thisHigh end is the one you want but can't afford.
thisHigh end is the one you want but can't afford.
Isn't that how money works? You buy whatever you can afford.At the end of the day "high end" is a barrier separating people by their economic class.
FWIW, I think all the Harman curves (for speakers, over-the-ear headphones and for IEMs) sound weird. My background is audio for video in TV broadcasting, so I like a flat, neutral speaker with very low distortion and adequate dynamic range. Boosting the bass and rolling off the highs seems to be what most people prefer, according to Harman's studies, but it isn't neutral. Neutral sources sound dull on such a system, but bright, thin material sounds better when the playback system is curved that way, so I get it. I think the 3kHz boost on Harman's headphones and IEM curves are excessive, but again, I'm looking for "perceived neutrality," not a "preference" that may depart from that In the subjective response of average listeners. I also understand the basshead mentality, but it's not for me. To each his own.I guess measuring well does not necessarily mean it will sound pleasant. So people sometimes prefer equipment that are 'colored.' I apologize if this has been discussed somewhere (I'm sure it has). But why isn't the Harman curve flat? It sure seems to me that people prefer less than perfect reproduction of recorded sound.
Perhaps many recordings are indeed too bright? I also feel there is a significant difference between recorded music vs live amplified music. I rarely heard the shriekiness during live performance that I sometimes heard on recorded music. Am I imagining this?Neutral sources sound dull on such a system, but bright, thin material sounds better when the playback system is curved that way, so I get it.
Low frequencies dominate during live music, for the few concerts I've been at that's what I noticed. I really enjoy the sound live. Especially the drums sound great, I often find drums lacking in recordings.Perhaps many recordings are indeed too bright? I also feel there is a significant difference between recorded music vs live amplified music. I rarely heard the shriekiness during live performance that I sometimes heard on recorded music. Am I imagining this?
The sound of real instruments in a recording studio is quite shocking! There's a great deal more of what subjectivists describe as "bright" and "hard". There's a lot less of what subjectivists describe as "warm" and "smooth".Perhaps many recordings are indeed too bright? I also feel there is a significant difference between recorded music vs live amplified music. I rarely heard the shriekiness during live performance that I sometimes heard on recorded music. Am I imagining this?
At least for a small premium you don't even have to know how to play,Steinway will play by it's own for you,all you have to have is an iPad.To me, high-end means too expensive to be a good value. That doesn't mean don't buy it. If your house is suitable for a feature in Interior Design magazine, or your decor would make it to Architectural Digest, high-end is for you.
A caveat: As a metaphor, if you cannot read polyphonic music or play chopsticks, a 9' Steinway and Sons concert grand is high-end; however it makes a nice statement in your parlor and you can invite Lang Lang to a party there. Place it next to your authentic Eames chairs and perhaps a Chagall original oil or two.
Tongue firmly in cheek.
"High-end" are tweaked away from flatness to sound good in the showroom/average living room. Get yourself a Schiit Loki and create a high-end speaker from a Wharfedale Diamond 9.0, or other bargain speaker of similar quality. (They are usually quite flat, and a bit shrill in the high end, and thereby don't sound great in the average living room... which is why people then go looking for "high end". Don't do it! Look to equalise...)What makes and defines a speaker as
"high-end" vs just good a speaker?
Price?
Performance?
If so, what price? What performance?
Given that you need source, amp, dac, & equalisation, that's far from sorted! Do you really need to go as high as Kef Reference 3 to get to "that should do it"?In my mind I associate high end with my "that should do it"-level. Using Kef as an example, I think the Reference 3 is the first model at the "that should do it"-level whereas my R5 is just a good value proposition.
Yes. But that wasn't the point. Disposable income is of course a thing in real life, for some the References would be pure insanity and not worth it. For me, it would be only "ouch, you have a problem"-expensive.But can't it be done yet more cheaply?
and... the selling price of a 9' Stenway with player mechanism is...At least for a small premium you don't even have to know how to play,Steinway will play by it's own for you,all you have to have is an iPad.
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But nothing is perfect. Will there not always be a nagging feeling? Maybe it's better to "let go" the nagging feeling at budget speaker level? Of course, there must be limits - if your speakers are very bright then letting go of that is likely to be too difficult!"That should do it" for me is a point where you are already went a bit overboard just to make sure there will be no nagging feelings.
Not IMO. When I think of high-end I think of luxury goods .. Upscale Living.Am I wrong thinking that High-end only mean expensive?
You’re just confirming that expensive is a relative term.Not IMO. When I think of high-end I think of luxury goods .. Upscale Living.
Isn't that so true though, for so much consumer spending? Whether HiFi, watches, jewellery etc etc, it's the brand that makes something 'High-End', not any intrinsic performance. In many cases, certainly loudspeakers and wrist-watches, High End means a worse technical performance than something more 'commercial'.High end is a marketing phrase that makes people want to spend much more than they need to.