C metal case, and inside of It I put a Silicon Power 1 Tb SSD that uses 3D NAND technology. All my music files, regardless if they are CD Rips or Hi Rez files, ripped SACDs included.
Guess what, I not only get a faster browsing from it connected to a Sony UBP X-8OO M2 UHD BD/Universal Player and faster track access, but also, believe It or not, sound quality has improved. It's not a day and night difference, but my new put together external USB SSD sounds better. And all at around half the price of and off shelve external fancy looling, with plastic shell most of the time, that doesn't dissipate Heat as well as my put together external SSD.
What I mean with that, and that is just my opinión, IS that just like good optical disc drives performs better than cheap ones, the quality of an SSD, the internal flash memory It has, its SATA controller (the Silicon Power SSD I got is supposed to have an Intel SATA controller and Toshiba flash memory) and the quality of the SATA to USB controller, MAY have an impact on sound quality.
 
irst, Sabre D/A IC's despite their their tested lab specs, it's well known that Sabre chipsets, even its top of the like IC, convert internally DSD to PCM. This will sure has an impact on how DSD sounds converted by Sabre ICs.
But not an audible one. Assuming the DAC is correctly designed with either of these chipsets, then its performance is audibly perfect regardless of which DAC chip is in use. Meaning any changes to the signal are so small, they are beyond the capability of any human ear to detect.


the quality of an SSD, the internal flash memory It has, its SATA controller (the Silicon Power SSD I got is supposed to have an Intel SATA controller and Toshiba flash memory) and the quality of the SATA to USB controller, MAY have an impact on sound quality.
Absolutely no way does audio file storage of any type have any impact on sound quality. That is simply not how it works.
 
I'd like to add more information to this thread:
First, Sabre D/A IC's despite their their tested lab specs, it's well known that Sabre chipsets, even its top of the like IC, convert internally DSD to PCM. This will sure has an impact on how DSD sounds converted by Sabre ICs.
Burr Brown or AKM can convert DSD to analogue natively. The SMSL D400 PRO that I own uses the top of the line AKM two IC's solution: AK4191 that does oversampling and Delta Sigma modulation, and an AK4499EX that is the actual D/A IC. This combination as implemented on the SMSL D400 PRO can convert DSD natively (It can bypass digital volumen control or any other kind of processing), and It shows. The SMSL D 400 PRO is an inexpensive D/A converter but It sounds great for the price and It really shines when converting DSD.

Regarding SSD's, I don't buy off the shelve external USB SSD's, I mount/put together them together myself.
Until last Black Friday I had two USB SSD's, one for CD Rips, and a second one for Hi Rez files, includding ripped SACD's with their tracks extracted wit ISO2DSD.
I've been using Blueendless full aluminium USB cases for years. They are reliable and get great Heat disipation of the internal SATA SSD. My two external USB SSD's comprised of an Blueendless USB case and Kingston SATA SSD's that also have s full metal case. But these don't use the latest 3 D NAND technology as they are from 2017.
On last Black Friday I got the latest Blueendless USB C metal case, and inside of It I put a Silicon Power 1 Tb SSD that uses 3D NAND technology. All my music files, regardless if they are CD Rips or Hi Rez files, ripped SACDs included.
Guess what, I not only get a faster browsing from it connected to a Sony UBP X-8OO M2 UHD BD/Universal Player and faster track access, but also, believe It or not, sound quality has improved. It's not a day and night difference, but my new put together external USB SSD sounds better. And all at around half the price of and off shelve external fancy looling, with plastic shell most of the time, that doesn't dissipate Heat as well as my put together external SSD.
What I mean with that, and that is just my opinión, IS that just like good optical disc drives performs better than cheap ones, the quality of an SSD, the internal flash memory It has, its SATA controller (the Silicon Power SSD I got is supposed to have an Intel SATA controller and Toshiba flash memory) and the quality of the SATA to USB controller, MAY have an impact on sound quality.
If the drive can supply bit perfect output at the rate needed, it isn't effecting sound quality. By what mechanism do you imagine it could?
 
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