Mystical Boar
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- Apr 19, 2021
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I've seen a lot of threads about near-field listening, but I struggle to find a concrete info about what exactly makes a speaker good for near-field listening in terms of measurements.
Is it mostly linear on-axis response combined with early reflections and good directivity, or is there something more to it? Or, to reverse the question, when a speaker is not suitable for near-field listening?
When I compare, say, Genelecs to Revel m106 or even ELAC DBR62 I see no obvious difference that would suggest particular listening distance. Is it true that when it comes to near-field listening one can manage to "censor" the room to a high degree (as in non-early reflections become less of an issue)?
Also, what's the difference between a "monitor" and a non-monitor? My personal theory was that the term originally referred to speakers meant for professional use - for monitoring mixing and mastering process in a studio, but I may be wrong.
Thx
Is it mostly linear on-axis response combined with early reflections and good directivity, or is there something more to it? Or, to reverse the question, when a speaker is not suitable for near-field listening?
When I compare, say, Genelecs to Revel m106 or even ELAC DBR62 I see no obvious difference that would suggest particular listening distance. Is it true that when it comes to near-field listening one can manage to "censor" the room to a high degree (as in non-early reflections become less of an issue)?
Also, what's the difference between a "monitor" and a non-monitor? My personal theory was that the term originally referred to speakers meant for professional use - for monitoring mixing and mastering process in a studio, but I may be wrong.
Thx