Sublimity of Analog
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ThanksOnkyo C-7000R
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Arcam CDS50
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Marantz CD17mkII
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Which is the best player here in term of sound quality?
ThanksOnkyo C-7000R
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Arcam CDS50
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Marantz CD17mkII
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There are harmonics at 50, 600 and 800 Hz missing
I'm really looking forward to it.A number of you have been asking if a simple modern Blu-Ray Transport from Sony would make a decent CD Transport too. Well, you're about to know soon
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It is the Sony BDP-S1700/K. Stay tuned!
BothP.S.: Is the drive really that small, or is the cat just that big?
Denon A1UD just sold very recently a few weeks back here is the UK and it was 100% complete fully working and more or less in mint condition very similar to mine for £1.4K ...So yeah these units are super popular and pretty rare to find now I was watching it and it sold within days of being up for sale .For a Denon DVD-A1UD in good condition, you can expect to get approximately €600–800; for units in mint ("1A") to like-new condition, you may get even more.
At auctions, or if the unit is in poor or defective condition, the price will be significantly lower.
Its been well established on these forums that CD players all sound the same. Purchase decisions should be based on price, build quality, looks, ergonomics , features etc. Not sound qualityThanks
Which is the best player here in term of sound quality?
Why would that be the case?I have always wondered if CD Changers have significantly degraded/measured performance compared to a single disc player, as a transport?
Maybe, you can test a Denon, Yamaha, or Sony ES changer and post the measurements, as a transport.
Agreed 100% However, there is a persistent myth that only single disc CD players are SOTA and this is reflected by seeing that nearly all performance reviews are of single disc CD players. This is why science tests theories and challenges myths.Why would that be the case?
The actual drive mechanism—meaning the spindle that holds the CD and the laser—isn't different; they are the same components found in conventional players.
The actual changer mechanism plays no part in the CD playback process itself.
At the digital output, any differences would be as negligible as they have been in all previous tests.
There certainly have been—and still are—CD changers with basic, cheap DAC implementations that might measure and sound worse as a result, but the exact same applies to standard CD players.
First let me say I have a HUGE appreciation for your reviews of CD Players. I find your evaluations of these players to be absolutely fascinating (in part because I have collected literally thousands of Classical CDs since they were introduced in the '80s, so at this point I'm definitely committed to the medium). I did a quick search of this thread and these 2 players have already been suggested for testing, but I thought I would second the recommendation. Both these players are able to play SACDs (a feature that's becoming rare) which furthers my interest in them.So the question to you is: Which CD Player would you like to see reviewed next?
That's a great kindness, though I'm feeling somewhat guilty for proposing such a substantial purchase on your part (The Sony player costs over $300 these days). I'd suggest making the investment only if you believe that testing it would truly be of value to ASR members and yourself. Actually, I'm very likely to buy the Sony UBP-X700U (that is, before Sony decides to discontinue it) because I already feel confident it meets the specs I'm looking for in a player. I have also purchased several 4K Blu-ray movies, and my esteemed BDP-103 is only 2K capable. As for the Dynaco series of vacuum tube CD players - I ought to confess that I wasn't seriously encouraging you to find a model to test, but I thought to include it simply because it's rather a unicorn. And I totally agree with you that there's little doubt the tube stage adds distortion to the analog output, just like the Marantz. Even though I don't claim to have "golden ears", once I invested in the BDP-103 my long-held hunch was verified that the tubes of the Dynaco sounded significantly more "congested" than the solid state signal path of the OPPO. Still, the Dynaco held special value to me when I bought it because it enabled me to streamline my audio system down to the barest essentials: a CD player that by itself could preamplify a signal for a good pair of actively powered speakers. And I may just try dusting off the Dynaco and using its digital output on my desktop, even if its footprint is somewhat large and cumbersome for that purpose. It has the virtue of being an already paid-for CD Player that's available to me right now. (I'll add that I'm a frugal audio enthusiast.)Thanks and I guess I can test the Sony UBP-X700U, it’s easy to source, indeed.
About the Dynaco, I think I have results from a clone of a Marantz which had a tube output stage too. I recall it was adding distortion. Digital output is, most of the time, unaltered from these old CD players since it was more expensive to add processing than not to![]()
| CD Player model or DAC | Calculated ENOB (999.91Hz sine @-12dBFS with shape dither, THD+N span = 20Hz - 6kHz) | Percentage of max resolution achieved (higher is better) |
| SMSL PL200MKII | 18.7bits | 100% |
| SMSL PL200 | 18.7bits | 100% |
| OPPO BDP-95 | 18.7bits | 100% |
| Denon DCD-900NE | 18.5bits | 98.93% |
| Denon DCD-SA1 | 18.5bits | 98.93% |
| OPPO BDP-105 | 18.5bits | 98.93% |
| Pioneer BDP-LX58 | 18.5bits | 98.93% |
| SMSL PL20* | 18.5bits | 98.93% |
| Orpheus Zero | 18.4bits | 98.40% |
| Yamaha CD-S2000 | 18.4bits | 98.40% |
| Azur 640C V2 | 18.3bits | 97.86% |
| Consonance CD 120B | 18.2bits | 97.33% |
| Onkyo C-733 | 18bits | 96.26% |
| SMSL PL150 | 18bits | 96.26% |
| TASCAM CD-200 | 17.9bits | 95.72% |
| SMSL PL100 | 17.9bits | 95.72% |
| Sony CDP-X559ES | 17.9bits | 95.72% |
| Fosi Merak | 17.7bits | 94.65% |
| Pioneer PD-D9 | 17.7bits | 94.65% |
| Denon DVD-A11 | 17.6bits | 94.12% |
| Sony CDP-597 | 17.5bits | 93.58% |
| Onkyo DX-7355 | 17.3bits | 92.51% |
| Denon DCD-3560 | 17.2bits | 91.98% |
| Onkyo C-7030 | 17.2bits | 91.98% |
| Shanling EC Play | 17bits | 90.90% |
| PROCEED PCD 3 | 16.9bits | 90.37% |
| Yamaha CD-S303 | 16.8bits | 89.84% |
| Revox B-226S | 16.8bits | 89.94% |
| Revox B-126 | 16.7bits | 89.30% |
| Accuphase DP-70 | 16.6bits | 88.77% |
| NAD C540 | 16.6bits | 88.77% |
| Sony CDP-337ESD | 16.6bits | 88.77% |
| Teac VRDS-25x | 16.5bits | 88.24% |
| Yamaha CDX-396 | 15.9bits | 85.03% |
| Marantz CD-73 | 14.9bits | 79.68% |
| Fiio DM15 | 13.5bits | 72.19% |
| Philips CD610 | 12.9bits | 69.98% |