Because it leads to different forum and twitter threads, it would be helpful if you could summarize.See the post I linked in my previous comment.
Because it leads to different forum and twitter threads, it would be helpful if you could summarize.See the post I linked in my previous comment.
That would be normalizing pseudoscience, allow anyone to massage the data to fit their subjective narrative, and do more harm than good.
@GaryH I could imagine a few, but what are the reasons to normalize to 500Hz?
I agree with this approach, it makes sense from an EQ'ing starting point of view, but also does make it simple to read the frequency response in terms of what it would sound like.I know you like your standards, but honestly, a fixed 500Hz nomalization frequency does more harm than good.
It produces graphs like this, which are just difficult to read:
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Instead, can we please normalize contextualized normalization? Simply look for plateaus in the error curve and align those to the target:
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The easier the graph is to interpret, the better.
Same deal with Amir's method imo. What good does it do to stubbornly use 425Hz for every review?
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Yeah, that's because the human brain just isn't wired for comparing two semi-parallel lines to each other. See here:I agree with this approach, it makes sense from an EQ'ing starting point of view, but also does make it simple to read the frequency response in terms of what it would sound like.
That's not a good argument for aligning at different frequencies each time, often turning out to be in the treble which perceptually we do not anchor at. It's rather an argument for using target- (or another comparator headphone-) compensated graphs (which I'm fine with), but still aligned at 500 Hz for the reasons stated by Sean. Of course aligning for ease of EQing is an entirely separate case.
Well how about aligning at the average over a range of frequencies in & around 500Hz, which is what @MayaTlab was talking about here & here:Yes, I'm all for compensated graphs, but while we're still torturing people with Raw measurements, why torture them even more with the hard-mode graphs that aligning IEMs at 500Hz often brings.
I just don't see the advantage that brings.
For manufacturers, sure. Enforcing 500Hz may prevent them massaging the graphs, but for reviewers, the aim should be to make measurements and graphs as simple to read and understand as possible, and this is just not the way:
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Exactly for the reasons shown in the image above.
Put another way, if an IEM measures like this:
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Will you really advocate for alignment at 425/500Hz like in the graph, saying the IEM "tracks the target well from 400 to 500Hz, but with excess response both in bass and treble" or something along those lines?
Because that's just plain misleading.
That definitely makes more sense both from visualisation and psychoacoustics point of view and is also what Oratory does:Well how about aligning at the average over a range of frequencies in & around 500Hz, which is what @MayaTlab was talking about here & here:
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What IEMs do you consider significantly better than the beloved Truthear Zero IEMs?
See the post I linked in my previous comment. Because it leads to different forum and twitter threads, it would be helpful if you could summarize.www.audiosciencereview.com
That seems like the best of both worlds.![]()
What IEMs do you consider significantly better than the beloved Truthear Zero IEMs?
See the post I linked in my previous comment. Because it leads to different forum and twitter threads, it would be helpful if you could summarize.www.audiosciencereview.com
Look for something without any bass hump, or virtually no bass hump, but following the treble of the Harman Curve. But be aware that it's not Oratory's target, he didn't create it, and just because it says "optimum" in the "Optimum Hifi" curve target it doesn't mean it is so, it's not optimum and it's also not Oratory's target curve, in fact he doesn't even use that as a target for his own listening. If I remember rightly it's a headphone curve that was ported over from some 1970's speaker research involving the measuring of different recording studios back in the 70's.What IEMs would you recommend for me for the following criteria:
- I really like the sound of my Sennheiser HD650 with EQ (but not so much without EQ). I use it with Oratory's "Optimum Hifi" profile (+ desktop DAC + amp).
- I'm looking for an IEM which I can use with my M1 Macbook Pro's built-in 3.5mm output, no external DAC/amp.
I've read that the M1 Macbook Pro's output is quite powerful so IEMs shouldn't be a problem right? I listen to acoustic music mostly. What would you recommend? Should I start with an Aria? I'm only going to use it with my laptop so EQ is running all the time. Let's say I'd start with under $100 range.
For some reason an IEM without bass suffers worse in enjoyment than an over-ear without bass, so it's hard to recommend something strictly by that criteria. But the MD Aria would probably be a good general recommendation, had I tried it. The other MD and Truthear 1DD sets I've actually owned had a treble that's clear and without hot spots, so getting the basics right where other brands seem challenged. A lot of brands have copied Arias response since it came out, if these other designs have bested it with or with compromises is a debatable, but many think Aria set the bar.What IEMs would you recommend for me for the following criteria:
- I really like the sound of my Sennheiser HD650 with EQ (but not so much without EQ). I use it with Oratory's "Optimum Hifi" profile (+ desktop DAC + amp).
- I'm looking for an IEM which I can use with my M1 Macbook Pro's built-in 3.5mm output, no external DAC/amp.
I've read that the M1 Macbook Pro's output is quite powerful so IEMs shouldn't be a problem right? I listen to acoustic music mostly. What would you recommend? Should I start with an Aria? I'm only going to use it with my laptop so EQ is running all the time. Let's say I'd start with under $100 range.
Very true. I found it extremely important to find the right tip. Try all three sizes. You want something that fits into the ear canal an blocks it. Too big and it won't fit, too small and it won't block. The medium tips were perfect. When I initially got them I used the large tips and wondered what all the fuss was about, then I switched to the small, and it was appaarent I was not blocking the canal. Then I went to the medium, and it was a perfect, comfortable fit, and the bass improved dramatically. Also the over the ear routing of the cables makes a big difference. I hate wearing an IEM and feeling like the weight of the cable is pulling the drivers out of my ears. Even if they're not, the earphone never feels secure to me if I can't rout the cable over the ears.As some have already said, the way they fit your ear is critical. To the point where an IEM that does not fit your ear just won't be any good for you, which is a big risk if you can't try it first (70 dollars is a risk I can live with). I am fortunate that the Truthear's fit me well and sound excellent. You are well into the zone of diminishing returns trying to top them.