The digital copies of many of these vintage recordings are flawed. They've been processed in a heavy-handed way with EQ, heavy dynamic range compression squashing the life out of the music, and other excessive and unnecessary processing. This is disappointing since a lot of it is great music that deserved to be preserved better.
Of course there are exceptions to this and I very much enjoy listening to them.
For the rest, I am glad that I did my own high quality digital copies of my old vinyl. It's not that the vinyl is perfect; its flaws and limitations are audible, yet less offensive than what is sometimes done in modern digital versions.
That's often the case because there would be no high frequencies if there wasn't sledgehammer-level EQ shoved at things, and terrible noise problems without multichannel compression being used, thanks to master degradation. I've heard some number of the "original" captured to 24/96 PCM, and you know, for what was left most of it came out pretty well, considering where it started.
Tape is NOT forever, by any stretch of the imagination. It degrades slightly per play until the oxide comes loose, then you get "one more try" and it's gone. LP degrades more per play, but usually only warps when stored, which can be overcome. Lose some this way, lose some that way. Comme ci, comme ca.
But no, not "high quality" any longer. Absolutely.