I subscribe to pretty much all ruling dogmas on this forum, but I am convinced that there are edge cases of
off-axis listening, in which a worse measuring speaker can be preferred to the better measuring speaker when both pairs are deployed/compared in stereo. This configuration found a mention in this thread already but I didn't see this topic expanded upon - the constant directivity horns in the JBL DD55000, 4660, S2600 and S3100 systems provide a stereophonic center image even when sitting completely off center. The effect provided by these horns - a phantom center outside the MLP - can not be evaluated when listening to a single speaker, and the advantages (greatly increased range over which stereo is perceived as such) are unequivocally preferred in my listening environment. Instead of the sound sharply veering left or right depending on sitting position, the phantom center remains stable. This is achieved by way of varying directivity depending on the listening angle - the directivity of these systems is low right on axis and increases the further one moves off axis. I can get quite a few speaker to sound better at the MLP in stereo. I can't get them to sound better off axis - simply because there is no stereo off axis, since all the sound is perceived as coming from one speaker. The effect really isn't ambiguous at all.
Of course, I am unable to quantify the improvement gained from increased range of the stereo effect, which means it is difficult to juxtapose it with the improvement gained from having more neutral, lower DI loudspeakers (the former also not being related to the "sound" of the speaker at all...). Still, in the spirit of discussion, I wanted to mention these designs again, because I believe that they have merit and because they might constitute a rare case in which factors besides our generally accepted requirements for excellent loudspeakers (can) play a role in how we perceive sound.
Some polar plots from the DD50000 to help visualize what's going on:
View attachment 526063